A new geologic map of Alaska has been published by the U.S. Geological Survey. From the USGS release: “This map is a completely new compilation, carrying the distinction of being the first 100 percent digital statewide geologic map of Alaska. It reflects the changes in our modern understanding of geology as it builds on the past. More than 750 references were used in creating the map, some as old as 1908 and others as new as 2015. As a digital map, it has multiple associated databases that allow creation of a variety of derivative maps and other products.” The map is available traditionally in two PDF sheets, as well as in geodatabase, Shapefile and other database formats.
Susan Dennard: “Because I’m currently writing the second book in the Witchlands series (titled Windwitch), I thought I’d discuss maps. Why? Because maps are really, really important in storytelling. I don’t care what genre you’re writing—knowing Where Things Are not only helps the drafting process, but it also helps ground the story.”
Dirk’s LEGO globe consists of nearly 4,000 bricks. With the stand, it reaches half a metre in height (20 inches) and weighs 7.3 kg (16 pounds). The project page describes the project in obsessive detail, with lots of photos.
Scientists have been tracking seasonal freeze-thaw patterns for 30 years. This map, produced from data collected by NASA’s Soil Moisture Active Passive satellite, “shows the freeze-thaw status of areas north of 45 degrees latitude on March 5, 2015, as spring approached. Frozen land is blue; thawed land is pink. The measurement is possible because frozen water forms crystalline structures that can be detected by satellites.” NASA Earth Observatory.
The run-up to every holiday season produces a fresh batch of lavishly illustrated map books, and this year does not appear to be an exception. Map: Exploring the World, a collection of “300 stunning maps from all periods and from all around the world,” came out last month from Phaidon Press. The book was assembled by “an international panel of cartographers, academics, map dealers and collectors,” the publisher says; Forbes contributor Bruce Dorminey’s look at this book reveals that one of them was Library of Congress map curator John Hessler.
When J. R. R. Tolkien was writing The Lord of the Rings, the map was not an afterthought. (For one thing, with characters travelling many miles over many months, separately and together, distances and dates had to add up.) Tolkien didn’t just draft; he drew—maps, sketches, drawings, whatever he needed to help him visualize the world he was inventing. About 180 of those maps and drawings are now collected in a new book out today: The Art of The Lord of the Rings, edited by Wayne G. Hammond and Christina Scull (who previously authored The Lord of the Rings: A Reader’s Companion). Wired has some sample images. (From what I can tell, the British edition is slipcased.) [Boing Boing/MetaFilter]
N. K. Jemisin talks about the map that accompanies her new fantasy novel, The Fifth Season. Uncharacteristically for a fantasy map, but appropriately for the novel, it indicates tectonic plate boundaries. Also uncharacteristic is its use of shaded relief to indicate mountains. The map was executed by Tim Paul, whose portfolio is here.
As Fabrice Leroy exposes in “The Representation of Politics and the Politics of Representation in Schuiten and Peeters’s La Frontière Invisible,” (History and Politics in French-Language Comics, Jackson: The University of Mississippi Press, 2008, 117-136), two cartographic paradigms oppose each other throughout Schuiten and Peeters’ novel. The first one is carried by an old man, Monsieur Paul, who is committed to make maps that reflects on the historic conditions of a place, both at an individual empirical level and at a collective (inter)national one. This interpretation of the map is particularly illustrated in the first part of the story with the delicate care of each body interacting empirically with the model/terrain. The second one is also embodied by a character, Ismail Djunov, who undertook to automatize the process of map-making through monumental machines aiming at an objective cartography.
Something else for me to track down. The Invisible Frontier seems to be out of print.