During the 19th century, the United States expanded dramatically westward. Immigrant settlers rapidly spread across the continent and transformed it, often through violent or deceptive means, from ancestral Native lands and borderlands teeming with diverse communities to landscapes that fueled the rise of industrialized cities. Historical maps, images and related objects tell the story of the sweeping changes made to the physical, cultural, and political landscape. Moving beyond the mythologized American frontier, this map exhibition explores the complexity of factors that shaped our country over the century.
As usual, there’s a comprehensive online version, which is peppered with acknowledgements of the very white, very settler-colonialist perspective of the maps on display. Which are, of course, justified, but as far as I can see they’re asterisks and asides on an otherwise unchanged exhibit.
The Festival of Personal Geographies explores the use of art in creating personalized maps. Running until March 19 at several venues in Ames, Iowa, the Festival consists of an exhibition (“‘Index to a Place,’ an exhibition of prints, drawings and paintings that use the graphical languages of maps as a starting point in their creation”) and four workshops on personalized mapmaking. The event is organized by local artist Tibi Chelcea and hosted by ISU’s Design on Main Gallery. Free admission, free registration.
Creative Cartography: Since 2014, students of Ellen Meissinger’s Art on Paper class at Arizona State University have taken discarded maps from ASU Library’s Map and Geospatial Hub and put them to use as raw material for art projects. Every year since then those projects have been the subject of an exhibition hosted by the Map and Geospatial Hub: this year’s exhibition, Place and Space, opened on 7 November and runs until the 26th. (That’s next Monday. Get a move on.) [WMS]
A Fine and Fertile Country: How America Mapped Its Meals, an exhibition at the Harvard Map Collection, runs through 1 March 2019. “Harvard’s maps of American agriculture, ranging from the colonial period to current GIS data, demonstrate how food production has been a matter of concern ever since the first colonists arrived. The history of finding and farming food in the United States is a story of culture and convenience, capitalism and cattle drives. Academic arguments aside, once you see what the maps will show you, you might never look at apples and potatoes the same way.” No online version yet.
If you missed Worlds Imagined, the imaginary maps exhibition at Texas A&M University last year, fear not. The 100-page exhibition catalogue is still available for download (if no longer in print), and while it doesn’t always show the entire map, it’s a hell of a reference, equal in scope and comprehensiveness to J. B. Post’s 1979 Atlas of Fantasy, only more up to date. The exhibition curators also put together a video tour: the full version (above) is 25 minutes long; there’s a three-minute quick tour as well.
An exhibition at the New York Transit Museum, Navigating New York, got a writeup in Curbed New York. “The exhibit, which has been in the works for about a year, draws heavily on the NYTM’s extensive collection of objects related to the transit system—subway maps, yes, but also cartographic tools, renderings, and other ephemera. There are also items that might be familiar even to those who aren’t transit wonks, like the New Yorker’s 2001 ‘New Yorkistan’ cover by Rick Meyerowitz and Maira Kalman.” Vignelli’s famous 1972 subway map also makes an appearance. The exhibition runs through 9 September 2019; there’s no dedicated web page for it.
A new exhibition opened at the Leventhal Map Center today: Crossing Boundaries: Art // Maps “juxtaposes contemporary works of art with selected maps from the collections of the Norman B. Leventhal Map and Education Center at the Boston Public Library. These pairings and trios create dialogues that illuminate the crossing of the traditional boundaries of art and maps, and stimulate a fresh appreciation of both media.” Runs until 20 April 2019; if you can’t make it to Boston there’s an online version.
An exhibition at the Instituto Geográfico Nacional in Madrid: De Iberia a España a través de los mapas (“From Iberia to Spain via Maps”), which looks at the changing cartographic representations of Spain and the Iberian peninsula from classical times to the 19th century. Sixty maps on display, plus books, perspective views and a globe. The year-long exhibition runs until 20 April 2019. Free admission. [WMS]
An exhibition celebrating Welsh author and cartographer Humphrey Llwyd (1527-1568) is taking place at the National Library of Wales: BBC News, press release. Among other things, Llwyd produced the first published map of Wales (rather than as a part of another map), the Cambriae Typus, which appeared as an addendum to Ortelius’s Theatrum Orbis Terrarum in 1573. The exhibition runs until the 31st at the Library in Aberystwyth; admission is free. The Library’s digital version of the map is available here.