Created by designer Michael Raisch to coincide with the 2018 FIFA World Cup, The Illustrated Football Atlas combines vintage maps with drawings of the respective countries’ players. For more about this project, there’s an interview with Raisch at both The Guardian and These Football Times. [Mark Safran]
The Rand McNally Road Atlas has long been a staple of North American travellers. The company—still around—is celebrating the atlas’s 95th edition by putting out a retrospective volume of the road atlas’s covers: American Journey: A Treasury of Rand McNally Road Atlas Covers (Rand McNally, 3 June) is a slim hardcover volume: 96 pages, enough for one page per edition. CNN Travel has coverage. [WMS]
The third edition of Mark Monmonier’s classic How to Lie with Maps (University of Chicago Press, 1o April) “includes significant updates throughout as well as new chapters on image maps, prohibitive cartography, and online maps. It also includes an expanded section of color images and an updated list of sources for further reading.” I reviewed the second edition back in May 2006. Amazon, iBooks
The Phantom Atlas, Edward Brooke-Hitching’s book about fictitious places that were once presented as real places, came out in the U.K. in November 2016. Though North American buyers could get a copy via online sellers, a proper U.S. edition (Chronicle, 3 April) is now available. The Wall Street Journal, of all places, has a review. Previously: The Phantom Atlas; More on Two Books About Nonexistent Places. Amazon, iBooks (U.K. edition, U.S. edition)
New in April
Zayde Antrim’s Mapping the Middle East (Reaktion, 1 April) “explores the many perspectives from which people have visualized the vast area lying between the Atlantic Ocean and the Oxus and Indus river valleys over the past millennium. By analysing maps produced from the eleventh century on, Zayde Antrim emphasizes the deep roots of mapping in a world region too often considered unexamined and unchanging before the modern period. Indeed, maps from the nineteenth and twentieth centuries, coinciding with the eras of European colonialism and the rise of the nation-state, have obscured this deeper past and constrained future possibilities.” Amazon
Jeremy Black’s Mapping Shakespeare: An Exploration of Shakespeare’s Worlds Through Maps (Conway, 10 April) “looks at the England, Europe, and wider world in which Shakespeare worked through maps and illustrations that reveal the way that he and his contemporaries saw their land and their place in the world. It also explores the locations of his plays and looks at the possible inspirations for these and why Shakespeare would have chosen to set his stories there.” Amazon, iBooks
The Art of Map Illustration: A Step-by-Step Artistic Exploration of Contemporary Cartography and Mapmaking (Walter Foster, 3 April), an illustrated guide featuring the work and method of four map illustrators (James Gulliver Hancock, Hennie Haworth, Stuart Hill and Sarah King), was reviewed on The Map Room earlier this month. Amazon
Related: Map Books of 2018.
There has been an explosion of maps that are not necessarily meant to be used for directions, but instead are considered works of art and inspired imagination. We want you to create an illustrative map that reflects a Canadian city (or a neighbourhood, community) or is inspired by the urban elements that make up a city (examples: waterfront, transit, cycling, walking, graffiti, parks, architecture, laneways/alleys, streets, traffic, taxis, weather, sewers, infrastructure, etc.)
You’ve got until the end of April. Submission guidelines here; includes some examples from the 2012 iteration of this competition (see above).
What do we mean by mapmaking? That’s a less straightforward question than it appears at first glance. A cartographer might talk about projections, scale, use of symbols, deciding which information to put on the map; a digital mapmaker might emphasize GIS and data layers and data sources. Your assumptions about what mapmaking is depends largely on the maps your yourself make. And what we mean by “map” can be quite different depending on the context.
The four illustrators who collaborated on The Art of Map Illustration: A Step-by-Step Artistic Exploration of Contemporary Cartography and Mapmaking (Walter Foster, April 2018) use the terms cartography and mapmaking rather differently. These four—James Gulliver Hancock, Hennie Haworth, Stuart Hill and Sarah King—are illustrators first and foremost. Their maps are neither accurate nor detailed; like decorative nautical charts, they’re not for use in navigation, and they say as much at more than one point. But they can also be seen, I think, as the modern-day descendants of the 20th-century pictorial map (about which see Stephen J. Hornsby’s Picturing America, which I reviewed here last November).
Born in Switzerland, based in New York City, Viviane Rombaldi Seppey uses maps and other items to create her works of art, some pieces of which barely resemble the raw material. “Maps, phonebooks, books, photographs, collected objects are source materials used to describe the elusive meanings of places and my relation to them. My art is a way to investigate the surrounding world and in the making, try to make sense of my place in it.” [The Map as Art]
The Cartographers’ Guild, that online community of fantasy map makers, announced the 2018 winners of their Atlas Awards, which honour the best maps made by their members. It’s the second year of the Awards’ existence. Winners were named in eight categories, including best world, regional, city/town, hand-drawn, space, and structure and gaming maps; most original; and best overall map, for which there was a three-way tie between maps by Filippo Vanzo, John Stevenson and Katarina Božanić (see above). Click through to see the other winners and finalists: there is some extremely adept work on display there.
KelownaNow reports that a pictorial tourist map of Kelowna, British Columbia will be updated by the original artist later this year. The original version, first released in 2012, was featured in the NACIS Atlas of Design in 2014. This local news item was my segue into the work of pictorial map artist Jean-Louis Rheault, who’s been producing map illustrations for cities, agencies, organizations and businesses for decades. His Flickr account contains many examples of his work, as does the portfolio section of his website. [WMS]
The Chiswick Timeline, a public mural of historic maps of Chiswick, London, situated along the walls of the underpass next to the Turnham Green tube station, opened earlier this month. A project of Abundance London, the mural is a series of panels reproducing maps of Chiswick from as early as the late 16th century, and traces its development into the London suburb it is today. An accompanying fold-out book is also available. [Londonist]
At Retours, a digital magazine about railway history and design, Arjan den Boer looks at pictorial railway maps.
In the mid-20th century pictorial maps in cartoonish styles were a popular way of promoting travel and tourism. In contrast to objective, realistic maps they appeal to emotions such as romance, fantasy and humor. They are used to tell anecdotes about a region’s history, culture and landscape in a way attractive to old and young. These illustrated maps are meant to inspire, not to provide travel information.
Pictorial maps or Bildkarten seem to be the opposite of the schematic metro-like maps of railway networks from the same period, composed of straight lines and without any details. Schematic and pictorial maps share one thing though: they are only loosely bound to geographic reality. Their common goal is to convey a message—either the straightforwardness of a journey or the attractiveness of a region.
Lots of maps featured here, mostly from European rail services. Since much of the study of pictorial maps focuses on the United States, as well as Britain (especially in re MacDonald Gill), this is a refreshing filling in of the gaps.
We’ve seen “serio-comic” or caricature maps before, most of them dating from the late 19th and early 20th centuries, but Caitlin takes us behind the scenes with a story about one of the artists behind such maps. The twelve maps published in Geographical Fun: Being Humourous Outlines of Various Countries (1868) were the handiwork of a 15-year-old teenager named Lilian Lancaster, who originally drew them to amuse her ill brother. Which is a great and surprising twist. The accompanying text (an introduction and accompanying verses) was by William Harvey (under a pseudonym), who tried to make an educational case for such maps (as one did).
Maps of real places done up in the style of fantasy maps are a thing, as those who have been following along will know by now. I’m planning a dedicated page on the subject in the Fantasy Maps section. That page will have to include Dan Bell’s maps of the Lake District—maps, he says, “that resemble the iconic style of J. R. R. Tolkien.” His maps have suddenly got a bit of media attention, which is atypical for this sort of project: BBC News, The Westmoreland Gazette. They resemble more the maps done for the Lord of the Rings movies than the maps created by Christopher Tolkien or Pauline Baynes: one tell is the triple-dot diacritic above the a, which is used in the movie maps and comes from Tolkien’s Elvish script. Bell, a 25-year-old “ordinary guy” from the Lake District, is selling prints of the maps online. [Kenneth Field]
I’ve blogged about Matthew Cusick and his art, which is based on collages of old maps, before, but this interview from last September in Dallas Innovates is long, in-depth and offers many insights into the artist and his work. [WMS]