There is no transit map more iconic than the London Underground’s Tube map. First created by Harry Beck in the 1930s, the design has inspired countless other transit network maps that are schematic diagrams rather than geographically accurate maps. But Transport for London, which operates the Underground, also has a geographically accurate map of the network: it was strictly for internal use, but a freedom of information request has now brought it to light. It’s available here (PDF). The response has been so good that TfL now says it’ll be added to their website. CityMetric, Mapping London.
In my study of fantasy maps, one thing I’m particularly interested in is the difference between fantasy maps and their real-world counterparts. Those differences can be substantial; at some point I hope to go into a bit more depth about them. Meanwhile, James Hinton’s guest post at The Worldbuilding School tries to address this subject by comparing a single real-world city map (London, 1653) with a non-canonical map of Osgiliath from a role-playing game. His point turns out to be that fantasy settings should make sense (Osgiliath, according to the map, doesn’t): it’s a question of geography rather than cartography. The territory rather than the map. But if you begin building your fantasy world by drawing the map … [MetaFilter]
Back when I was doing The Map Room, I followed along as Yanko Tsvetkov started producing map after map of European stereotypes. The project really took off. He’s kept at it since, while I wasn’t looking quite as closely; he’s also collected them into two self-published volumes called the Atlas of Prejudice, which appear to have sold rather well in several different languages. As of July, an all-in-one edition, Atlas of Prejudice: The Complete Stereotype Map Collection, containing all the maps from the previous volumes plus 25 more, is now available.
A new book of map art is due out from Gestalten later this month. Mind the Map, edited by Antonis Antoniou, Robert Klanten and Sven Ehmann, seems very much in the same vein as their previous effort, A Map of the World. “Mind the Map is a showcase that reflects the broad range of work now being created by a new generation of mapmakers from around the world including classically legible maps, artistic experiments, editorial illustrations, city views, vacation guides, and global overviews.” The Guardian has some samples, as does the publisher’s catalog page.
If you’ve been following along, you will instantly understand that this is very much relevant to my interests, and though it’s been an awfully long time since I’ve been in academic mode, I might have to figure out a way to go to this.
Coming in October from Zest Books: Andrew DeGraff’s Plotted: A Literary Atlas, a collection of the artist’s maps of fictional worlds. The Huffington Post has an interview with the author and sample pages from the book, from which we can get a sense both of DeGraff’s distinct and idiosyncratic artwork and the books he chose to make maps for. They’re not necessarily books you’d expect maps for (e.g., A Christmas Carol). These are maps of the stories—not, as we see in fantasy maps, of the stories’ setting—which means a completely different perspective that takes into account both time and distance travelled.
Bellerby & Co. produces gorgeous hand-made, hand-painted globes. Peter Bellerby started the company six years ago—he wanted to make a globe for his father for his birthday, but got a bit carried away. Very much a luxury product: the least expensive item I could find in their catalogue was £999, and the higher-end and custom globes climb well into five figures. Not, in other words, comparable to Replogle’s product line.
As I predicted, a new global map of Pluto has been released that incorporates the imagery that has been downlinked so far from the New Horizons flyby: with gridlines, without gridlines. If nothing else, the equatorial projection demonstrates how much of Pluto’s surface was not seen during the very brief encounter. From what I understand, imagery downlinks will resume in September and carry on for another year, so this map will almost certainly see many more updates.
The New Yorker‘s Elements blog has a piece about mapcodes. These are short alphanumeric codes assigned to every location on the planet, with short codes reserved for areas of high population density. It’s meant to be a substitute for latitude and longitude, and aimed at parts of the world where there are no formal addresses (which makes directions somewhat interesting): give someone a mapcode, and you’re giving them a very precise location.
The Peace Tower in Ottawa, for example, has an Ontario mapcode of 09W.YK (mapcodes exist within country and state/provincial contexts).
The main problem, as I see it, is that while the Mapcode Foundation is trying to make mapcodes a standard, it still relies on data tables to produce the code, which is to say that there’s some computational overhead. Whereas something like Universal Transverse Mercator coordinates can be derived from topo maps (which have UTM grids on them).
Citing changing priorities, Yahoo announced today that Yahoo Maps is among the products that it will be shutting down; it’ll go dark at the end of this month. “However,” says Yahoo chief architect Amotz Maimon, “in the context of Yahoo search and on several other Yahoo properties including Flickr, we will continue to support maps.” Business Insider, TechCrunch, VentureBeat.
For a few years Yahoo Maps got frequent upgrades and improvements. The current map platform launched in May 2007; it replaced a Flash-based map engine that first debuted as a beta in November 2005 and became the default map a year later, replacing an even older map service that, if my memory serves, was like the pre-Google Maps MapQuest. Since then Yahoo Maps has stagnated—but for a while there, before Google Maps became the dominant juggernaut it is today, it could have been a contender.