The Atlas of Boston History, edited by Boston historian Nancy S. Seasholes, came out last week from the University of Chicago Press. It features 57 full-colour spreads—for a complete list, plus some examples, go here—that trace the city’s history from the post-glacial period to the present day through maps, photos, illustrations and accompanying text from three dozen different contributors. (The maps are original to this volume: this is a historical atlas, not a collection of old maps, in case that needs saying.) Looks impressive and interesting.
Despite the imminent shutdown of Yahoo Groups, and the lamented demise of MapHist in 2012, discussion lists are still a thing, it seems: H-Net, that venerable purveyor of academic discussion lists since I was in academia, has, with the collaboration of the International Society for the History of the Map, launchedH-Maps, “an international digital forum in the historical study of the making, circulation, use and preservation of maps from the ancient to the contemporary period.” Scholarly in focus, to be sure.
Tony Campbell lists other discussion lists related to map history here.
In How to Draw a Map (HarperCollins UK, September), father and son cartographers Alexander and Malcolm Swanston provide “a fascinating meditation on the centuries-old art of map-making, from the first astronomical maps to the sophisticated GPS guides of today.” In other words, title not to be taken literally: as you can tell from the online excerpt available here, it’s a potted history of mapmaking—a familiar genre around these parts. [Amazon, Apple Books]
During the 19th century, the United States expanded dramatically westward. Immigrant settlers rapidly spread across the continent and transformed it, often through violent or deceptive means, from ancestral Native lands and borderlands teeming with diverse communities to landscapes that fueled the rise of industrialized cities. Historical maps, images and related objects tell the story of the sweeping changes made to the physical, cultural, and political landscape. Moving beyond the mythologized American frontier, this map exhibition explores the complexity of factors that shaped our country over the century.
As usual, there’s a comprehensive online version, which is peppered with acknowledgements of the very white, very settler-colonialist perspective of the maps on display. Which are, of course, justified, but as far as I can see they’re asterisks and asides on an otherwise unchanged exhibit.
A project of Cambridge’s Violence Research Centre, the London Medieval Murder Map is an interactive map that plots 142 murders from the first half of the 14th century onto one of two maps of London: a 1572 map from Braun and Hogenberg’s Civitates Orbis Terrarum or a map of London circa 1270 published by the Historic Towns Trust in 1989. The interactive map is powered by Google Maps, but the Braun and Hogenberg is not georectified, so the pushpins shift as you toggle between the base maps. [Ars Technica]
Atlas Obscura looks at the cartographic work of early American educator Emma Willard, who in 1829 published a series of maps to accompany her History of United States, or Republic of America, a school textbook that came out the previous year. The book was an early example of a historical atlas: it was “the first book of its kind—the first atlas to present the evolution of America.”
Forgotten Wrecks of the First World War is an interactive map of more than 1,000 wartime wrecks along England’s south coast. Like much of the material and personal history of that war, the wreck sites—”which include merchant and naval ships, passenger, troop and hospital ships, ports, wharfs, buildings and foreshore hulks”—are degrading; this is a project designed both to raise awareness and preserve information. Selecting a wreck site brings up a wealth of detail about the ship, its current state, and the circumstances of its loss. More at the project page and from BBC News. The map itself is a basic Mapbox affair, with a layer that only looks vintage (there are motorways). [Kenneth Field]
In Scotland: Defending the Nation (Birlinn, 4 October), Carolyn Anderson and Christopher Fleet “explore the extraordinarily rich legacy of Scottish military mapping, including fortification plans, reconnaissance mapping, battle plans, plans of military roads and routeways, tactical maps, plans of mines, enemy maps showing targets, as well as plans showing the construction of defences. In addition to plans, elevations and views, they also discuss unrealised proposals and projected schemes. Most of the maps—some of them reproduced in book form for the first time—are visually striking and attractive, and all have been selected for the particular stories they tell about both attacking and defending the country.”
There’s a lot of stuff relevant to our interests on the website of the University of Richmond’s Digital Scholarship Lab, and it’s hard to know what to begin with. One of the more recent projects, which CityLab saw fit to link to yesterday, is an interactive map showing elections to the U.S. House of Representatives from 1840 to 2016. It’s the kind of project that the user can get very, very lost in. In addition to the usual map of U.S. congressional districts, the site can also visualize the districts as a dot map to minimize the empty-land-doesn’t-vote problem (they call it a cartogram: it isn’t). There’s also a timeline showing the overall results over time at a glance; selecting a district gives shows how the district voted in past contests as a line graph. In other words: quite a lot of data, economically presented.
Native Land is an interactive map that shows traditional territories, indigenous languages and treaties in the Americas, Greenland, Hawaii, the Mariana Islands, Australia and New Zealand, though the treaty coverage is limited to Canada and the United States. In part because the map is ahistorical, there is some overlap in terms of languages and territories. The brainchild of Victor Temprano, who started the project in 2015, Native Land is also available as a mobile app: iOS, Android. [Atlas Obscura]