Australian author and illustrator Kathleen Jennings will teach a workshop on fantasy mapmaking in June: the focus of Map Making and World Building is “on story and art,” the mapmaking illustrative rather than cartographical, and in general it seems to be about the relationship between map and story. The workshop will take place on 19 June both in-person (at the Queensland Writers Centre in Brisbane) and via livestream; tickets range from A$35 to A$100, depending.
A History of Maps and Mapping, a short introductory online course taught by Katherine Parker as part of the London Rare Books School’s program of summer courses, “will challenge students to destabilize and broaden the traditional definition of ‘map’, and to recognize maps as socially constructed objects that are indicative of the values and biases of their makers and the cultures that created them. Students will learn how to analyse and catalogue maps for a variety of research purposes, and to discuss changes in map technology and style without recourse to a progressive narrative of scientific improvement.” Matthew Edney will supply a guest lecture. The course runs from 29 June to 2 July and costs £100 (student) or £175.
Map Time is “a series of short conversations with experts on maps and mapping from across the globe” hosted by the Harvard Library and the Leventhal Center on Instagram Live. Held every Thursday at noon, through August. Schedule and upcoming speakers here. Past talks are available on YouTube.
How to Do Map Stuff is a full day of live online mapping workshops that will take place on Wednesday, 29 April. Coordinated by Daniel Huffman, speakers will host their own livestreams at announced times (the working schedule is here).
Presentations made at last year’s British Cartographic Society/Society of Cartographers conference were recorded on video. The BCS reports that they’re now available online via this web page.
The Festival of Personal Geographies explores the use of art in creating personalized maps. Running until March 19 at several venues in Ames, Iowa, the Festival consists of an exhibition (“‘Index to a Place,’ an exhibition of prints, drawings and paintings that use the graphical languages of maps as a starting point in their creation”) and four workshops on personalized mapmaking. The event is organized by local artist Tibi Chelcea and hosted by ISU’s Design on Main Gallery. Free admission, free registration.
At the Edinburgh Fringe Festival? You may want to check out The OS Map Fan Club, an hour-long solo performance about Ordnance Survey maps that sounds relevant to our interests. Written and performed by Helen Wood, The OS Map Fan Club has been making the fringe and festival circuit this year and has been getting good reviews (see here, here and here). At the Edinburgh Fringe until 18 August; details and tickets here. [Map of the Week]
For Fringe she has meticulously constructed a small show at The Living Room—maximum 30 seats and 20 minutes—in which she paints a map live, trying to get back to a single tiny, perfect moment in time. […] “I liked the idea of the need to make a map,” says MacIsaac on the patio at The Haligonian, “as opposed to the need to follow a map.”
It’s a gently interactive show: The house size dictates which geographical feature MacIsaac uses as the map’s start point. Patrons are handed a tiny program (“for wayfarers”) that contains a questionnaire asking for places they feel safe, alive, that they can’t remember. “I wanted it to be something where the audience would have a chance to reflect,” she says, “or have some moments in the show where the audience could contemplate their own histories, or their own memories.”
Three showings left: one tonight, one tomorrow afternoon and one Sunday evening. [WMS]
As you’d expect from a major exhibition like this, a companion book is out this week from the British Library. It’s available from Amazon UK in both hardcover and paperback; those of us in North America will have to wait a bit until it turns up here.
Later this week, the Library of Congress will host a two-day conference celebrating the 500th anniversary of Martin Waldseemüller’s 1516 map, Carta Marina.Facts or Fictions: Debating the Mysteries of Early Modern Science and Cartography will take place on 6-7 October in the Coolidge Auditorium in the Library’s Thomas Jefferson Building in Washington, D.C. The conference agenda is not limited to Waldseemüller or his 1516 map; notable speakers include Kirsten Seaver, Chet Van Duzer and, with a major lecture, Dava Sobel. Free admission; no tickets or reservations required.
(The 1516 Carta Marina should not be confused with the Waldseemüller map most people mean: it’s his 1507 Universalis Cosmographia that names “America.” Nor should it be confused with Olaus Magnus’ Carta Marina.)
Open now and running through 26 February 2017 at the Boston Public Library’s Leventhal Center, Shakespeare’s Here and Everywhere asks “What roles do place, identity and travel play in his comedies, tragedies and histories? Explore these questions and more through maps, atlases and illustrations of Shakespeare’s time and beyond.” [Tony Campbell]
Mapping Australia: Country to Cartography runs from 4 October 2016 to 15 January 2017 at the AAMU Museum of Contemporary Aboriginal Art in Utrecht, Netherlands. The exhibition “will explore the different representations of Australia. Alongside the VOC’s historical maps of Australia’s coast, drawn by Dutch cartographers in the 17th and 18th centuries, are striking depictions of the country in contemporary art works of Aboriginal artists that are derived from thousands of years of traditions.” [WMS]
Two World Wars. The moon landings. The digital revolution. This exhibition of extraordinary maps looks at the important role they played during the 20th century. It sheds new light on familiar events and spans conflicts, creativity, the ocean floor and even outer space.
It includes exhibits ranging from the first map of the Hundred Acre Wood to secret spy maps, via the New York Subway. And, as technology advances further than we ever imagined possible, it questions what it really means to have your every move mapped.
Every so often I think about creating directories of map societies or a calendar of upcoming events. That way lies madness, especially since I’d be reinventing the wheel. John Docktor already maintains calendars of exhibitions and meetings and events; sure, I’d like them to be machine-readable (i.e., have the ability to add events to your phone’s calendar), but he’s the one doing the work, so I’ll shut up now. As for map societies, Tony Campbell lists the international societies, while James Speed Hensinger maintains indexes of the local map societies.
There may be other resources out there along these lines; let me know about them and I’ll post them.