John Nelson reports that the Spilhaus projection will be supported in the next version of ArcGIS—version 2.5, to be released in a few months. This odd projection, which centres Antarctica on a world map showing the oceans as a single, uninterrupted body of water; went viral last year. Requests for ArcGIS support soon followed. Thing is, ArcGIS support requires the math behind the projection: figuring out that math took some sleuthing. The Spilhaus is, it turns out, basically an oblique aspect of the Adams World in a Square II projection.
Even though there are different place associations that probably mean more to you as an individual, such as a neighborhood, street, or the block you live on, the zip code is, in many organizations, the geographic unit of choice. It is used to make major decisions for marketing, opening or closing stores, providing services, and making decisions that can have a massive financial impact.
The problem is that zip codes are not a good representation of real human behavior, and when used in data analysis, often mask real, underlying insights, and may ultimately lead to bad outcomes.
Zip codes, Matt says, are arbitrary: too many things going on at a local level can be missed if they don’t line up with zip code boundaries (such as the Flint water crisis). He does offer some alternatives: census tracts, spatial indices and good old fashioned addresses.
But computer mapping may be about to overtake hand-drawn illustration. John M. Nelson has created an ArcGIS style that does the very thing Dan Bell does by hand: emulate the maps of Middle-earth executed by Christopher Tolkien and Pauline Baynes. The style is called, naturally, My Precious: John explains it here and here, and demonstrates the style with this map of the Americas.
There are, of course, some flaws in this method: a mechanical representation of a hand-drawn style risks falling into the uncanny valley’s cartographic equivalent, especially when mountain and forest signs are clone-stamped over large areas. And to be honest I’m not a fan of the Aniron font: those letterforms were used in the Lord of the Rings movies, but never the books’ maps, and now they’re found on damn near every Tolkien-style map, and we hates it, precious, we hates it forever. But Nelson is basically emulating modern fantasy map practice: modern fantasy maps are invariably done in Illustrator, labels are computer generated rather than hand-drawn, and hill signs are clone stamped. Applying it to real-world maps, and GIS software, is new, but a difference in degree.
The Gall-Peters projection is a second-rate projection with first-rate public relations; cartographers’ responses to the projection that focused on its cartographic shortcomings ended up missing the point. Something different is happening with the Equal Earth projection, which was announced last month as a response to Gall-Peters: an equal-area projection with “eye appeal.” It’s getting media traction: the latest news outlet to take notice is Newsweek. So, finally, there’s an alternative that can be competitive on the PR front, without having to mumble something about all projections being compromises until the eyes glaze over.
John Nelson’s map of tornado migration in the United States, showing the seasonal variations in tornado occurrence, is a master class in data visualization and design—in deciding on the right way to present geographic information. The map combines three styles—impressionistic choropleth, weighted mean centre movement diagram, and small multiple—to present month-by-month information all at once; in the accompanying text (also here), Nelson discusses some of the alternatives he could have chosen instead. And in a separate post he talks about how he made the map. [Esri]
Each weekly lesson in the Cartography. MOOC focuses on the creation of one exemplary map that draws together key cartographic ideas. Lessons consist of about two hours of content, including video discussions, guided and self-guided exercises using ArcGIS Pro and ArcGIS Online, quizzes, interactions between students and instructors, and supplemental resources. Participants who engage with all the course content will receive a certificate of completion and a discount code to purchase Cartography., the book, should they wish to continue their learning.
Registration opens on 18 April and continues until 2 May. It is, as I mentioned, free; Esri expects more than 10,000 people to sign up.
Cartography., the book, is currently scheduled to come out in June.
The year 2017 is almost at an end, but two more map books, published last month, have just come to my attention (via, as usual, the WMS’s indefatigable Bert Johnson). These, then, are very late additions to the Map Books of 2017 page:
New Lines: Critical GIS and the Trouble of the Map by Matthew W. Wilson (University of Minnesota Press). “Seeking to bridge a foundational divide within the discipline of geography—between cultural and human geographers and practitioners of Geographic Information Systems (GIS)—Wilson suggests that GIS practitioners may operate within a critical vacuum and may not fully contend with their placement within broader networks, the politics of mapping, the rise of the digital humanities, the activist possibilities of appropriating GIS technologies, and more.”
James Cheshire reports that the Ph.D. thesis of the “father of GIS,” Roger Tomlinson, has been digitized. Tomlinson completed his thesis, “Geographical Information Systems, Spatial Data Analysis and Decision Making in Government,” at the University College London’s Department of Geography in 1974. It can be downloaded as a PDF at this link.