Gareth Fuller, whom we first heard about thanks to his masterpiece London Town, is in the news again. Now based in Beijing, he found himself forced to self-quarantine for 14 days after returning from a trip to Kuala Lumpur. Fuller has mapped every place he has lived, so he spent his two weeks of isolation creating quarantine maps—one for each day. The maps are claustrophobic—his apartment is 590 square feet—metaphorical, even fantastical. They’re very much on-point in this age of self-isolation and social distancing. They’re available as a set of postcards for £14, which is considerably cheaper than his other limited edition prints.
A massive, six-by-two-metre textile tapestry map of the world is now installed in the departure area of Heathrow Airport’s Terminal 2. It’s called “Botanical Tapestry,” and it’s the work of Portuguese textile artist Vanessa Barragão. It took her 520 hours to make, using different techniques like latch hook, crochet and felt needle to achieve different textures; it also took 42 kg of recycled wool, plus another 8 kg of cotton and jute. [Geography Realm, My Modern Met]
Earlier this year I told you about Barely Maps, the minimalist map project undertaken by Peter Gorman, who in a series of posters reduced maps to their most cryptic and abstract state. He’s been selling prints on Etsy, but now Peter has launched a Kickstarter campaign for the next phase of his project: a book that collects 100 of his minimalist maps, along with the stories behind their creation.
Peter sent me a proof copy of the book. The cover is as minimalist as you might expect from such a project. The maps are familiar if you’ve been following the Barely Maps project: here they take up an entire right-hand page, with a brief description on the facing page.
Peter is using offset printing to produce this book, which requires a 250-copy minimum print run. Supporting the Kickstarter starts at $39, which gets you one copy of the book and free U.S. shipping. Higher tiers add map prints to the cart. As I write this post, the Kickstarter is about 88 percent of the way to its $10,000 goal.
“It’s fascinating how many people are map lovers,” Myrmel said. He has an extensive collection of Boundary Waters Wilderness maps dating back to the 1950s. “I said, if I’m going to do this, I’m going to do this old-school style. It’s all by hand.”
Using pencils, markers and watercolor paint, he put down information from books, maps, the internet and personal experience on a 2-by-13-foot map. The process took hundreds of hours, he said.
See also this 2018 story from the Star Tribune. The maps cost $34 or $35 and are available for sale from Myrmel’s website or from a number of local businesses.
Map illustrations. Illustrated maps. Pictorial maps. Map art. There are many different names for a form of mapmaking that is, to appropriate a phrase, “not intended for navigation,” but rather for purposes such as advertising and promotion, political propoganda, decoration, or simply pure art. You may not be able to find your way home with such maps, but that’s not to say they don’t have a purpose.
I’ve reviewed books about maps in this general field before. Stephen J. Hornsby’s Picturing America (reviewed here) explores the rich pictorial map tradition in the United States during the early and mid-20th century. The Art of Map Illustration (reviewed here), on the other hand, is a focused, step-by-step guide to the how of modern-day map illustration.
“An Anciente Mappe of Fairyland,” produced by Bernard Sleigh around 1917, is a marvellous conflation of classical myth and fairy tales. Nearly five feet wide, it was apparently designed to hang in nurseries. The echoes of its design elements can still be seen in later fantasy maps and children’s book illustrations, such as E. H. Shepard’s maps of the Hundred Acre Wood and Pauline Baynes’s maps of Narnia, though none of them are this vibrant.
The Festival of Personal Geographies explores the use of art in creating personalized maps. Running until March 19 at several venues in Ames, Iowa, the Festival consists of an exhibition (“‘Index to a Place,’ an exhibition of prints, drawings and paintings that use the graphical languages of maps as a starting point in their creation”) and four workshops on personalized mapmaking. The event is organized by local artist Tibi Chelcea and hosted by ISU’s Design on Main Gallery. Free admission, free registration.