If you missed Worlds Imagined, the imaginary maps exhibition at Texas A&M University last year, fear not. The 100-page exhibition catalogue is still available for download (if no longer in print), and while it doesn’t always show the entire map, it’s a hell of a reference, equal in scope and comprehensiveness to J. B. Post’s 1979 Atlas of Fantasy, only more up to date. The exhibition curators also put together a video tour: the full version (above) is 25 minutes long; there’s a three-minute quick tour as well.
An exhibition at the New York Transit Museum, Navigating New York, got a writeup in Curbed New York. “The exhibit, which has been in the works for about a year, draws heavily on the NYTM’s extensive collection of objects related to the transit system—subway maps, yes, but also cartographic tools, renderings, and other ephemera. There are also items that might be familiar even to those who aren’t transit wonks, like the New Yorker’s 2001 ‘New Yorkistan’ cover by Rick Meyerowitz and Maira Kalman.” Vignelli’s famous 1972 subway map also makes an appearance. The exhibition runs through 9 September 2019; there’s no dedicated web page for it.
A new exhibition opened at the Leventhal Map Center today: Crossing Boundaries: Art // Maps “juxtaposes contemporary works of art with selected maps from the collections of the Norman B. Leventhal Map and Education Center at the Boston Public Library. These pairings and trios create dialogues that illuminate the crossing of the traditional boundaries of art and maps, and stimulate a fresh appreciation of both media.” Runs until 20 April 2019; if you can’t make it to Boston there’s an online version.
An exhibition at the Instituto Geográfico Nacional in Madrid: De Iberia a España a través de los mapas (“From Iberia to Spain via Maps”), which looks at the changing cartographic representations of Spain and the Iberian peninsula from classical times to the 19th century. Sixty maps on display, plus books, perspective views and a globe. The year-long exhibition runs until 20 April 2019. Free admission. [WMS]
An exhibition celebrating Welsh author and cartographer Humphrey Llwyd (1527-1568) is taking place at the National Library of Wales: BBC News, press release. Among other things, Llwyd produced the first published map of Wales (rather than as a part of another map), the Cambriae Typus, which appeared as an addendum to Ortelius’s Theatrum Orbis Terrarum in 1573. The exhibition runs until the 31st at the Library in Aberystwyth; admission is free. The Library’s digital version of the map is available here.
Diagrams of Power, a group exhibition taking place right now at OCAD University’s Onsite Gallery in Toronto, “showcases art and design works using data, diagrams, maps and visualizations as ways of challenging dominant narratives and supporting the resilience of marginalized communities.” Curated by Patricio Dávila, it runs until 29 September. Free admission.
Adam Dant’s Maps of London and Beyond (Batsford, 7 June) is a collection of the artist’s “beautiful, witty and subversive” maps. From the publisher: “Traversed by a plethora of colourful characters including William Shakespeare, Charles Dickens, Mary Wollstonecraft and Barbara Windsor, Adam Dant’s maps extend from the shipwrecks on the bed of the Thames to the stars in the sky over Soho. Along the way, he captures all the rich traditions in the capital, from brawls and buried treasure to gin and gentlemen’s clubs.”
Dant’s maps have been appearing on the Spitalfields Life blog for several years: start with this post and follow the links. They’re also the subject of at least two exhibitions in London right now: one at The Map House, which runs until the 14th; and one at Town House, which runs until the 22nd.
Clifford’s maps reveal a world on the cusp of an evolutionary shift in cartography brought about by the Napoleonic wars. Hand-coloured, manuscript maps depicting the precise and exacting geometry of Vauban-designed fortified cities give way to maps printed from engraved plates, incorporating new techniques and symbology to satisfy the shifting focus onto the surrounding landscape of unordered nature. Maps used primarily for the siege of cities in previous generations are re-placed by maps of vast expanses of territory for a new style of open warfare.
Prince Edward Island is to maps of Canada what New Zealand is to world maps: it’s left off them an awful lot, and the residents are sore about it. Now, CBC News reports that there’s an exhibition about it: Missing the Island, “[a] light-hearted look at a small selection of maps and graphics that have omitted P.E.I.,” runs until October 7 at the Confederation Centre of the Arts in Charlottetown. [WMS]