At the Newberry in October

Several things coming up at Chicago’s Newberry Library in October:

An exhibition, Mapping Outside the Lines, runs from 9 October 2025 to 14 February 26 at the Newberry’s Trienens Galleries.

For centuries, mapmakers have experimented with the placement, density, and purpose of lines like these to make maps seem simple and objective. Just follow this line and you’ll have everything you need—or so the map leads you to believe. These lines are never as straightforward as they seem. This exhibition follows lines on maps to their extremes. By exploring how maps use lines to make the world legible, the exhibition will bring you through examples of mapmakers and artists who have created, bent, and broken these linear rules. By following these lines, you will find maps to be more complex and more motley than they ever imagined!

The 22nd annual Nebenzahl Lecture Series, Mapping from Mexico: New Narratives for the History of Cartography, runs from 16 to 18 October 2025.

The 2025 Nebenzahl Lectures continue to promote new thinking in map history by asking how orienting our stories from Mexico, looking out toward the rest of the world, challenges common narratives and popular assumptions in the history of mapmaking. Despite the prominent role mapping in Mexico has played, cartographic histories are often told from a European perspective. But how do the stories we tell, methodological assumptions we make, and categories we define about maps and map history change when we treat sites of production and reception in Mexico—from Mexico City, Oaxaca, and Puebla to the borderlands—with the same specificity map history has given to European centers?

The Newberry is also hosting a rare map and book fair the same weekend to coincide with the Nebenzahl Lectures.

The Limits to Mapping

The Limits to Mapping,” a talk Matthew Edney gave at Yale University last week as part of the Franke Program series of lectures, is now available on YouTube.

Edney, who’s Osher Professor in the History of Cartography at the University of Southern Maine and the director of the History of Cartography Project (his name’s come up before), also has a new book coming out next year: Cartography: The Ideal and Its History (University of Chicago Press) is apparently an argument about how problematic cartography as an all-encompassing concept is, which ought to make for an interesting read.

Mapping the Borders

Inge Panneels and Jeffrey Sarmiento, “Liverpool Map,” 2010.

Mapping the Borders, a series of talks, exhibitions and workshops hosted by the University of Sunderland from 18 to 25 November as part of this year’s Being Human festival, includes an art exhibition, a workshop on glass mapmaking, a full day of activities on the 19th, and a number of pop-up talks. [NLS]

Hennig and Dorling on ‘Seven New Maps of the World’

Seven New Maps of the World,” a presentation by Benjamin Hennig (Views of the World) and Danny Dorling (People and Places), both renowned cartogrammers, will take place on the opening weekend of the Oxfordshire Science Festival  Sunday, 26 June 2016 at 1 PM, at the Story Museum, Pembroke Street, Oxford. Tickets £5. [Benjamin Hennig]

Update, 20 June: And here are the seven maps in question.

Don’t Make a Map

Martin Burch, data developer for the Wall Street Journal, has posted his presentation from the GeoJourNews 2016 conference. Called “Don’t Make a Map,” it explores situations where presenting your data in the form of a map is actually a bad idea, and looks at some better alternatives. “Always make a map,” he concludes, “but don’t always publish it.” Very much in the vein of similar pieces by Darla Cameron (of the Washington Post) and Matthew Ericson (of the New York Times). [Carla Astudillo]

Previously: The End of Maps in Seven Charts.

Map as Metaphor

Map as Metaphor is the theme for this year’s History of Art series, hosted by the New York-based Center for Book Arts. Starting tomorrow and running on three consecutive Friday evenings, a series of panels will investigate “how the map can be understood as a metaphor, both as material artifact and cultural object as well as an artistic tool”: The Socio-Political Map: Control and Power (18 March); The Eco-Techno Map: Data and Online Initiatives (25 March); and The Artist Map: Appropriation and Creation (1 April). Each panel takes place at the Center for Book Arts, 28 W 27th St, 3rd Floor, New York, and begins at 6:30 PM. Reservations recommended; donations requested. [via]

The Social Life of Maps

The Philadelphia Inquirer’s Elizabeth Mosier reports on a talk last Saturday by University of Delaware English professor Martin Brückner. “Using images from the exhibit he curated at Winterthur Museum (viewable online at http://commondestinations.winterthur.org), Brückner traced maps from production to purchase to public display and personal use, as they became fashionable objects in the period before and after the Revolutionary War,” Mosier writes.

In the 18th century, maps were everywhere: advertised with luxury goods in catalogs and with necessities in the newspaper, displayed in taverns and town halls and high-traffic areas in private homes, printed on parlor screens and ceramics and neckties—“cartifacts” serving no cartographic purpose. If political conflict built the market for maps, the cartouche—or decorative map title—refined it, adding beauty to the criteria for determining a map’s value. The brisk business in maps for navigating and decorating redefined what constituted their usefulness, in material and social terms. Owning a map meant economic status, educational achievement, and national identity; showing a map showed you belonged.

This is the “performative function” of maps, to create reality by plotting it.

geographic-revolution

Brückner is the author or editor of several books on the subject of the social history of maps in early America, including The Geographic Revolution in Early America: Early Maps, Literacy, and National Identity (UNC Press, 2006). I should really check his work (and Susan Schulten’s) out; my own graduate work was going to be on the social function of music, so the social function of maps is relevant to my interests for more than one reason. [via]