Jean-Nicolas Buache de Neuville, “Carte de l’Océan où sont tracées les différentes routes des navigateurs au tour du monde,” 1785. Map in 3 sheets. Library of Congress.
Apple Maps’s detailed 3D city maps are now available for six cities: London, Los Angeles, New York and San Francisco at iOS 15’s launch, San Diego and Washington D.C. last month, and now Philadelphia [AppleInsider, MacRumors]. Those cities also have augmented reality walking directions: AppleInsider has a tutorial.
The Spilhaus projection has been available to ArcGIS Pro users for nearly two years. Now, to expand the Spilhaus’s availability beyond ArcGIS users, John Nelson provides vector assets suitable for designers working in, say, Illustrator.
A 16th-century globe bought for £150 at a Welsh antiques fair has sold at auction for £116,000. It had been expected to fetch £20-30,000. The globe, which dates to the 1550s or 1560s and believed to be by, or derived from work by, François Demongenet, includes sea monsters but not Australia (not yet discovered by Europeans) and is made of paper gores, which makes it both rare and fragile. More from the auction house here. Auction listing. BBC News coverage. (Image: Hansons Auctioneers.)
The Washington Post looks at how redistricting has changed the U.S. congressional electoral map so far. “As of Dec. 15, half of the 50 states have settled on the boundaries for 165 of 435 U.S. House districts. […] The Washington Post is using the number of Trump and Biden voters within old and new district boundaries, according to data collected by Decision Desk HQ, to show how the districts have changed politically. As more states finalize their maps, we’ll add them to this page to give a fuller picture of what to expect in the midterms.”
Two private collectors, John Steegh and Harrie Teunissen, have donated their collection of some 17,000 maps and 2,300 atlases and travel guides, mostly focusing on the 19th and 20th centuries, to Leiden University Libraries (linked page in Dutch).
Meanwhile, the South China Morning Post reports that “iPhone and Apple Watch users in China can no longer see their geographic coordinates and elevation on the Compass app, according to Chinese media reports and user comments. However, information including bearings and general location are still available.”
And according to a report in The Information (paywall) that was summarized by John Gruber, back in 2014 or 2015 the Chinese State Bureau of Surveying and Mapping required Apple Maps to make the disputed Diaoyu (Senkaku) Islands appear large even when zoomed out, and made the Apple Watch’s Chinese release contingent on that request—to which Apple acquiesced.
“Maps depicting Renaissance Tuscany are back on display at the Uffizi Galleries in Florence after being hidden from public view for more than 20 years,” the Guardian reports. “The wall paintings were commissioned in the late 1500s by Ferdinando I de’ Medici after the republic of Florence’s conquering of its rival Siena led to the creation the Grand Duchy of Tuscany and depict the newly unified territory.” It cost €600,000 to restore the three maps drafted by Stefano Bonsignori and painted by Ludovico Buti; the maps are on display in the Uffizi’s maps terrace, also newly renovated and limited to 20 visitors at a time. [MAPS-L]
The World is a general reference political map focused on the names and international boundaries of sovereign and non-sovereign countries. The information is portrayed using the Winkel II projection at a scale of 1:29 000 000. The dataset includes international boundaries, populated places, and labelled major hydrographic and physical features.
Because it’s produced by a federal department, the map and the download page are at pains to emphasize that the boundaries, labels and other information is not necessarily representative of the Government of Canada’s position (viz., Persian Gulf and Sea of Japan; disputed boundaries are included, frozen conflicts not so much).
Pierce’s map of nationalities, however, is a more memorable, if confounding, centerpiece. Aiming to convey diversity among immigrant communities in New York, the map depicts the proportion of major “nationalities” in each sanitary district of the city. The result is a dizzying array of zigzag stripes and scattered points. As Pierce writes in his explanatory notes accompanying the Harper’s Weekly publication, the original map was produced in color and adapted to black and white for publication, but the reproduction “is almost as effective and quite as illustrative as the original.” Despite Pierce’s confidence, perhaps the average reader could be forgiven if they find the map to be more difficult to parse. In fact, the map seems to resemble more closely the dazzle camouflage, a design aimed at confusing the observer, used on British and American warships in the first half of the twentieth century.
If you subscribe to Disney+, check out the 10th episode of Disney Insider, which dropped yesterday: its first segment looks at how National Geographic Maps produces its trail maps. The talking is done by National Geographic’s director of cartographic production, David Lambert. I can’t help but be reminded of those old newsreels that talked about map production; this is kind of that, only with really good production values.
Our NatGeo Maps office here in Colorado was featured on Disney+’s Disney Insider show episode 10 that dropped today! Watch 0:47-7:15 to see our boss talking about what we do! 🏞🥾 My 7-second, focused-cartographer 🤓🗺 cameo starts at 2:30! pic.twitter.com/p49B6Z1NfY