The late Bert Johnson’s collection of map ties—some 50 of them—has been donated to the Osher Map Library. See their Facebook post and Matthew Edney’s tweet for photos. Bert died in 2019; he was a stalwart of the Washington Map Society and friend of this blog, and apparently quite the snappy dresser.
The Osher’s fantasy map exhibition, North of Nowhere, West of the Moon: Myth, Fiction, and Fantasy in Maps, is now online—though a number of the exhibition’s maps are unavailable to view, I’m guessing for copyright reasons1 (previously).
The Osher Map Library’s new exhibition, North of Nowhere, West of the Moon: Myth, Fiction, and Fantasy in Maps, opened on Saturday.
Inspired by our recent acquisition of Bernard Sleigh’s six-foot long “An Ancient Mappe of Fairyland, Newly Discovered and Set Forth,” (1918) we have selected thematic maps, books, and ephemera from our collections that reflect whimsy and visionary thinking. This exhibit invites visitors to ponder the ways in which myth, fantasy, and fiction have, for centuries, provided both an escape into alternate worlds in times of great strife, as well as an opportunity to create alternate worlds and imagine new realities.
Runs until May 30th; free admission with timed ticket. The digital version won’t be online until February (I’ll post an update then, because this is very much relevant to my interests), but in the meantime the Library is posting teasers on its Instagram account.
The latest exhibition at the Osher Map Library and Smith Center for Cartographic Education is deliberately on the nose: Where Will We Go from Here? Travel in the Age of COVID-19 is the Osher’s first crowdsourced exhibition, based in part on more than 140 responses to an online survey about cancelled travel plans and the impact of the novel coronavirus pandemic.
The exhibition is divided into five sections, beginning with an introduction to the mapping of pandemics and diseases, and continuing into four themes that emerged from the types of cancelled or postponed trips our respondents wrote about most frequently: Birthdays, Anniversaries, and Family Milestones; Weddings; Work-Related Travel; and Lost Study-Abroad Experiences. The curators selected stories from the survey and matched personal narratives and reflections about trips not taken to historic maps from our collections. We hope that as you walk through the gallery you will take time to read these personal narratives, and that they provide you with an opportunity to engage in quiet reflection about the challenges you and your loved ones have faced this year, and that you will join us in pondering the question: “Where will we go from here?”
At the end of our questionnaire, we asked participants: “Beyond your canceled travel plans, is there anything else you would like to tell us about how the pandemic has impacted your living and working situations?” We were particularly moved by the honest and thoughtful responses to this question; all responses can be read in a scrolling feed on the monitor at the end of the exhibit.
The physical exhibition opened on 13 May and is open to visitors until 15 October 2021. Free admission with timed tickets; no more than six visitors are allowed in the gallery at any one time. The online exhibition starts here; the sections mixing personal narratives and historical maps can be quite poignant.
The Osher Map Library and Smith Center for Cartographic Education has launched a fundraising campaign to support their map conservation efforts.
In recognition of Maine’s Bicentennial, and in conjunction with our newly launched exhibition, “Mapping Maine: The Land and Its Peoples, 1677-1842,” we are raising funds to conserve historic maps of Maine and beyond to ensure that students and researchers of all ages continue to have access to cartographic resources vital to understanding the history of the world, the nation, the land we now call Maine, and our local communities. When historic maps, atlases, and globes come into our collections (via donations by individuals and organizations or by purchase)—like the 1855 Wall Map of Old Town, Penobscot County, Maine, displayed below—they often arrive in fragile condition due to their age, the nature of the materials, and how they have been used over time. While we protect and store the items in our world-class climate controlled storage facility, many items need conservation in order to be displayed and utilized by our patrons of all ages.
Mapping Maine: The Land and Its Peoples, 1677-1842, an exhibition of maps celebrating Maine’s bicentennial while acknowledging the Wabanaki presence and history in the space that became Maine, opens today at the Osher Map Library and Smith Center for Cartographic Education. The online component is here; there is a physical exhibition in the OML’s gallery, but visitors are limited to a maximum of four per one-hour timeslot: details here. Curated by Matthew Edney, the exhibition runs until 31 March 2021.
Harold Osher is formally donating his map collection to the University of Southern Maine, a gift with an estimated value of $100 million, along with a contribution to an endowment to support the collection (USM press release, Portland Press-Herald). Osher and his wife, Peggy (who died last month) donated “their initial collection” to the USM in 1989; the map library named after them opened five years later. The Oshers’ collection comprises more than 5,000 maps, the Osher Map Library comprises more than 60 collections and nearly half a million maps. I’m not entirely clear what’s being donated here: I gather the Osher has had access to the Oshers’ maps for some time, and this is a formal transfer of ownership; or perhaps these are additional maps being transferred from their private collection to the USM. Either way, this has some significance. [Tony Campbell]
Previously: Peggy Osher, 1929-2018.
Peggy Osher died Tuesday at the age of 88, the Portland Press-Herald reports. She had been suffering from Parkinson’s disease. She and her husband, the cardiologist Dr. Harold Osher, who survives her, donated their sizeable map collection to the University of Southern Maine in 1989 and advocated the creation of a dedicated map library; the Osher Map Library and Smith Center for Cartographic Education opened in October 1994. Her obituary notes that in 1974 she convinced her husband to buy a map on a trip to London—a decision that escalated, as it often does. The Osher family was profiled in 2011 by Maine magazine. [WMS]
An exhibition of astronomical maps and illustrations opened this week at the Osher Map Library in Portland, Maine. Art of the Spheres: Picturing the Cosmos since 1600 is, at least in its online version, divided into two categories: Works of Scientific Investigation features chromolithographs of various astronomical phenomena, the moon, planets and deep sky objects from The Trouvelot Astronomical Drawings (1881); Popular and Pedagogic Works includes celestial globes, charts and other graphical representations of the universe. Runs until 6 October.
Opening today at the Osher Map Library in Portland, Maine and running until 10 March 2018, an exhibition of cartographic art called Go Where the Map Takes You: The Intersection of Cartography and Creativity. “Maps show many versions of our world, for many purposes, but their simplest purpose is to show the way from one place to another. The artists in this exhibition have used the techniques of mapping, and maps themselves, to show the way to the metaphorical and the metaphysical. We invite you to explore these artworks and see where they lead you.” Featuring several familiar artists.
A couple of reviews of recent map exhibitions that I’ve mentioned before. First, the Arctic Journal looks at the Osher Map Library’s current exhibition, The Northwest Passage: Navigating Old Beliefs and New Realities (see previous entry). And the St. Louis Library’s fantasy maps exhibit (see previous entry), which wrapped up earlier this month, got a writeup from Book Riot. [Book Riot/Osher Maps]
The Osher Map Library’s new exhibition, The Northwest Passage: Navigating Old Beliefs and New Realities, opened last week (see previous entry). The opening was also broadcast live on YouTube; if you missed it, the archived video can be watched there. And if you can’t get to Portland Maine, The exhibition’s companion website is now live, and features more than 50 images and maps on the theme of Arctic exploration. The Northwest Passage runs until 11 March 2017.
Open now and running through 26 February 2017 at the Boston Public Library’s Leventhal Center, Shakespeare’s Here and Everywhere asks “What roles do place, identity and travel play in his comedies, tragedies and histories? Explore these questions and more through maps, atlases and illustrations of Shakespeare’s time and beyond.” [Tony Campbell]
The Northwest Passage: Navigating Old Beliefs and New Realities opens 29 September 2016 at the Osher Map Library in Portland, Maine. [WMS]
Mapping Australia: Country to Cartography runs from 4 October 2016 to 15 January 2017 at the AAMU Museum of Contemporary Aboriginal Art in Utrecht, Netherlands. The exhibition “will explore the different representations of Australia. Alongside the VOC’s historical maps of Australia’s coast, drawn by Dutch cartographers in the 17th and 18th centuries, are striking depictions of the country in contemporary art works of Aboriginal artists that are derived from thousands of years of traditions.” [WMS]