Kenneth Field has posted his favourite maps from the past year—something he’s been doing since 2013. Quite a diverse set, from the Johns Hopkins coronavirus dashboard to a Lego model of Manhattan: you won’t have seen all of them.
Earlier this year CityLab invited readers to submit maps of their life under lockdown. Now they’re soliciting reader maps again, with a slightly expanded focus: 2020 in general. (Which, in general, was a year: how do you represent that cartographically? That’s the idea.)
We’re inviting you, our readers, to create a homemade map of your life, community, workplace or broader surroundings as you experienced them in 2020. Show us how the extraordinary changes of this year have shown up in your life. Or, try to envision how this year will impact 2021. Perhaps you want to map the city you hope to see—changes in architecture, transportation or public space—or how you imagine, hope or fear humanity might be changed due to this collectively lived experience.
Artist and writer Andrew Barr is crowdfunding for what he is calling “the first major Scottish atlas for over 100 years”: a hand-drawn, hardcover Atlas of Scotland:
Produced as a visually striking hardback book, combining text with illustrated maps, the Atlas will shed new light on Scotland’s size and resources, its cultural and political history, as well as its long standing as one of the ancient kingdoms of Europe and the richness of its international connections.
As satellite images replace traditional paper atlases, modern technology leaves us with an incomplete picture of the nation. By returning to map-making in pen and ink, and by retelling the story of Scotland’s history and culture, this Atlas aims to delve deeper into the fabric of the land and reveal one of the world’s oldest nations in a whole new light.
Very much a nationalist project—and a personal project as well, which is not how atlases are usually done nowadays, hand-drawn or not. The atlas is projected to ship in October 2021. [History Scotland]
In the summer of 2019, a research project spearheaded by Monument Lab asked St. Louis residents and visitors to draw personal maps of the city’s monuments and important sites. “Some maps celebrate famous sites like the St. Louis Zoo and the statue of St. Louis himself atop Art Hill in Forest Park. Others point to things that have been removed from the landscape, like the mounds built by native Mississippians,” St. Louis Public Radio reports. “Another shows a street map of downtown St. Louis with notations for ‘incidents of racism, from microaggression to racial violence.’” A total of 750 people contributed maps, which you can see at this Flickr gallery as well as on the project website, which has accompanying data and analysis. [Osher]
David Cook has released his Illustrative Map of Japan, a hand-drawn pictorial map showing the principal Japanese islands in classic oblique, pictorial-map style. On Reddit Cook says that it took ten years, on and off, from concept to completion: “Conceptually I started in 2010, but actually drawing this version didn’t start until 2012 when I finally settled on a size and perspective. Tbh I did not work on it continuously all those years. The drawn portion wrapped up in 2017 and I didn’t start coloring it in until 2019.” It’ll be available for sale as a 24-by-36-inch print at some point. [r/MapPorn]
We’re inviting readers to draw a map of your life, community, or broader world as you experience it under coronavirus. Your map can be as straightforward or subjective as you wish. You might show key destinations, beloved neighbors, a new daily routine, the people or restaurants you miss, the future city you hope to see, or anything else that’s become important to you right now. It might even be a map of your indoor life. For an added challenge, try drawing from memory.
Deadline is 20 April, with a selection of submissions to be featured in a future article.
“It’s fascinating how many people are map lovers,” Myrmel said. He has an extensive collection of Boundary Waters Wilderness maps dating back to the 1950s. “I said, if I’m going to do this, I’m going to do this old-school style. It’s all by hand.”
Using pencils, markers and watercolor paint, he put down information from books, maps, the internet and personal experience on a 2-by-13-foot map. The process took hundreds of hours, he said.
See also this 2018 story from the Star Tribune. The maps cost $34 or $35 and are available for sale from Myrmel’s website or from a number of local businesses.
I trained as a historian of the French Third Republic, so Kory Olson’s The Cartographic Capital: Mapping Third Republic Paris, 1889-1934 (Liverpool University Press, 4 May), which “looks at how government presentations of Paris and environs change over the course of the Third Republic (1889-1934),” would have very much been up my alley twenty years ago. “The government initially seemed to privilege an exclusively positive view of the capital city and limited its presentation of it to land inside the walled fortifications. However, as the Republic progressed and Paris grew, technology altered how Parisians used and understood their urban space.” Amazon
Chris Barrett’s Early Modern English Literature and the Poetics of Cartographic Anxiety (Oxford University Press, 22 May) is about “the many anxieties provoked by early modern maps and mapping in the sixteenth and seventeenth centuries. A product of a military arms race, often deployed for security and surveillance purposes, and fundamentally distortive of their subjects, maps provoked suspicion, unease, and even hostility in early modern Britain. […] This volume explores three major poems of the period—Edmund Spenser’s The Faerie Queene (1590, 1596), Michael Drayton’s Poly-Olbion (1612, 1622), and John Milton’s Paradise Lost (1667, 1674)—in terms of their vexed and vexing relationships with cartographic materials.” Amazon, iBooks
I mentionedAtlas Obscura’s call for readers to submit maps of their perfect dream island, but I neglected to post a link to the results. Atlas Obscura: “We received submissions from readers young and old, all full of fun and creative details. Entries included islands full of cats (there were several of those, in fact), political strongholds, simple sandbar paradises, intricate hidden bases, guinea pig sanctuaries, and poetic dreamscapes.”
The Bristol Post reports on artist Gareth Wood (aka Fuller), whose iconic London Town—now acquired (as an archival print) by the British Library—was preceded by a similar map of Bristol. An exhibition of his work, called Get Lost, will run from 5 to 26 May at the Palm Tree Gallery, 291 Portobello Road, London, W10 5TD. [WMS]