The Piri Reis map is back on display at the Topkapı Palace in Istanbul. Like the Tabula Peutingeriana, it’s only taken out for display at intervals to protect it from the elements. Discovered when the palace was being converted into a museum in the 1920s, the map is the western third of a portolan chart drawn on gazelle skin parchment in 1513 by Ottoman admiral Ahmet Muhiddin Piri (“Reis”—admiral—was his title). It was an expansive compilation of ancient and contemporary sources much like the Waldseemüller map, and is fascinating in its own right; in recent years, though, it became one of the “proofs” of a nutty theory involving ancient civilizations and polar shifting. [Tony Campbell]
Maps of the Pacific is an exhibition of the State Library of New South Wales’s holdings of maps, charts atlases and globes relating to the Pacific Ocean. “This exhibition traces the European mapping of the Pacific across the centuries—an endeavour that elevated the science and art of European mapmaking. Redrawing the map of the world ultimately facilitated an era of brutal colonisation and dispossession for many Pacific First Nations communities.” Open now at the library’s exhibition galleries in Sydney, the exhibition runs until 24 April 2022. Free admission.
You Are Here: California Stories on the Map is an exhibition showing at the Oakland Museum of California through 2022. “Showcasing a diverse range of maps from Oakland, the Bay Area, and California—from environmental surroundings and health conditions to community perspectives and creative artworks—experience how maps can be a powerful tool to share unique points of view and imagine a better future.” San Francisco Examiner coverage. Admission is $16 or free to museum members.
The latest exhibition at the Osher Map Library and Smith Center for Cartographic Education is deliberately on the nose: Where Will We Go from Here? Travel in the Age of COVID-19 is the Osher’s first crowdsourced exhibition, based in part on more than 140 responses to an online survey about cancelled travel plans and the impact of the novel coronavirus pandemic.
The exhibition is divided into five sections, beginning with an introduction to the mapping of pandemics and diseases, and continuing into four themes that emerged from the types of cancelled or postponed trips our respondents wrote about most frequently: Birthdays, Anniversaries, and Family Milestones; Weddings; Work-Related Travel; and Lost Study-Abroad Experiences. The curators selected stories from the survey and matched personal narratives and reflections about trips not taken to historic maps from our collections. We hope that as you walk through the gallery you will take time to read these personal narratives, and that they provide you with an opportunity to engage in quiet reflection about the challenges you and your loved ones have faced this year, and that you will join us in pondering the question: “Where will we go from here?”
At the end of our questionnaire, we asked participants: “Beyond your canceled travel plans, is there anything else you would like to tell us about how the pandemic has impacted your living and working situations?” We were particularly moved by the honest and thoughtful responses to this question; all responses can be read in a scrolling feed on the monitor at the end of the exhibit.
The physical exhibition opened on 13 May and is open to visitors until 15 October 2021. Free admission with timed tickets; no more than six visitors are allowed in the gallery at any one time. The online exhibition starts here; the sections mixing personal narratives and historical maps can be quite poignant.
A new online exhibition at Stanford Libraries’ Rumsey Map Center: Mapping the Islamic World: The Ottoman, Safavid and Mughal Empires. Curated by guest curator Alexandria Brown-Hejazi, the exhibition, which opened last week, “explores maps of the Islamic World, focusing on the ‘Gunpowder Empires’ of Ottoman Turkey, Safavid Persia, and Mughal India. […] A rich cartographic exchange took place between these three empires and European powers, as maps were used to chart their expansive territories, military campaigns, and trade routes.”
Mapping Maine: The Land and Its Peoples, 1677-1842, an exhibition of maps celebrating Maine’s bicentennial while acknowledging the Wabanaki presence and history in the space that became Maine, opens today at the Osher Map Library and Smith Center for Cartographic Education. The online component is here; there is a physical exhibition in the OML’s gallery, but visitors are limited to a maximum of four per one-hour timeslot: details here. Curated by Matthew Edney, the exhibition runs until 31 March 2021.
The Leventhal Center’s latest online map exhibition, Mapping a World of Cities, draws examples of city maps from ten map libraries and collections across the United States; those examples range from a 1524 map of Tenochtitlán (above) to a 1927 map of Chicago gangs.
Looking at maps helps us to understand the changing geography of urban life. Maps didn’t just serve as snapshots of how cities looked at one moment in time; in the form of plans, maps were also used to build, speculate, and fight over urban form. Historical maps reflect cities’ ethnic and economic transformations, systems of domination and oppression, sites of monumentality and squalor. They capture good times and bad, expansion, decay, and destruction. City dwellers take great pride in their cities, as part of a shared sense of place that embedded in a historical trajectory. Maps tell the stories of a city’s past, present—and perhaps its future.
The Library of Congress’s Geography and Map Division contributed five maps to the exhibition; see their post.
Bending Lines: Maps and Data From Distortion to Deception, the latest exhibition from the Leventhal Map and Education Center at the Boston Public Library, is a wide-ranging, comprehensive look at the relationship between maps and the truth. We expect maps not to lie, but maps have misled, propagandized or at the very least provided a particular perspective for as long as there have been maps.
Every map is a representation of reality, and every representation, no matter how accurate and honest, involves simplification, symbolization, and selective attention. Even when a map isn’t actively trying to deceive its readers, it still must reduce the complexity of the real world, emphasizing some features and hiding others. Compressing the round globe onto a flat sheet of paper, and converting places, people, and statistics into symbols, lines, and colors is a process inherently fraught with distortion. […]
In Bending Lines: Maps and Data From Distortion to Deception, we explore the many ways in which maps have “bent” reality and created a picture of the world that is oftentimes more real than reality itself. Some of the maps in this exhibition are deliberately nefarious, created by people or institutions who are trying to mislead or persuade. But for many of the others, the relationship between map and truth is more ambiguous. Some maps dim a certain type of truth in order to let another type of interpretation shine through, while others classify and categorize the world in ways that should raise our skepticism. And for some of the maps shown here, the persuasive goal isn’t trickery but liberation, as they seek to raise awareness of truths that were previously obscured or oppressed.
This exhibition was to have launched last month, but thanks to the pandemic has had to go fully online. Tackling everything from persuasive cartography to map projections to the sort of thing Mark Monmonier talks about in How to Lie with Maps, it’s an enormous undertaking in more than one sense. CityLab’s Laura Biss interviews the Leventhal’s curator, Garrett Dash Nelson, about the exhibition.
Update, 2 July: Harvard Magazine looks at the exhibition.
BBC Four is rebroadcasting The Beauty of Maps, a four-episode series that coincided with the 2010 Magnificent Maps exhibition at the British Library. Two episodes broadcast so far, with the third this evening and the fourth tomorrow. They’ll be on iPlayer for the next month.
Meanwhile, the British Library’s 2016 Maps and the 20th Century exhibition (previously) is now available in virtual form—as in, you can “walk” through a virtual recreation of the physical exhibition. Articles related to the exhibition are available here, and of course the companion volume, Maps and the 20th Century: Drawing the Line, edited by Tom Harper, is still available: Amazon (Canada, UK), Bookshop.
Building Boston, Shaping Shorelines is a Harvard Map Collection exhibition going on now at Harvard Library’s Pusey Library Gallery. “This exhibition allows you to trace the projects to reclaim land and build the infrastructure that has produced a city out of a peninsula. Come learn how much of Boston is on man-made land and what impacts that has had and will have on the city.” There is no online version, but Harvard Magazine has a writeup. Until 1 May 2020.
Previously: The Atlas of Boston History.
Cornell University Library has been home to the P. J. Mode Collection of Persuasive Cartography since 2014, and that collection is very much available online. Today, though, a new exhibition of maps from that collection opens at the Carl A. Kroch Library’s Hirshland Exhibition Gallery. Latitude: Persuasive Cartography runs until 21 February 2020.
Cornell isn’t the only repository of maps intended to persuade or propagandize. The Library of Congress acquired a collection of 180 such maps, focusing on war and propaganda in the first half of the 20th century, in 2016.
A new exhibition opens today at the Archives Nationales in Paris: Quand les artistes dessinaient les cartes (“When Artists Drew Maps”), an exploration of vues figurées —what we might refer to today as chorographic maps or panoramas—drawn by artists from the 14th to the 16th century. “Presented for the most part for the first time to the public, these works shed new light on the landscapes and scenes of everyday life at the turn of the Middle Ages and the Renaissance.”1 Nearly 100 original maps on display. At the Hôtel de Soubise site in Paris until 7 January 2020, 8€/5€. [Tony Campbell]
Mapping the Moon in Black and White, an exhibition curated by the Harvard Map Collection at Harvard’s Pusey Library, “guides you through the mutually reinforcing efforts to map the Moon using orbital imagery and the race to walk on the Moon. At ‘Mapping the Moon in Black and White,’ you will also learn how these mapping efforts sat within larger critiques of the Space Race, especially from Civil Rights organizations like the Southern Christian Leadership Conference and the Black Panther Party.” Runs until 31 October 2019; a reception and curatorial talk will take place on 18 September.
In case the Talking Maps exhibition (previously) was insufficient cause for you to visit the Bodleian Library in Oxford this year, here’s another. The Sheldon Tapestry Map of Oxfordshire, one of four tapestry maps of English counties commissioned in the late 16th century by Ralph Sheldon, is on display at the Bodleian’s Weston Library. The tapestry is partially complete—intact it would have measured 3.5 × 5.5 metres—and on display for the first time in a century, having gone through a “painstaking” restoration. BBC News, Londonist.
The Oxfordshire tapestry map replaces a display of the Worcestershire tapestry map that had been running for the past four years: both were donated to the Bodleian by Richard Gough in 1809. The Bodleian acquired a sizeable section of the Gloucestershire map in 2007 (it went on display the following year); other parts are in private hands. The fourth tapestry map, of Worcestershire, is the only one that is completely intact and not missing any pieces: it’s owned by the Warwickshire Museum, where it’s on display at the Market Hall Museum.
Talking Maps, opening today at the Bodleian Libraries, is a major new map exhibition featuring maps from the Bodleian’s collections.
Highlights on show include the Gough Map, the earliest surviving map showing Great Britain in a recognizable form, the Selden Map, a late Ming map of the South China Sea, and fictional maps by C. S. Lewis and J. R. R. Tolkien. Map treasures from the Libraries’ collection will be shown alongside specially commissioned 3D installations and artworks, and exciting works on loan from artists and other institutions.
The exhibition is co-curated by Jerry Brotton, who among other things wrote A History of the World in Twelve Maps (my review) and Bodleian map librarian Nick Millea. They’ve co-authored a companion book to the exhibition, also out today, and also called Talking Maps (Bodleian).
The Bodleian is also publishing a number of other map books to coincide with the exhibition, including Mark Ashworth’s Why North is Up: Map Conventions and Where They Came From (Bodleian) and Brotton and Millea’s Fifty Maps and the Stories They Tell (Bodleian).
(See the Map Books of 2019 page for more Bodleian titles.)