The paperback edition of Karen O’Rourke’s Walking and Mapping: Artists as Cartographers (MIT Press, 2013) comes out this week. From the publisher: “In Walking and Mapping, Karen O’Rourke explores a series of walking/mapping projects by contemporary artists. She offers close readings of these projects—many of which she was able to experience firsthand—and situates them in relation to landmark works from the past half-century. Together, they form a new entity, a dynamic whole greater than the sum of its parts.” [via] Buy at Amazon (Canada, U.K.)
Sea monsters are a familiar feature of early modern European maps. Toronto-based sculptor Bailey Henderson has rendered them in real life, casting them in bronze and then painting them. It’s incredible work that really does evoke the original. More details at Hi-Fructose magazine. [via]
Civilized Landscape was an exhibition of Ji Zhou‘s photographic art at New York’s Klein Sun Gallery. The Beijing-based Zhou merges physical art and photography in his work: “Ji Zhou collects maps, hand-sculpting them into peaks and troughs to mimic mountaintops. He includes books that are assembled into cantilevered towers resembling city skyscrapers. These ‘rural’ and ‘urban’ illusions are then photographed, further augmenting reality.” The exhibition apparently ran from September to October 2015, but the Huffington Post got hold of it this week, and it’s gone viral from there.
When J. R. R. Tolkien was writing The Lord of the Rings, the map was not an afterthought. (For one thing, with characters travelling many miles over many months, separately and together, distances and dates had to add up.) Tolkien didn’t just draft; he drew—maps, sketches, drawings, whatever he needed to help him visualize the world he was inventing. About 180 of those maps and drawings are now collected in a new book out today: The Art of The Lord of the Rings, edited by Wayne G. Hammond and Christina Scull (who previously authored The Lord of the Rings: A Reader’s Companion). Wired has some sample images. (From what I can tell, the British edition is slipcased.) [Boing Boing/MetaFilter]
A new book of map art is due out from Gestalten later this month. Mind the Map, edited by Antonis Antoniou, Robert Klanten and Sven Ehmann, seems very much in the same vein as their previous effort, A Map of the World. “Mind the Map is a showcase that reflects the broad range of work now being created by a new generation of mapmakers from around the world including classically legible maps, artistic experiments, editorial illustrations, city views, vacation guides, and global overviews.” The Guardian has some samples, as does the publisher’s catalog page.
Coming in October from Zest Books: Andrew DeGraff’s Plotted: A Literary Atlas, a collection of the artist’s maps of fictional worlds. The Huffington Post has an interview with the author and sample pages from the book, from which we can get a sense both of DeGraff’s distinct and idiosyncratic artwork and the books he chose to make maps for. They’re not necessarily books you’d expect maps for (e.g., A Christmas Carol). These are maps of the stories—not, as we see in fantasy maps, of the stories’ setting—which means a completely different perspective that takes into account both time and distance travelled.
Emily Garfield’s art is a pen-and-watercolour exercise in the cartography of imaginary places. Her drawings “are inspired by the visual language of maps, as well as the fractal similarity that cities share with biological processes such as the patterns of cells and neurons.” Above: “Branching Networks (Cityspace #178).”
For another example of using fantasy map design language to create real-world maps, here’s the work of geography professor Stentor Danielson, who draws maps of U.S. cities in the style of fantasy maps and sells them on Etsy. Boston, Cleveland (above), Philadelphia, Pittsburgh and Washington are available. His Tumblr. Via io9.