Another one for those of you who like geofiction as much as I do. The Sorolpedia is an online encyclopedia of the distant and fictional world of Sorol, containing articles about the planet and its inhabitants. The maps are something else: far better than you’d expect from such a project (there’s even a KML file to import it into Google Earth). Its creator has put it on indefinite hiatus since 2010, so we may not see any more updates, but it’s still fascinating stuff.
I love geofiction—creating imaginary worlds through maps—and OpenGeofiction is something I’ve wanted to see for a long time: a collaborative map of an imaginary world that is built with OpenStreetMap’s editing tools. The world is divided into territories, some of which any member can edit, others that are assigned to individual members (after a waiting period). More info here.
I’ve been playing with it and am already nervous about the amount of time I can see myself losing to this. (Though one wrinkle is having no real-world referents to determine scale: without GPS traces or aerial imagery, figuring out how big a house, or a cloverleaf loop, should be is going to be tricky.)
Maps of Paradise by Alessandro Scafi (University of Chicago Press, 11/13). Explores “the diverse ways in which scholars and mapmakers from the eighth to the twenty-first century rose to the challenge of identifying the location of paradise on a map, despite the certain knowledge that it was beyond human reach.” (Amazon)
Jeffrey Beebe operates in the same space as Jerry Gretzinger or Austin Tappan Wright. “Over the last fifteen years, I have created the world of Refractoria, a comprehensive imagino-ordinary world that is equal parts autobiography and pure fantasy.” The design language is pure fantasy map, but he goes deeper than that: in addition to maps, he’s created heraldry and constellations, among many other things: the primary source materials of an imagined place whose history has not been written. Boing Boing, MetaFilter.
Jerry Gretzinger’s map began as a little doodle. Then it began to take on a life of its own. Jerry uses a deck of cards to determine how the map is revised, with near-mystical results. “Yes, it’s alive. It changes. My hand puts the paint on the paper and then I step back and say, ‘Wow, look at that,’ as though I was not the perpetrator. I’m just the observer.” I could see myself having this much fun. Via MetaFilter.