Dylan Moriarty explores how the coronavirus lockdown has reduced his world to four blocks.
Meanwhile, CityLab has posted a collection of reader-submitted quarantine maps.
We’re inviting readers to draw a map of your life, community, or broader world as you experience it under coronavirus. Your map can be as straightforward or subjective as you wish. You might show key destinations, beloved neighbors, a new daily routine, the people or restaurants you miss, the future city you hope to see, or anything else that’s become important to you right now. It might even be a map of your indoor life. For an added challenge, try drawing from memory.
Deadline is 20 April, with a selection of submissions to be featured in a future article.
Keith Myrmel, a retired landscape architect from Minnesota, has produced two maps of the Boundary Waters region that are proving popular with hikers and canoers. The maps—one of the Superior Hiking Trail, the other of the North Country Trail and Arrowhead region—are large (26 by 40 inches) and intricately hand-drawn. The Twin Cities Pioneer Press covered Myrmel and his work last June:
“It’s fascinating how many people are map lovers,” Myrmel said. He has an extensive collection of Boundary Waters Wilderness maps dating back to the 1950s. “I said, if I’m going to do this, I’m going to do this old-school style. It’s all by hand.”
Using pencils, markers and watercolor paint, he put down information from books, maps, the internet and personal experience on a 2-by-13-foot map. The process took hundreds of hours, he said.
Helen Cann’s How to Make Hand Drawn Maps: A Creative Guide With Tips, Tricks, and Projects (Chronicle, 1 May paperback, 22 May ebook). “With wonderful examples and easy-to-follow instructions, this beautifully illustrated how-to book makes it simple and fun to create one-of-a-kind hand-drawn maps. Helpful templates, grids, and guidelines complement a detailed breakdown of essential cartographic elements and profiles of talented international map artists.” Amazon, iBooks
I trained as a historian of the French Third Republic, so Kory Olson’s The Cartographic Capital: Mapping Third Republic Paris, 1889-1934 (Liverpool University Press, 4 May), which “looks at how government presentations of Paris and environs change over the course of the Third Republic (1889-1934),” would have very much been up my alley twenty years ago. “The government initially seemed to privilege an exclusively positive view of the capital city and limited its presentation of it to land inside the walled fortifications. However, as the Republic progressed and Paris grew, technology altered how Parisians used and understood their urban space.” Amazon
Chris Barrett’s Early Modern English Literature and the Poetics of Cartographic Anxiety (Oxford University Press, 22 May) is about “the many anxieties provoked by early modern maps and mapping in the sixteenth and seventeenth centuries. A product of a military arms race, often deployed for security and surveillance purposes, and fundamentally distortive of their subjects, maps provoked suspicion, unease, and even hostility in early modern Britain. […] This volume explores three major poems of the period—Edmund Spenser’s The Faerie Queene (1590, 1596), Michael Drayton’s Poly-Olbion (1612, 1622), and John Milton’s Paradise Lost (1667, 1674)—in terms of their vexed and vexing relationships with cartographic materials.” Amazon, iBooks
Related: Map Books of 2018.
I mentioned Atlas Obscura’s call for readers to submit maps of their perfect dream island, but I neglected to post a link to the results. Atlas Obscura: “We received submissions from readers young and old, all full of fun and creative details. Entries included islands full of cats (there were several of those, in fact), political strongholds, simple sandbar paradises, intricate hidden bases, guinea pig sanctuaries, and poetic dreamscapes.”
Fresh from trying to replicate hand-drawn effects (or even papercut effects) digitally, John M. Nelson has crossed over and begun attempting actual hand-drawn maps. Here he documents how he created a hand-drawn map as a Christmas present; here he gives hillshading by hand a try.
Londonist Mapped: Hand Drawn Maps for the Curious Explorer came out last month from AA Publishing. (It’ll be out in North America next February.)
The Bristol Post reports on artist Gareth Wood (aka Fuller), whose iconic London Town—now acquired (as an archival print) by the British Library—was preceded by a similar map of Bristol. An exhibition of his work, called Get Lost, will run from 5 to 26 May at the Palm Tree Gallery, 291 Portobello Road, London, W10 5TD. [WMS]
Previously: Fuller: London Town.
Fuller’s London Town is a pen-and-ink masterpiece of detail that took ten years to create. Unveiled last October, it’s been making the exhibition rounds and is currently at the Hoxtown Gallery in Holborn, London until April 30th. It’s also included, along with his map of Bristol, in Mind the Map, a collection of map art that came out last September from Gestalten. Prints of his work are also available: a print of London Town costs £600 or £2,500 depending on the size. More about Fuller (whose real name is Gareth Wood) here. [via]
Without question, the most popular post on The Map Room so far this week—by two orders of magnitude—was this post pointing to Chaz Hutton’s “A Map of Every City.” Hutton’s map went kind of viral, and not just here. He’s since announced that a print of the map will be available at some point; he’s also written a post on Medium explaining some of the background behind the map.
A new book collects hand-drawn maps of Manhattan submitted by both anonymous and notable New Yorkers: Becky Cooper’s Mapping Manhattan: A Love (and Sometimes Hate) Story in Maps by 75 New Yorkers.
It started with Manhattan in the summer of 2009 when Becky was still an undergraduate at Harvard University. Inspired by Italo Calvino’s Invisible Cities, as well as her own experience creating a map of New York’s public art, Becky walked the length of Broadway, distributing over a thousand letterpress-printed outlines of the borough to the widest variety of New Yorkers she could find.