Creative Cartography: Since 2014, students of Ellen Meissinger’s Art on Paper class at Arizona State University have taken discarded maps from ASU Library’s Map and Geospatial Hub and put them to use as raw material for art projects. Every year since then those projects have been the subject of an exhibition hosted by the Map and Geospatial Hub: this year’s exhibition, Place and Space, opened on 7 November and runs until the 26th. (That’s next Monday. Get a move on.) [WMS]
A Fine and Fertile Country: How America Mapped Its Meals, an exhibition at the Harvard Map Collection, runs through 1 March 2019. “Harvard’s maps of American agriculture, ranging from the colonial period to current GIS data, demonstrate how food production has been a matter of concern ever since the first colonists arrived. The history of finding and farming food in the United States is a story of culture and convenience, capitalism and cattle drives. Academic arguments aside, once you see what the maps will show you, you might never look at apples and potatoes the same way.” No online version yet.
If you missed Worlds Imagined, the imaginary maps exhibition at Texas A&M University last year, fear not. The 100-page exhibition catalogue is still available for download (if no longer in print), and while it doesn’t always show the entire map, it’s a hell of a reference, equal in scope and comprehensiveness to J. B. Post’s 1979 Atlas of Fantasy, only more up to date. The exhibition curators also put together a video tour: the full version (above) is 25 minutes long; there’s a three-minute quick tour as well.
Previously: Fantasy Maps Exhibit at Texas A&M Library.
Running until 23 December at the George Washington University Museum, Eye of the Bird: Visions and Views of D.C.’s Past is an exhibition of bird’s-eye views of the U.S. capital. Two new paintings by Peter Waddell specially commissioned for the exhibition—large, delicately detailed oil-on-canvas paintings that took two years to finish—serve as its centrepiece; paintings and artist are the subject of this Washington Post piece. [WMS]
Previously: The Albert H. Small Washingtoniana Collection.
An exhibition at the New York Transit Museum, Navigating New York, got a writeup in Curbed New York. “The exhibit, which has been in the works for about a year, draws heavily on the NYTM’s extensive collection of objects related to the transit system—subway maps, yes, but also cartographic tools, renderings, and other ephemera. There are also items that might be familiar even to those who aren’t transit wonks, like the New Yorker’s 2001 ‘New Yorkistan’ cover by Rick Meyerowitz and Maira Kalman.” Vignelli’s famous 1972 subway map also makes an appearance. The exhibition runs through 9 September 2019; there’s no dedicated web page for it.
A new exhibition opened at the Leventhal Map Center today: Crossing Boundaries: Art // Maps “juxtaposes contemporary works of art with selected maps from the collections of the Norman B. Leventhal Map and Education Center at the Boston Public Library. These pairings and trios create dialogues that illuminate the crossing of the traditional boundaries of art and maps, and stimulate a fresh appreciation of both media.” Runs until 20 April 2019; if you can’t make it to Boston there’s an online version.
Update, 24 October: Here’s a writeup from the Boston Globe.
Opening today at the Santa Barbara Museum of Natural History: The Kingdom of California: Mapping the Pacific Coast in the Age of Exploration, an exhibition of 16th- to 19th-century maps and books from the museums own rare book collection, the Map and Atlas Museum of La Jolla and the Santa Barbara Mission Archive-Library. The Santa Maria Times notes the inclusion of maps showing California as an island as well as 19th-century coastal charts. Admission included with museum admission, runs until 2 January 2019. [WMS]
At the Spartanburg Art Museum until 11 November: Land/Lines, an exhibition of map-inspired art by six artists—Robert Bubp, Jennifer Bueno, Firat Erdim, Chad Erpelding, Keren Kroul and Amy Schissel—who “use and respond to maps as a subject matter to question how we create and interpret boundaries.” News coverage. [WMS]
An exhibition at the Instituto Geográfico Nacional in Madrid: De Iberia a España a través de los mapas (“From Iberia to Spain via Maps”), which looks at the changing cartographic representations of Spain and the Iberian peninsula from classical times to the 19th century. Sixty maps on display, plus books, perspective views and a globe. The year-long exhibition runs until 20 April 2019. Free admission. [WMS]
The Harvard Map Collection is celebrating its 200th anniversary. There’s an exhibition, Follow the Map: The Harvard Map Collection at 200, which runs through October 26 at Harvard’s Pusey Library, as well as a symposium, Follow the Map: Reflecting on 200 Years of the Harvard Map Collection, which takes place October 25 and 26; Susan Schulten will be delivering the keynote. [WMS]
Update: Here’s the exhibition catalogue.
An exhibition celebrating Welsh author and cartographer Humphrey Llwyd (1527-1568) is taking place at the National Library of Wales: BBC News, press release. Among other things, Llwyd produced the first published map of Wales (rather than as a part of another map), the Cambriae Typus, which appeared as an addendum to Ortelius’s Theatrum Orbis Terrarum in 1573. The exhibition runs until the 31st at the Library in Aberystwyth; admission is free. The Library’s digital version of the map is available here.
Diagrams of Power, a group exhibition taking place right now at OCAD University’s Onsite Gallery in Toronto, “showcases art and design works using data, diagrams, maps and visualizations as ways of challenging dominant narratives and supporting the resilience of marginalized communities.” Curated by Patricio Dávila, it runs until 29 September. Free admission.
Update: The above is lacking in some detail; here’s the Toronto Star review to make up for it.
Adam Dant’s Maps of London and Beyond (Batsford, 7 June) is a collection of the artist’s “beautiful, witty and subversive” maps. From the publisher: “Traversed by a plethora of colourful characters including William Shakespeare, Charles Dickens, Mary Wollstonecraft and Barbara Windsor, Adam Dant’s maps extend from the shipwrecks on the bed of the Thames to the stars in the sky over Soho. Along the way, he captures all the rich traditions in the capital, from brawls and buried treasure to gin and gentlemen’s clubs.”
Dant’s maps have been appearing on the Spitalfields Life blog for several years: start with this post and follow the links. They’re also the subject of at least two exhibitions in London right now: one at The Map House, which runs until the 14th; and one at Town House, which runs until the 22nd.
Gentleman, Soldier, Scholar and Spy: The Napoleonic-Era Maps of Robert Clifford, an exhibition running at the McMaster Museum of Art in Hamilton, Ontario through 1 September 2018, showcases an unusual collection of maps held by the McMaster University Library: a cache of maps smuggled out of France in the early 1800s by British spy and cartographer Robert Clifford.
Clifford’s maps reveal a world on the cusp of an evolutionary shift in cartography brought about by the Napoleonic wars. Hand-coloured, manuscript maps depicting the precise and exacting geometry of Vauban-designed fortified cities give way to maps printed from engraved plates, incorporating new techniques and symbology to satisfy the shifting focus onto the surrounding landscape of unordered nature. Maps used primarily for the siege of cities in previous generations are re-placed by maps of vast expanses of territory for a new style of open warfare.