“I have a new mapping project on Kickstarter,” writes our friend Alejandro Polanco. “This time it is about recovering some exciting hand-drawn maps by a forgotten craftsman from the 19th century.” This is Alejandro’s second project to digitally recover a 19th-century illustrated book; this time his target is an 1890 edition of a treatise on topographical drawing by Juan Papell y Llenas. The book is full of detailed examples of mapping techniques done only with ink on paper. Alejandro’s restored edition, The Art of Hand-drawn Maps 1890, will be released this fall in digital (€18 pledge) and paper (€32) editions.
Tom Patterson’s latest is a panorama of Alaska’s Malaspina Glacier, with the St. Elias Mountains in the background. “I rendered this panorama to showcase a wild landscape in its entirety where human development is minimal. The sprawling Malaspina Glacier with its concentric rings of ice, rubble, and meltwater is front and center. I started this project in 2017 and then put it aside for four years. However, accelerating climate change brought newfound urgency to my mapping. I wanted to map this beautiful glacier while it still exists.”
Previously: Tom Patterson’s Map of Prince William Sound.
Apparently independently of one another, Sean Conway and Dmitriy Worontzov have been taking old geological and relief maps and applying using digital elevation models to apply 3D effects to them. The end result is a two-dimensional image, or a print, but it’s hard to shake the feeling that these maps now have real depth and texture. Conway, an orthoimagery specialist, works mainly on old U.S. relief maps; the results are available for sale as posters. Read more about him at My Modern Met. Worontzov, a Moscow-based art director, goes for geological maps, mainly from the Soviet era; see his work on Behance and Instagram, and read about him at Abduzeedo. [Alejandro Polanco, WMS]
Tom Patterson’s latest project is a map of the physical features of the contiguous United States.
This map showcases physical features—mountains, plains, rivers, lakes, etc.—of the 48 contiguous US states. Map colors reflect natural environments across the continent from the forested east to the snowcapped Rockies to the desert southwest. You will also find a smattering of cities and faint state lines for reference.
Emphasis on smattering: there are only enough human features—cities and borders—to orient the reader; the focus is on bodies of water and landforms.
It’s freely available and in the public domain: it can be downloaded, shared and modified.
A large relief model of the Grand Canyon, created by Edwin Howell in 1875, has resided in the University of Wisconsin–Madison’s Science Hall since 1980. The History of Cartography project’s offices are also in Science Hall. Lindsey Buscher, an editor on that project, wanted to include a photo of the relief model in the forthcoming fifth volume (which covers the 19th century), but the model was in too rough a state to be photographed. So they hired a professional conservator to restore the model: the results can be seen above. Now not only will the model’s photo be in the book, it’ll be on the cover. [Tom Patterson]
A profile of Swiss cartographer Eduard Imhof, famous for his work on relief mapping, from a 1983 Swiss TV program. Captioned in English if you can’t understand Swiss German for some reason. (Thanks to Henrik Johansson for the link.)
Planetary globes aren’t the only map-related 3D-printed items being sold on Shapeways; Ian Grasshoff writes to say that he’s flogging 3D relief maps there as well. “I have made it a focus to only use Open Data (LiDAR where available) and Open Source GIS/modeling software,” he writes. “I think the results speak for themselves.”