The reviews on the U.S. store are hilarious, but on the U.K. store the single a review on the U.K. says that the globe is chalkboard (it’s made of polystyrene), which makes the product a good deal less absurd. Otherwise, it occurs to me that it could make a halfway decent base on which you could paste your own globe gores. [Cartophilia]
Le Monde en sphères, a new exhibition at the Bibliothèque nationale de France, looks at spherical representations of the world throughout history. Globes, to be sure, but there are other spherical representations to consider as well. See the exhibition website (in French; buggy in some browsers) or visit the physical exhibition, which opens on 16 April 2019 and runs until 21 July at the François Mitterand building. Tickets €7-9.
Entrepreneur magazine profiles Peter Bellerby, the founder of globemaking company Bellerby and Company. We’ve seen a lot of Bellerby profiles over the past few years, but this one goes into more depth than most. The story of the company’s founding (Peter wanted to make a globe for his father’s 80th birthday, et cetera) is retold, but we get some more detail about the size and volume of its business today: “This year, the company should turn around about 750 globes, compared to 500 last year—and the current wait list stands between six months and two years depending on globe size. Revenue-wise, the company will likely net about 3 million pounds (close to $4 million) in 2018.” That’s … that’s something. [WMS]
Here’s a short video from the British Museum about a 13th-century celestial globe; it goes into the history of the globe, who made it, and how the stars appear on it (i.e. if the sky is represented as a globe, we’re on the inside: how do the stars appear on that globe?).
In 2016 I told you about Michael Plichta’s first globe, a delightfully retro hand-crafted globe of Mars based on Percival Lowell’s maps that showed the world covered in canals. Plichta’s second globe project is also cool and unusual, but in a completely different way: it’s a relief globe of the Moon. No globe gores were used to make this 30-cm globe: the textured surface is cast in artificial plaster and then painted by hand, a compulsively exacting process laid out in this short video:
Hand-crafted globes are never inexpensive, and though Michael never mentions prices, this one cannot be either. (I’ve seen his Mars globe listed for $1,850.) That said, this is a definite lust object. I desperately want one.
The “President’s Globe” is big—really big and important. Weighing in at a whopping 750 pounds and sized at an impressive 50 inches in diameter, the globe was specially designed for President Franklin D. Roosevelt for use during World War II. The massive representation of the earth helped the president gauge distances over water to allocate personnel and material in support of the war effort against the Axis Powers of Germany, Japan, and Italy. This feat of cartographic history was given as a Christmas present to the president in 1942, and he placed the globe directly behind his office chair, often referring to it during his workday.
Here’s something to do if you’re in the United Arab Emirates. Opening tomorrow (23 March) at the Louvre Abu Dhabi and running until 2 June, Globes: Visions of the World presents works from the Bibliothèque nationale de France and other loaned works, including more than 40 globes.
Starting with the great minds of ancient Greece, the exhibition follows humanity’s never-ending quest for knowledge and adventure. Uncover the vital role played by the pioneering scientists of the Islamic world, and track the ancient science of astronomy as it passed through Muslim Spain in the 10th and the 11th centuries. See the earliest-known celestial globes from the Islamic world and one of the earliest known Arab astrolabe in the world.
Clausen guesses that the forgery was done in the 1940s or 1950s (“The prime forgery suspect is Carl Schweidler, whom Clausen calls ‘probably the best paper restorer of the 20th century.’”);
The reason why Christie’s was led astray was that one of the reference gores—the Bavarian State Library’s—was also a fake (that latter fact has already come out, but this article doesn’t gloss over its importance); and
Barry Ruderman, Clausen’s boss, guesses that this is only the tip of the forgery iceberg.
Still more coverage of the cancelled auction of the Waldseemüller globe gores that were later identified as fakes, this time from the Houston Chronicle, which pursues the local-interest angle by talking to Michal and and Lindsay Peichl, restorers from Clear Lake, Texas (their firm is Paper Restoration Studio) who were brought in to examine the gores along with other experts. Michal says it didn’t take him long to figure it out:
“My first reaction when I saw the picture was, ‘Oh my God, this is a fake,'” said Michal. “You could tell this was a sheet of paper pulled from a book binding board.
“It was printed on a piece of paper that used to be glued on the back of book and that was a red flag to me because as a forger, if you want to make a fake, that’s where you would go to get a clean sheet of paper.”
More on the cancelled auction of the Waldseemüller globe gores from Minneapolis-St. Paul TV station KARE, which looks at the work by the James Ford Bell Library that raised questions about the authenticity of the gores that Christie’s was set to auction last week. And a seriously buried lede: another set of Waldseemüller globe gores may not be authentic either: “During this process, experts also discovered that a copy at the Bavarian State Library in Germany may not be authentic, as well. Ragnow said that copy matches closely with the 2017 Christie’s one.” [WMS]