Using old maps as “proof” of one side’s claim over disputed territory, or a disputed place name, is something we’ve seen many times before. It’s happening with the Paracel Islands as well. They’re claimed (and occupied) by China as part of their claim on the South China Sea (the Nine-Dash Line); Vietnam considers the islands as part of Đà Nẵng province. While the central Vietnamese government has been somewhat careful regarding its boundary dispute with China, the same cannot be said for Đà Nẵng’s government, which has asked a local historian, Tran Duc Anh Son, to collect old maps and documents supporting Vietnam’s claims to the islands (which it calls the Hoàng Sa Archipelago). The New York Times has the story. [WMS]
One of the proposals in the new draft London Plan is to prohibit new fast food establishments within 400 metres of an existing school as a means of combatting childhood obesity.1 This is going over about as well as you’d think. Dan Cookson has mapped the locations of London’s fast food establishments and the 400-metre exclusion zones around each school; his map suggests a problem: there would be few places in the city able to host a new fast food joint.
This is a map of the over one thousand stellar systems with known exoplanets. The map helps to visualize the relative distance and location of exoplanets systems with respect to Earth using a flattened polar projection (i.e. zero declination) with a logarithmic distance scale. Those systems with potentially habitable exoplanets are highlighted with a red circle. You will need to enlarge to see details (probably something good for a Prezi presentation). The map can be printed 27″ × 27″ @ 300dpi.
It’s an update to their original map from 2011. I imagine that there have been enough discoveries since 2014 that the map could be updated again.
Waldseemüller’s set of gores was widely reproduced, yet the example to be offered at Christie’s on 13 December was never cut out—which largely explains why it has survived for hundreds of years. If it had been pasted as intended, Wilson says, ‘wear and tear would surely have seen its demise in the intervening centuries.’
Instead of being cut up, this particular map was used as scrap for bookbinding. It ended up among the belongings of the late British paper restorer Arthur Drescher, who died in 1986 and whose family recently came upon the piece.
Here’s the auction listing. The auction will take place on 13 December; the gores are expected to fetch between £600,000 and £900,000.
The Unwritten Record, a blog by staff at the U.S. National Archives’s Special Media Archives Services Division, announced last month: “Civil War maps are always popular at the National Archives, and the Cartographic Branch is pleased to announce the digitization of over 100 Confederate maps from Record Group (RG) 109. All are now available to view or download through our online catalog.” [Texas Map Society]
Here’s a book that, given my interest in maps and literature, I’ll have to track down: Literature and Cartography: Theories, Histories, Genres, edited by Anders Engberg-Pedersen and featuring contributions from 15 other authors. “Literary authors have frequently called on elements of cartography to ground fictional space, to visualize sites, and to help readers get their bearings in the imaginative world of the text. Today, the convergence of digital mapping and globalization has spurred a cartographic turn in literature. This book gathers leading scholars to consider the relationship of literature and cartography. Generously illustrated with full-color maps and visualizations, it offers the first systematic overview of an emerging approach to the study of literature.” Out today from The MIT Press. [Amazon]
The future of mapping, according to John Hanke and Brian McClendon, who basically created Google Earth, is something called a semantic map. Now, semantic mapping has very different meanings in literacy, statistics and data science; in this case a semantic map refers to “a map that continues to learn about the physical world and refine its predictions of what objects are and how they will act through huge amounts of data. Without semantic maps, self-driving cars won’t ever be able to intelligently move through the world–at least not without crashing into something—a development that will arrive when self-driving cars do.” Also has augmented reality implications. The Co.Design article explains. [Dave Smith]
Every year at about this time I post a gift guide that lists some of the noteworthy books about maps that have been published this year. If you have a map-obsessed person in your life and would like to give them something map-related—or you are a map-obsessed person and would your broad hints to have a link—this guide may give you some ideas.
Once again I’ve done my best to organize the books by theme. This is not a complete list of what’s been published in 2017. That’s what the Map Books of 2017 page is for: that page includes many, many other books that might also suggest themselves as gift possibilities.
Like many Nahuatl codices and manuscript maps of the period it depicts a local community at an important point in their history. On the one hand, the map is a traditional Aztec cartographic history with its composition and design showing Nahuatl hieroglyphics, and typical illustrations. On the other hand, it also shows churches, some Spanish place names, and other images suggesting a community adapting to Spanish rule. Maps and manuscripts of this kind would typically chart the community’s territory using hieroglyphic toponyms, with the community’s own place-name lying at or near the center. The present codex shows the de Leon family presiding over a large region of territory that extends from slightly north of Mexico City, to just south of Puebla. Codices such as these are critical primary source documents, and for scholars looking into history and ethnography during the earliest periods of contact between Europe and the peoples of the Americas, they give important clues into how these very different cultures became integrated and adapted to each others presence.
The Codex has been in private hands for more than a century, but now that the Library of Congress has it, they’ve digitized it and made it available online. [Tony Campbell/Carla Hayden]
On 5 December Christie’s will auction, as part of a lot of printed books and manuscripts, a map described as “an important manuscript map of New York City prepared by cartographers attached to Rochambeau’s forces during the Yorktown Campaign.” The 63×40-cm ink-and-watercolour map dates from 1781-1782 and is expected to fetch between $150,000 and $200,000. Christie’s item description is quite detailed.
In an article I published in 2013, I argued that one key difference between fantasy maps and the real-world medieval and early modern maps they purport to imitate is blank spaces: fantasy maps are full of blank spaces (that which is not in the story is not on the map), whereas real-world maps were covered in cartouches, sea monsters, inset illustrations and other embellishments. One of my sources for that article was a book by Chet Van Duzer: Sea Monsters on Medieval and Renaissance Maps (reviewed here).
Historians of cartography occasionally refer to cartographers’ horror vacui, that is, their fear or hesitancy to leave spaces blank on maps that might be filled with decorations. Some scholars have denied that this impulse was a factor in the design of maps, but the question has never been examined carefully. In this talk I will undertake such an examination, showing that horror vacui was indeed an important factor in the design of maps, at least for some cartographers, from the sixteenth to the early eighteenth century. Some of the factors that motivated cartographers’ concern about empty spaces will also be examined, as will maps by cartographers who evidently did not experience this fear. In the eighteenth and nineteenth centuries maps began to be thought of as more purely scientific instruments, cartographic decoration declined generally, and cartographers managed to restrain their concern about spaces lacking decoration in the interest of presenting their work as modern and professional.