A new edition of Star Trek: Stellar Cartography is coming out in October, TrekCore reports. Like The Lands of Ice and Fire, it’s a collection of folded maps—10 of them, 12″×36″ in size—rather than a bound atlas. The new edition, authored by Larry Nemecek, corrects errors and typos and adds material from the various series, including season one of Discovery. (The first edition came out in 2013.)
The Great Map of Movieland is a whimsical map that plots 1,800 movie titles on an imaginary terrain. Film genres appear as regions (Adventure Plains, Coming of Age Peninsula) and the films themselves appear as towns, with town size correlating to a film’s importance. (It’s a bit odd to see Star Wars and Star Trek in the Adventure Plains rather than the Sci-Fi Mountains, and I’m not sure what the significance of the highways are, nor why Casablanca and The Return of the King are right next to one another.) The brainchild of 31-year-old French designer David Honnorat, the map was a subject of a successful Kickstarter campaign last fall and is now available, via David’s store, as a 26×36″ print; the price is €40. [Boing Boing]
Geographical magazine reviewsThe Red Atlas, the survey of Soviet-era topo maps of the world by John Davies and Alexander J. Kent out this month from University of Chicago Press. National Geographic’s All Over the Map blog also has a feature on The Red Atlas. I’ve received my own review copy of The Red Atlas and hope to have a review for you … at some point (I’m rather backlogged).
A Turkish filmmaker is working on a documentary about the life of Ottoman admiral and mapmaker Piri Reis, whose 1513 portolan chart, a fragment of which was rediscovered in 1929, claimed to draw upon ancient and contemporary sources, including Columbus. According to the Doğan News Agency story, the 75-minute film “will feature dramatic reconstructions starring actor Mehmet Günsur as Piri Reis, Riccardo Scamarcio as Christopher Columbus and actress Deniz Özdoğan. Can Atill will reportedly compose the music for the film.” If you can read Turkish, the website of the filmmaker, Gülsah Çeliker, is here; the movie’s website is here. The documentary is supposed to be finished by the end of the year. [WMS]
Last month the New York Times mapped the U.S. cultural divide by looking at television viewing preferences. More precisely, the geographic distribution of viewership for the 50 most-liked TV shows. The correlation between Duck Dynasty fandom and voting for Trump was higher than for any other show. More surprisingly, the show most correlated with voting for Clinton? Family Guy.
This month marks Star Trek’s 50th anniversary, so I thought it might be worth it to put together a little post about maps in Star Trek. This proved to be more fraught a subject than I expected. There are a lot of maps of the Star Trek universe out there by divers hands, some more official than others, and they don’t always agree on all points, as Sufficient Velocity forum member WhiteDragon25 griped in 2014:
Despite so many planets, stars, systems, and other locations that were mentioned and referenced to throughout the entire franchise’s run, we’ve never got an official and fully accurate map of the Trek universe. […] Hell, for all of the Star Wars EU’s faults, at least it managed to generate a universally accepted map! Star Trek on the other hand, despite being just as popular as Star Wars, cannot even figure out the sizes and positions of the Feds, the Romulans, and the Klingons in relation to one another!
WhiteDragon25 might be overstating things a bit: most of the maps have the Star Trek major powers in the same relative position (other empires like the Tholians are another matter). But the point remains. While original series canon assigned aliens to known nearby stars, and the shows occasionally used real locations (e.g. Wolf 359), episode writers did not start with a map and generally did not take spatial relationships into consideration, which no doubt has made the belated mapping process a bit more challenging.
In print form, the earliest map I’m aware of is Star Trek Maps (1980), which according to Memory Alpha was a pair of double-sided map posters accompanied by a fairly mathy booklet; of course, the Star Trek universe was a lot smaller then. Star Trek: Star Charts came out in 2002 and seems to be considered the most canonical of the maps in existence; it’s out of print now, though. Star Trek: Stellar Cartography (2013), a collection of ten 24″×36″ folded maps. (Note that I haven’t seen any of these maps.)
Online, Star Trek Dimension’s Cartography section has maps from the series as well as Christian Rühl’s Galactic Atlas. StarTrekMap.com, a fan site that appears to be based on Star Trek: Star Charts, uses an in-universe interface that functions well (scroll wheel zooming!) but is awfully small on large screens. Neither has been updated in years. The Star Trek Online game also has, as you might expect, a map.
Christian Rühl, The Galactic Atlas: Local Space. Star Trek Dimension.
Last year a Doctor Who episode turned the concept of the trap street—a fictitious map feature designed to catch copyright violations—on its head. In the series nine episode “Face the Raven,” the Doctor looks for a London street that cannot be found on maps.
THE DOCTOR: But if the stories are true though, there should be a street in one of these old maps that no longer exists in the real world.
CLARA: Like a trap street, only not.
THE DOCTOR: What did you say?
CLARA: A trap street. You know, when someone’s making a map—a, um, cartographer—uses a fake street throws it into the mix, names it after one of his kids or whatever, then, if the fake street—the trap street—ever shows up on someone else’s map they know their work’s been stolen. Clever, right?
THE DOCTOR: My God! A whole London street just up and disappeared and you lot assume it’s a copyright infringement.
Unlike trap streets, the street exists, and the reason it has disappeared has nothing to do with cartographic copyright. Finding the street takes some doing, as this clip the BBC has made available recently shows; unfortunately, it takes place immediately after the bit I quoted above.
Coming in October from Zest Books: Andrew DeGraff’s Plotted: A Literary Atlas, a collection of the artist’s maps of fictional worlds. The Huffington Post has an interview with the author and sample pages from the book, from which we can get a sense both of DeGraff’s distinct and idiosyncratic artwork and the books he chose to make maps for. They’re not necessarily books you’d expect maps for (e.g., A Christmas Carol). These are maps of the stories—not, as we see in fantasy maps, of the stories’ setting—which means a completely different perspective that takes into account both time and distance travelled.
Someone was responsible for the maps developed for the film adaptations of The Lord of the Rings, The Hobbit and other movies (on-screen and in promotional materials), and that someone is Daniel Reeve, a freelance artist who also did a lot of the letterwork and calligraphy. Via Boing Boing.
A trap street is a fictitious street inserted by a mapmaker to catch plagiarists. Trap Street is also the title of a movie making the rounds of the festival circuit. Directed by Vivian Qu, Trap Street (Shuiyin jie) tells the story of a mapmaker who encounters a mysterious woman on an unmappable street. Based on the IMDB listing, it seems to be headed for a June release. (Does anyone have more information on this film?)