Entrepreneur magazine profiles Peter Bellerby, the founder of globemaking company Bellerby and Company. We’ve seen a lot of Bellerby profiles over the past few years, but this one goes into more depth than most. The story of the company’s founding (Peter wanted to make a globe for his father’s 80th birthday, et cetera) is retold, but we get some more detail about the size and volume of its business today: “This year, the company should turn around about 750 globes, compared to 500 last year—and the current wait list stands between six months and two years depending on globe size. Revenue-wise, the company will likely net about 3 million pounds (close to $4 million) in 2018.” That’s … that’s something. [WMS]
In 2016 I told you about Michael Plichta’s first globe, a delightfully retro hand-crafted globe of Mars based on Percival Lowell’s maps that showed the world covered in canals. Plichta’s second globe project is also cool and unusual, but in a completely different way: it’s a relief globe of the Moon. No globe gores were used to make this 30-cm globe: the textured surface is cast in artificial plaster and then painted by hand, a compulsively exacting process laid out in this short video:
Hand-crafted globes are never inexpensive, and though Michael never mentions prices, this one cannot be either. (I’ve seen his Mars globe listed for $1,850.) That said, this is a definite lust object. I desperately want one.
Bellerby & Co., the maker of expensive hand-made globes, is hiring again: this time they’re looking for a graphic designer/cartographer—a skill set more widely available than that for the apprentice globemaker they were looking for last year. They’re also looking for a woodworker to build the wood bases for their globes.
Bellerby & Co., makers of expensive bespoke handmade globes, continues to get all kinds of good press: earlier this week they were featured on CBS Sunday Morning.
It takes between 6 months to a year to learn how to make just the smallest sized globe … it is a further few years to make the larger sized globes.
Since it is unlikely we will find a former Globemaker.. all applicants will have to have a trial period… you have to try it before you both know you can do it … and to know you like doing it!
All jobs in our company require a patient and passionate person who will commit to the learning process and wants to stay in the company for at least 3 years afterwards.
The job posting was up for at least two months before Atlas Obscura blogged about it yesterday, but I presume, given Bellerby’s rather precise requirements—not so much about the candidate’s qualifications but their characteristics—that the position is still open. Have at it.
Random and miscellaneous globe items:
James Wilson was America’s first globe maker; his Bradford, Vermont-based globe factory opened in 1813. Geolounge points to the above illustration of Wilson, undated but from the early 20th century, by Roy Frederic Heinrich.
The Norman B. Leventhal Map Center: “Dennis Townsend, a Vermont schoolteacher, created this collapsible, portable, and inexpensive paper globe for students as an alternative to the large, more expensive globes available mainly in schools and libraries.”
In my post about old British films about globemaking I said, “These films fascinate me because they describe a kind of globemaking—layers of plaster, paper globe gores, and varnish—that I don’t think happens any more.” On The Map Room’s Facebook page, a commenter replied that Lander and May use the same methods today. Handmade by Chris Adams, these artisanal globes appear to be closer in class and price to Bellerby than to Replogle.
Finally, via the Washington Map Society’s Facebook page, news that a book about 17th- and 18th-century cartographer and globemaker Vincenzo Coronelli, Marica Milanesi’s Vincenzo Coronell Cosmographer, 1650-1718, is now available, though apparently not easily.
This short film on globemaking from 1955 has been making the social media rounds:
Compare it to this short film from 1949:
It’s nearly identical in its turns of phrase and factoids, though there are slightly different emphases. Though the firm is unnamed, it’s clearly the same one: it’s even the same guy doing the varnishing.
These films fascinate me because they describe a kind of globemaking—layers of plaster, paper globe gores, and varnish—that I don’t think happens any more. There are some similarities to Bellerby’s globemaking methods, but Bellerby’s underlying globe isn’t a plaster shell. And most of us don’t have the money for a Bellerby globe: if we have a globe, it’s almost certainly a Replogle. As this short video from the Chicago History Museum reveals, Replogle’s globes are a combination of paper, cardboard and glue:
Briefly noted: A Renaissance
Globemaker’s Toolbox: Johannes Schöner and the Revolution of Modern Science, John Hessler’s biography of German priest, astronomer and mathematician Johannes Schöner (1477-1547), an early globemaker who, among other things, created the first printed celestial globe gores as well as globe gores for Martin Waldseemüller’s world maps.
The survival of Schöner’s notes and annotations is unique in the history of cartography; not only do they show his thinking about theoretical and practical geography, but they also reveal the art of mapmaking during his lifetime. John Hessler discusses Schöner’s opinions on the canonical geography of Ptolemy, his reaction to the new discoveries of Columbus and Vespucci, and his involvement in the new astronomy of Copernicus. Schöner’s surviving notebooks, manuscripts, and associations with other scientists of the period offer unprecedented insight into the history of these materials, and into the geographical and astronomical concerns that fuelled the birth of modern science development during this critical period in its development.