Tom Patterson’s latest is a panorama of Alaska’s Malaspina Glacier, with the St. Elias Mountains in the background. “I rendered this panorama to showcase a wild landscape in its entirety where human development is minimal. The sprawling Malaspina Glacier with its concentric rings of ice, rubble, and meltwater is front and center. I started this project in 2017 and then put it aside for four years. However, accelerating climate change brought newfound urgency to my mapping. I wanted to map this beautiful glacier while it still exists.”
This map showcases physical features—mountains, plains, rivers, lakes, etc.—of the 48 contiguous US states. Map colors reflect natural environments across the continent from the forested east to the snowcapped Rockies to the desert southwest. You will also find a smattering of cities and faint state lines for reference.
Emphasis on smattering: there are only enough human features—cities and borders—to orient the reader; the focus is on bodies of water and landforms.
It’s freely available and in the public domain: it can be downloaded, shared and modified.
Prince William Sound turned out being the most laborious map that I have ever made. The culprit: climate change. Although much of the data that went into making the map was of recent vintage, glaciers in the region have melted noticeably these last few years.
Updating physical features—glaciers, coastlines, rivers, and lakes—from recent satellite images took up ninety percent of my time. Nevertheless, the completed map is only a snapshot in time. Columbia Glacier, for example, lost another one kilometer of its length during the summer of 2019. Much of what the map depicts will be out-of-date again before too long.
It can be downloaded, printed (it’s 44 × 36 inches) and modified free of charge.
On Sunday Tom Patterson announced that the Equal Earth Physical Map is now available for download in JPEG, Illustrator and GeoTIF formats. Unlike its political counterpart, no territorial boundaries appear on this map (though cities do). Not having borders doesn’t mean that Tom and his collaborators won’t get into trouble with the names of natural features, though: I note they use Sea of Japan rather than East Sea, for example (see above). But, importantly, they’ve released the map into the public domain: if you don’t like their labels, or their choice of cities or colours or textures, you can make changes to the map and put out your own version.
The end result is a Robinson-like pseudocylindrical projection that nevertheless preserves area—and, like the Robinson, is nicer to look at than a cylindrical equal-area projection like the Gall-Peters. It’s actually kind of impressive that they were able to square that particular circle. The article details their decision-making process and the math behind the projection and is worth a read. It’ll be interesting to see whether this map gains any traction. I wish it well.
Map projections are inherently interesting, and also a great way to start a fight among a group of cartographers: just ask them their favourite and step back. Everyone has their preferred projection, me included, that fits their own needs and aesthetic. Cartographer Tom Patterson, whose work I’ve featured previously on The Map Room, has added another projection to the mix, the eponymous Patterson Projection, a cylindrical projection which “falls between the popular Miller 1, which excessively exaggerates the size of polar areas, and the Plate Carrée, which compressess the north-south dimension of mid latitudes.” It looks like a compromise projection in cylindrical form. A full article on the design and development of the projection is forthcoming at the link.
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