Mapping the Moon in Black and White, an exhibition curated by the Harvard Map Collection at Harvard’s Pusey Library, “guides you through the mutually reinforcing efforts to map the Moon using orbital imagery and the race to walk on the Moon. At ‘Mapping the Moon in Black and White,’ you will also learn how these mapping efforts sat within larger critiques of the Space Race, especially from Civil Rights organizations like the Southern Christian Leadership Conference and the Black Panther Party.” Runs until 31 October 2019; a reception and curatorial talk will take place on 18 September.
In case the Talking Maps exhibition (previously) was insufficient cause for you to visit the Bodleian Library in Oxford this year, here’s another. The Sheldon Tapestry Map of Oxfordshire, one of four tapestry maps of English counties commissioned in the late 16th century by Ralph Sheldon, is on display at the Bodleian’s Weston Library. The tapestry is partially complete—intact it would have measured 3.5 × 5.5 metres—and on display for the first time in a century, having gone through a “painstaking” restoration. BBC News, Londonist.
The Oxfordshire tapestry map replaces a display of the Worcestershire tapestry map that had been running for the past four years: both were donated to the Bodleian by Richard Gough in 1809. The Bodleian acquired a sizeable section of the Gloucestershire map in 2007 (it went on display the following year); other parts are in private hands. The fourth tapestry map, of Worcestershire, is the only one that is completely intact and not missing any pieces: it’s owned by the Warwickshire Museum, where it’s on display at the Market Hall Museum.
Talking Maps, opening today at the Bodleian Libraries, is a major new map exhibition featuring maps from the Bodleian’s collections.
Highlights on show include the Gough Map, the earliest surviving map showing Great Britain in a recognizable form, the Selden Map, a late Ming map of the South China Sea, and fictional maps by C. S. Lewis and J. R. R. Tolkien. Map treasures from the Libraries’ collection will be shown alongside specially commissioned 3D installations and artworks, and exciting works on loan from artists and other institutions.
The exhibition is co-curated by Jerry Brotton, who among other things wrote A History of the World in Twelve Maps (my review) and Bodleian map librarian Nick Millea. They’ve co-authored a companion book to the exhibition, also out today, and also called Talking Maps (Bodleian).
The Bodleian is also publishing a number of other map books to coincide with the exhibition, including Mark Ashworth’s Why North is Up: Map Conventions and Where They Came From (Bodleian) and Brotton and Millea’s Fifty Maps and the Stories They Tell (Bodleian).
(See the Map Books of 2019 page for more Bodleian titles.)
Mapping Memory: Space and History in 16th-century Mexico, a new exhibition at the Blanton Museum of Art at the University of Texas at Austin, presents “a selection of maps, known as Mapas de las Relaciones Geográficas, created by Indigenous artists around 1580. These unique documents show some of the visual strategies used by native communities for the endurance and perseverance of their cultures throughout the so-called colonial period and well beyond.” Opened 29 June; runs until 25 August.
Opening today at Hughenden Manor: a permanent exhibition on the secret wartime mapping activities that took place at the Buckinghamshire mansion during the Second World War.
In rooms never before opened to the public, the installation features original photographs, records and memories of personnel involved at the time.
In newly accessible spaces used by the mapmakers themselves, the interactive exhibits shed light on how Hillside played such a significant role in shaping the outcome of the war. […]
Codenamed ‘Hillside’, Hughenden played such a critical role supporting the pilots of nearby Bomber Command that it was on Hitler’s list of top targets.
Around 100 personnel were based here, drawing up the maps used for bombing missions during the war, including the ‘Dambusters’ raid and for targeting Hitler’s mountain retreat Eagle’s Nest. Skilled cartographers produced leading-edge maps from aerial photographs delivered by the RAF’s reconnaissance missions.
The BBC News story provides more detail: some 3,500 hand-drawn target maps were produced at Hughenden Manor during the War.
With the 50th anniversary of Apollo 11 almost upon us, there’s been an uptick in moon-related content, which includes moon-related map content. For example:
New Exhibition. Opening today at The Map House in London, The Mapping of the Moon: 1669-1969, an exhibition of three centuries of lunar cartography. “The exhibition includes rare early 17th and 18th Century observations of the moon from astronomers such as Athanasius Kircher and Jean-Dominique Cassini, important maps produced by NASA for lunar exploration, globes and signed material by astronauts Neil Armstrong, Buzz Aldrin, Alan Bean and Jim Lovell.” Runs until 21 July. [ARTFIXDaily]
New Map. The July 2019 issue of National Geographic has a new map of the Moon that updates the 1969 painted version (see above) with a mosaic based on Lunar Reconnaissance Orbiter imagery. I don’t know whether that means a physical version of the map will be included with the issue as an insert, but I hope it does.
New Way to Navigate. NASA has a post on using GPS on the Moon. Now, I’d thought that using GPS on another world would require the deployment of a GPS satellite constellation around said world. No, this is about using Earth-orbiting GPS signals for lunar navigation, which simulations suggest is possible. The mind boggles.
An exhibition at BNU Strasbourg, Hors du Monde: La Carte et l’Imaginaire, explores the role of imagined places on maps, from monsters on Renaissance maps to California-as-an-island to fantasy maps. The press dossier (PDF; in French) serves as a fairly detailed guide. Opened 18 May; runs until 20 October 2019. Admission 3€.
The Leventhal Map Center’s latest exhibition, America Transformed: Mapping the 19th Century, opened last Saturday and runs until 10 November 2019.
During the 19th century, the United States expanded dramatically westward. Immigrant settlers rapidly spread across the continent and transformed it, often through violent or deceptive means, from ancestral Native lands and borderlands teeming with diverse communities to landscapes that fueled the rise of industrialized cities. Historical maps, images and related objects tell the story of the sweeping changes made to the physical, cultural, and political landscape. Moving beyond the mythologized American frontier, this map exhibition explores the complexity of factors that shaped our country over the century.
As usual, there’s a comprehensive online version, which is peppered with acknowledgements of the very white, very settler-colonialist perspective of the maps on display. Which are, of course, justified, but as far as I can see they’re asterisks and asides on an otherwise unchanged exhibit.
Untapped Cities has photos from an exhibition of historic and antique maps of New York City at the gallery of Manhattan rare book dealer Martayan Lan. New Amsterdam to Metropolis: Historic Maps of New York City features maps of the city dating back to the 16th century. It opened last November and runs until the end of May 2019. Some (but not all) of the maps, the New York Times notes, are for sale, which is what happens when it’s a rare book dealer rather than a museum or library doing the exhibition.
The Festival of Personal Geographies explores the use of art in creating personalized maps. Running until March 19 at several venues in Ames, Iowa, the Festival consists of an exhibition (“‘Index to a Place,’ an exhibition of prints, drawings and paintings that use the graphical languages of maps as a starting point in their creation”) and four workshops on personalized mapmaking. The event is organized by local artist Tibi Chelcea and hosted by ISU’s Design on Main Gallery. Free admission, free registration.
Creative Cartography: Since 2014, students of Ellen Meissinger’s Art on Paper class at Arizona State University have taken discarded maps from ASU Library’s Map and Geospatial Hub and put them to use as raw material for art projects. Every year since then those projects have been the subject of an exhibition hosted by the Map and Geospatial Hub: this year’s exhibition, Place and Space, opened on 7 November and runs until the 26th. (That’s next Monday. Get a move on.) [WMS]
A Fine and Fertile Country: How America Mapped Its Meals, an exhibition at the Harvard Map Collection, runs through 1 March 2019. “Harvard’s maps of American agriculture, ranging from the colonial period to current GIS data, demonstrate how food production has been a matter of concern ever since the first colonists arrived. The history of finding and farming food in the United States is a story of culture and convenience, capitalism and cattle drives. Academic arguments aside, once you see what the maps will show you, you might never look at apples and potatoes the same way.” No online version yet.
If you missed Worlds Imagined, the imaginary maps exhibition at Texas A&M University last year, fear not. The 100-page exhibition catalogue is still available for download (if no longer in print), and while it doesn’t always show the entire map, it’s a hell of a reference, equal in scope and comprehensiveness to J. B. Post’s 1979 Atlas of Fantasy, only more up to date. The exhibition curators also put together a video tour: the full version (above) is 25 minutes long; there’s a three-minute quick tour as well.
Previously: Fantasy Maps Exhibit at Texas A&M Library.
Running until 23 December at the George Washington University Museum, Eye of the Bird: Visions and Views of D.C.’s Past is an exhibition of bird’s-eye views of the U.S. capital. Two new paintings by Peter Waddell specially commissioned for the exhibition—large, delicately detailed oil-on-canvas paintings that took two years to finish—serve as its centrepiece; paintings and artist are the subject of this Washington Post piece. [WMS]
Previously: The Albert H. Small Washingtoniana Collection.