An exhibition of maps from the personal collection of our friend Alejandro Polanca Masa is taking place at the municipal auditorium of his home town of Guardo, Spain. Free admission, runs until September 15. Alejandro writes (link in Spanish): “Quien pase por allí, puede disfrutarlo gratuitamente. Y mola, porque he seleccionado mapas desde el siglo XVIII hasta 1960, todos originales, que se pueden ver y tocar, incluyendo atlas y libros sobre cartografía. ¿Te lo vas a perder?”
From Academieland to Zelda: Mapping the Fictional and Imaginary, an exhibition of fictional maps at Harvard University’s Pusey Library, runs until 3 November 2023. The Harvard Gazette (the university’s official press outlet) has a writeup. “Calling the exhibition ‘kind of a mishmash,’ curator Bonnie Burns, head of geospatial resources at the Harvard Map Collection, said that ‘within the exhibit you have maps that are kind of theoretical, like nursery rhymes and Fairyland maps. And then there’s a big chunk of maps of literature—Middle Earth to Narnia.’” Many familiar maps, old and new, in this exhibition, at least for those of us who’ve been studying this field.
An upcoming exhibition at the Boston Public Library’s Leventhal Map Center, Getting Around Town: Four Centuries of Mapping Boston in Transit, “brings together an extraordinary collection of maps, plans, ephemera, and other materials to investigate how Bostonians have moved around the city in the past, present, and future.” Opens September 9 and runs until April 27, 2024. Free admission.
From Atlas of the City of Boston (1931). Norman B. Leventhal Map Center, Boston Public Library.
Opening today at the Boston Public Library’s Leventhal Map Center, Building Blocks: Boston Stories from Urban Atlases is an exhibition that explores street-level changes to Boston in the period between the Civil War and World War II. Media release.
Building Blocks: Boston Stories from Urban Atlases features rare materials from the BPL’s historic collection of maps and atlases alongside lithographs, photographs, and sketches of familiar local landscapes. Visitors will discover how the atlas collections opens up a world of fascinating stories, with vignettes including the city’s first African Meeting House in the heart of Beacon Hill, landmarks of leisure like the “Derby Racer” and “Giant Safety Thriller” amusement rides in Revere, public health infrastructure on Gallops Island in Boston Harbor, and many more.
The in-person exhibition at the BPL’s Central Library opens today; a digital version will follow online. Runs until 19 August 2023. A curatorial introduction will take place next Wednesday.
Meanwhile, a permanent exhibition, Becoming Boston: Eight Moments in the Geography of a Changing City, also opens today at the Leventhal: “In the eight cases of this exhibition, we follow the changing spatial forms of the place we now call Boston—from before the landscape carried that name all the way through the struggles, clashes, and dreams that continue to reshape the city today.”
“When looking at maps, we should always be mindful of the question: Who is mapping what and for what purpose?” A new exhibition at the Museum Volkskunde in Leiden, in collaboration with Leiden University Libraries, Kaarten: navigeren en manipuleren [Maps: Navigating and Manipulating], which opened last month, gathers together contemporary art and antique maps from their respective collections to explore the question of truth and perspective in maps. One example: a “serio-comic map” from the Crimean war (in Dutch). Another video, also in Dutch. Runs until 29 October 2023. Tickets 15€ or less.
The Osher Map Library’s latest physical exhibition, Industry, Wealth, and Labor: Mapping New England’s Textile Industry, opened last Thursday. “Inspired by the map library’s recent acquisition of a collection of textile mill insurance plans and historic maps from the American Textile History Museum, this exhibition addresses the temporal, geographic, and demographic components of New England’s cotton textile industry from the early 19th century until the middle of the 20th century.” Free admission; runs until 30 June 2023.
Vacationland: Mapping History in Maine, the Osher Map Library and Smith Center for Cartographic Education’s latest exhibition, “looks at tourism through the lens of travel and transportation, quite literally the mapping of tourism in Maine from the mid-19th century to the mid-20th century. This exhibition invites you to think about the changing landscape interventions created by and for tourists, as well as the impact such changes had on people living in Maine year round, and upon the environment.” This exhibition opened on 15 June and runs until 11 October; reservations required for social distancing reasons to visit the gallery in person. It’s not yet online; the Osher usually gets an online version up a little later on.
This exhibition presents many of the most historically significant manuscript maps from the late medieval and early modern period from the Beinecke Library’s vast collection of maps. It is focused on portolan charts—large, colorful charts that showed the shoreline of the Mediterranean, and were used by sailors to navigate from port to port. These maps were crucial to the expansion of European trade in the fiftieth and sixteenth century. Yale University Library has one of the most significant map collections of this period and owns some unique items not found in any other collection. […]
This exhibition presents maps from several different historical groups and demonstrates how maps functioned to place people within a larger world context. While primarily focusing on European maps, it also includes Middle Eastern and Asian world maps to illustrate common elements and also highlight significant differences. In addition, the exhibition presents some map forgeries and how they were determined to be fakes using scientific and historic analysis.
On that last point, yes, the Vinland Map will be a highlight of the exhibition, as will the Aguiar and Beccari portolan charts, the Martellus world map, and the Abenzara map.
The exhibition runs until 8 January 2023. Lectures will be taking place in the fall.
In More or Less in Common: Environment and Justice in the Human Landscape, we take a look at how questions of social justice and injustice are essential topics to confront when trying to understand the human landscape. These questions must also be at the center of our attention as we challenge ourselves to build better, healthier environments in the future. Through maps as well as photographs, images, and data visualizations, this exhibition encourages you to confront stories about how environmental conditions have sometimes served to worsen inequalities along lines of social division. At the same time, our shared environment offers the possibility to bring people together across differences and the inspiration to forge new kinds of common action.
This is a hybrid physical/digital exhibition that can be visited in person or viewed online. It opened on March 18 and runs until December 28. See the Boston Globe’s coverage.
Here’s another video, this one associated with the Newberry Library’s Crossings exhibition (previously), that visualizes the stories of three enslaved people who made their way to freedom via the Underground Railroad. [WMS]
Maps, guidebooks, travelogues, postcards, and more from the Newberry’s collection recreate travelers’ experiences along the northern and southern borders of the US, across the continent’s interior, and up and down the Mississippi River.
These cross-country paths have been in use for centuries whether by water, railroad, car, or airplane. And they’ve remained remarkably consistent despite changes in transportation, commerce, and the people who’ve used them.
But not everyone has experienced travel and mobility equally. The same paths meant “discovery” to the European explorer, freedom to the enslaved, and loss and removal for Indigenous nations.
Crossings shows how centuries of movement—from the Lewis and Clark expedition to the American road trip—have forged deep relationships between people and places that survive to this day.
Crossings opened on February 25 and runs until June 25. Free admission; masks required.
Abraham Ortelius, “Indiae Orientalis, insularumque adiacientium typos,” 1588. Hand-colored engraving on paper, 20×26¼ in. University of Delaware Special Collections.
An online exhibition from the University of Delaware Library, Museums and Press, Multiple Middles: Maps from Early Modern Times features a selection of early modern maps and travel narratives from their special collections. “The exhibition takes narratives from the maps’ edges and repositions them as possible middles. As a result, previously unfamiliar histories and visual elements come to the fore. These objects highlight specific innovations, scientific theories, and geographical middles that their makers intentionally framed. The exhibition provides an alternate view of maps and early modern cartography.” Features many familiar cartographers (e.g. Blaeu, Ortelius). [WMS]
The Osher Map Library’s new exhibition, North of Nowhere, West of the Moon: Myth, Fiction, and Fantasy in Maps, opened on Saturday.
Inspired by our recent acquisition of Bernard Sleigh’s six-foot long “An Ancient Mappe of Fairyland, Newly Discovered and Set Forth,” (1918) we have selected thematic maps, books, and ephemera from our collections that reflect whimsy and visionary thinking. This exhibit invites visitors to ponder the ways in which myth, fantasy, and fiction have, for centuries, provided both an escape into alternate worlds in times of great strife, as well as an opportunity to create alternate worlds and imagine new realities.
Runs until May 30th; free admission with timed ticket. The digital version won’t be online until February (I’ll post an update then, because this is very much relevant to my interests), but in the meantime the Library is posting teasers on its Instagram account.