Registration is now open for the third biennial Barry Lawrence Ruderman Conference on Cartography. As in previous years, the conference will be hosted by Stanford’s Rumsey Map Center but this time it will take place online, and run from October 20 to 22, 2021. The theme this time around is Indigenous mapping.
This theme is of paramount importance, especially as Indigenous peoples around the world continue to fight for their recognition and rights to land and resources. Simultaneously, institutions are increasingly examining their roles in exploitative imperial expansion and settler colonialism. The history of colonial encounter and of indigenous agency can both be glimpsed in historical maps, many of which were made by Indigenous peoples or thanks to crucial, and often unacknowledged, Indigenous contributions. More recently, mapping technologies are helping Indigenous groups to monitor resources, protect language, survey territory, govern, and provide evidence for reclamation and recognition procedures. Scholars, many of them Indigenous, are voicing their critiques and interventions using geographic and cartographic frameworks.
Alex Hidalgo, Mishuana Goeman, and Eric Anderson and Carrie Cornelius will provide keynotes. The conference will run from October 2o to 22, 2021 and is free to attend (virtually). More information; registration form.
A new online exhibition at Stanford Libraries’ Rumsey Map Center: Mapping the Islamic World: The Ottoman, Safavid and Mughal Empires. Curated by guest curator Alexandria Brown-Hejazi, the exhibition, which opened last week, “explores maps of the Islamic World, focusing on the ‘Gunpowder Empires’ of Ottoman Turkey, Safavid Persia, and Mughal India. […] A rich cartographic exchange took place between these three empires and European powers, as maps were used to chart their expansive territories, military campaigns, and trade routes.”
For this year’s meeting, all the papers will focus on the relationship between gender, sexuality, and cartography. While some scholars have examined the interplay of gender identities and mapping, particularly with regard to the role of women as buyers and sellers in the historical map market, this work remains isolated and has yet to make a significant impact on the wider field. This conference hopes to offer a counterpoint to this trend by bringing together diverse approaches and hosting interdisciplinary discussions.
The keynote speaker is Susan Schulten. Registration costs $100, or $25 if you’re a student.
The David Rumsey Map Collection has a number of virtual globes, but its AR Globe app may be the most unusual way to view them. Released last December for the iPhone and iPad, it uses augmented reality to superimpose one of seven celestial or terrestrial globes from the 15th through 19th centuries. The globes can be manipulated—spun, zoomed in and out—or observed from the inside (which is a good thing with celestial globes).
To be honest I’m not sold on using augmented reality to view virtual globes. It’s one thing to use AR to superimpose IKEA furniture in your living room: that makes sense, because it helps you visualize where the furniture would go and what it would look like. But it’s hard to see the utility of plunking a virtual globe in your living room: what’s the point of adding your surroundings as a backdrop? Case in point:
It’s neat but not particularly useful, is what I’m saying.
More on Urbano Monte’s 1587 world map, a copy of which the Rumsey Collection acquired last year (see previous entry). Chet Van Duzer presented his findings on the map and the mapmaker at Stanford last month, LiveScience reports. His conclusion? Monte was “both a mastermind and a copycat”—and not a very good artist, either. But the map is still very interesting. [WMS]
But with only two copies known to exist, that ain’t happening. So what the Rumsey Collection has done, with the copy they recently acquired via Barry Ruderman, is to do it virtually, creating a digital edition of the map as a single image (see above). The digital Monte map was apparently revealed at the Ruderman Conference last October (previously).
Monte wanted to show the entire earth as close as possible to a three-dimensional sphere using a two-dimensional surface. His projection does just that, notwithstanding the distortions around the south pole. Those same distortions exist in the Mercator’s world map, and by their outsized prominence on Monte’s map they gave him a vast area to indulge in all the speculations about Antarctica that proliferated in geographical descriptions in the 16th century. While Mercator’s projection became standard in years to come due to its ability to accurately measure distance and bearing, Monte’s polar projection gave a better view of the relationships of the continents and oceans.
The Mercator version of Monte’s map is here. A Google Earth KMZ file of the map as a digital globe is here. For background on Monte’s map, see the accompanying essay by Katherine Parker, “A Mind at Work” (PDF). For more coverage, see All Over the Map’s blog post.
In 2009 it was announced that map collector David Rumsey, whose eponymous website has been a must-visit for any map aficionado, would be donating his collection of 150,000 maps, plus digital copies, to Stanford University. Preparations to receive Rumsey’s collection began last summer. Now the David Rumsey Map Center is set to open—an event that will be marked with a reception on 19 April, the opening of an exhibition called A Universe of Maps: Opening the David Rumsey Map Center, and a series of presentations and workshops over the following two days. Speakers include Anne Knowles, Susan Schulten and Chet Van Duzer, among others, as well as Rumsey himself. [via]