Jonathan Crowe blogs about maps at The Map Room. His nonfiction has been published by AE, The New York Review of Science Fiction, the Ottawa Citizen and Tor.com. His sf fanzine, Ecdysis, was a two-time Aurora Award finalist.
In 102 interactive color maps, this app re-creates the entire world of the Greeks and Romans from the British Isles to the Indian subcontinent and deep into North Africa. Unrivaled for range, clarity, and detail, these custom-designed maps return the modern landscape to its ancient appearance, marking ancient names and features in accordance with modern scholarship and archaeological discoveries. Geographically, the maps span the territory of more than seventy-five modern countries. Chronologically, they extend from archaic Greece to the Late Roman Empire.
It’ll be available on November 21: plenty of time for me to get a new iPad Air by then (it works on all iPads except the original).
I’ve seen a lot of maps that redraw national or subnational boundaries in the name of equal population (here’s a recent example) but the World of Equal Districts is the first I’ve seen to do it for the entire planet: it divides the world into 665 districts, each of which has around 10 to 11 million inhabitants. This is the electoral district map for a planetary parliament. [Boing Boing/MetaFilter]
Nearly two meters wide in total, the map’s nine wood-block panels comprise the largest and first realistic portrayal of Northern Europe. But in addition to these important geographic elements, Magnus’s map goes beyond cartography to scenes both domestic and mystic. Close to shore, Magnus shows humans interacting with common sea life—boats struggling to stay afloat, merchants trading, children swimming, and fisherman pulling lines. But from the offshore deeps rise some of the most magical and terrifying sea creatures imaginable at the time or thereafter—like sea swine, whales as large as islands, and the Kraken. In this book, Nigg provides a thorough tour of the map’s cartographic details, as well as a colorful look at its unusual pictorial and imaginative elements. He draws on Magnus’s own text to further describe and illuminate the inventive scenes and to flesh out the stories of the monsters.
Issue #300 of the NYRSF should be available to subscribers now. If you’re not a subscriber, you’re in luck: issue #300 is being made available for free (it’s the NYRSF‘s 25th anniversary, and the publishers are offering it to celebrate and in hopes that you’ll subscribe). Download it from this page. I’ll eventually have it up in the Articles section as well.
The previously-unknown globe, which is about the size of a grapefruit, was made from the lower halves of two ostrich eggs, and dates from the very early 1500s. Until now, it was thought that the oldest globe to show the New World was the “Lenox Globe” at the New York Public Library, but the author presents evidence that this Renaissance ostrich egg globe was actually used to cast the copper Lenox globe, putting its date c. 1504. The globe reflects the knowledge gleaned by Christopher Columbus and other very early European explorers including Amerigo Vespucci after whom America was named.
The Lenox Globe—also known as the Hunt-Lenox Globe—was cast in 1510; interestingly, prior to this announcement, it was the only map or globe to contain the phrase hic sunt dracones—here be dragons. This globe has the phrase as well. In the Washington Post coverage, two map experts—John Hessler and Chet Van Duzer—are quoted expressing a certain amount of skepticism (especially about the purported da Vinci connection). I also suspect caution is warranted here: the history of antique maps contains several examples of groundshaking discoveries that turn out to be dubious at best.
Andy Drizen’s Tube Map Live (iTunes), a free iOS app (native iPhone and iPad versions) that shows the real-time positions of London Underground trains on the iconic Tube map, using official data. Hypnotic visualization, but the app essentially promotes Drizen’s £1.99/$2.99 Tube Tracker: tapping on trains or stations calls up an advertising popup. Via TUAW.
We’re still two years from the New Horizons flyby of Pluto, but the cartography of the solar system’s most famous dwarf planet—based on Hubble imagery—is already several kinds of problematic, as Emily Lakdawalla explains in a post that also explains how the cartography of other worlds is done. (Key challenges include defining the north and south pole—which one is which?—as well as a prime meridian.)
Another data point for our consideration of what people think a fantasy map looks like, from the author of the Maptitude tumblelog: a fantasy map of Ireland, replete with, as you would expect, forests and hills. It departs from the fantasy map paradigm by using colour: red for political boundaries, blue for water. It also uses a vaguely uncial script: something we’ve seen in the movie versions of The Lord of the Rings, but less often in fantasy book maps. Not inappropriate for Ireland, though.
Two years ago, after I brought The Map Room to a close, despondent readers asked me where they could go for their map fix, now that I was denying it to them. At the time I couldn’t point to a map blog that covered maps in general, rather than a specific niche (e.g., online maps but not antique maps). Last month, though, saw the launch of Wired Map Lab, a member of the evil empire of Wired‘s science blogs. Looks like it’s off to an ambitious start.
Briefly noted: Laura Kurgan’s Close Up at a Distance: Mapping, Technology, and Politics (Zone Books, March 2013), a different look at maps built with satellite imagery, GIS and GPS data. “Poised at the intersection of art, architecture, activism, and geography, her analysis uncovers the implicit biases of the new views, the means of recording information they present, and the new spaces they have opened up. Her presentation of these maps reclaims, repurposes, and discovers new and even inadvertent uses for them, including documentary, memorial, preservation, interpretation, political, or simply aesthetic.” Via Human Scale Cities.
Map designer Max Roberts has designed subway maps for London and New York that are based on a series of concentric circles. Strictly for fun (and shock and horror), he says, but there’s an undeniable clarity to them. Via Kottke.