A new exhibition opened at the Leventhal Map Center today: Crossing Boundaries: Art // Maps “juxtaposes contemporary works of art with selected maps from the collections of the Norman B. Leventhal Map and Education Center at the Boston Public Library. These pairings and trios create dialogues that illuminate the crossing of the traditional boundaries of art and maps, and stimulate a fresh appreciation of both media.” Runs until 20 April 2019; if you can’t make it to Boston there’s an online version.
Boston boasts some of the nation’s most recognizable and cherished green spaces, from Boston Common, to the Emerald Necklace, to hundreds of neighborhood parks, playgrounds, tot lots, community gardens, playing fields, cemeteries, and urban wilds. In this exhibition, you will learn how the country’s oldest public park grew from a grazing pasture to an iconic recreational and social center, how 19th-century reformers came to view parks as environmental remedies for ill health, how innovative landscape architects fashioned green oases in the midst of a booming metropolis, and what the future holds for Boston’s open spaces. As you explore three centuries of open space in Boston, perhaps you will feel inspired to go outside and discover the green spaces in your own backyard.
The online version is here. It opened last Saturday and runs until 23 September; for some reason the opening ceremony isn’t until April 3rd.
Along with Regions and Seasons (previously), the Boston Public Library’s Leventhal Map Center is hosting another exhibition, Who We Are: Boston Immigration Then and Now, which runs until 26 August. “This exhibition compares the landscape of today’s ‘new’ Boston with that of over 100 years ago. The maps and graphics on display here show where Boston’s foreign-born residents originate from, and where newer immigrant groups have settled, while celebrating who we are, and the vibrant diversity that is Boston.” Text is in English, Spanish, Haitian Creole, Chinese and Vietnamese.
A new exhibition at the Boston Public Library’s Leventhal Map Center: Regions and Seasons: Mapping Climate Through History. “In this exhibition, you will discover how ‘Venti’ were wind personas who directed ancient ships and ‘Horae’ were goddesses of the seasons who dictated natural order during the 15th-17th centuries, how Enlightenment scientists started to collect and map weather data, and how 19th century geographers reflecting the golden age of thematic cartography created innovative techniques to represent vast amounts of statistical data and developed complex maps furthering our understanding of climatic regions.” Runs through August 27; also online.
Open now and running through 26 February 2017 at the Boston Public Library’s Leventhal Center, Shakespeare’s Here and Everywhere asks “What roles do place, identity and travel play in his comedies, tragedies and histories? Explore these questions and more through maps, atlases and illustrations of Shakespeare’s time and beyond.” [Tony Campbell]
Mapping Australia: Country to Cartography runs from 4 October 2016 to 15 January 2017 at the AAMU Museum of Contemporary Aboriginal Art in Utrecht, Netherlands. The exhibition “will explore the different representations of Australia. Alongside the VOC’s historical maps of Australia’s coast, drawn by Dutch cartographers in the 17th and 18th centuries, are striking depictions of the country in contemporary art works of Aboriginal artists that are derived from thousands of years of traditions.” [WMS]
An exhibition both online and at the Boston Public Library’s Leventhal Map Center through 23 October, Hy-Brasil: Mapping a Mythical Island looks at the island that appeared on maps of the Atlantic Ocean over a period of five centuries. “In this online exhibition of forty maps from the collection at the Norman B. Leventhal Map Center at the Boston Public Library and the Mapping Boston Foundation, visitors will see the transition of Hy-Brasil over the course of five centuries from legitimate island destination, to ‘imaginary’ place, to simply a ‘rock,’ before it finally stops appearing on maps in the late 19th century. A variety of map formats are included in the online exhibition, such as portolan charts, woodcut engravings, copperplate engravings and lithographic prints. Hy-Brasil even makes an appearance on a 1492 globe.” [WMS]
After Forbes Smileywas sentenced to 3½ years in prison for stealing nearly 100 maps from a number of different libraries, and maps were returned to the libraries he stole them from, there were still some missing pieces to the puzzle. There were maps in Smiley’s possession that had not been claimed; there were maps missing from libraries that Smiley did not admit to stealing, though he was recorded as the last person to see the map before it went missing.