Bloomberg explores land use in the United States with a series of low-resolution maps that become more and more like infographics in the shape of the lower 48 states. It’s a revealing look at the big picture, with some surprises: 41 percent of U.S. land is used to feed livestock.
Here’s a short video from the British Museum about a 13th-century celestial globe; it goes into the history of the globe, who made it, and how the stars appear on it (i.e. if the sky is represented as a globe, we’re on the inside: how do the stars appear on that globe?).
Google is assigning names to neighbourhoods that, the New York Times reports, have little basis in reality—but once on Google Maps, those names swiftly come into a popular usage they never had before. The East Cut, in San Francisco, was the product of a branding agency; Fiskhorn, in Detroit, is actually a misspelling of Fishkorn, taken from a typo in the source map. (Searching for “Fishkorn” works just as well, though.) How such names end up on Google Maps, and therefore get a certain canonicity, is what’s interesting: it seems to be the result of a tech giant processing diverse data with remote fact checkers and not much in the way of local knowledge. [Boing Boing]
BBC News looks at how satellite imagery from the European Space Agency’s Copernicus program is being used to help fight wildfires in the Scottish highlands.
Web mapping uses Web Mercator. As Kenneth Field points out, this is fine at large scales, but at small scales you end up replicating the problem of using the Mercator projection on a wall map of the world.2 Zoom out in Apple Maps: using the map layer you get a Mercator; using imagery you get a virtual globe (basically, an orthographic projection you can spin). Ditto in Google Earth. But Google Maps, after some tests and starts, now does this in its map layer—and not just in Chrome, either. This means, among other things, that Antarctica is usably visible, as are the Arctic regions—and, of course, Greenland is its proper size at small scales.
At the Edinburgh Fringe Festival? You may want to check out The OS Map Fan Club, an hour-long solo performance about Ordnance Survey maps that sounds relevant to our interests. Written and performed by Helen Wood, The OS Map Fan Club has been making the fringe and festival circuit this year and has been getting good reviews (see here, here and here). At the Edinburgh Fringe until 18 August; details and tickets here. [Map of the Week]
In 2016 I told you about Michael Plichta’s first globe, a delightfully retro hand-crafted globe of Mars based on Percival Lowell’s maps that showed the world covered in canals. Plichta’s second globe project is also cool and unusual, but in a completely different way: it’s a relief globe of the Moon. No globe gores were used to make this 30-cm globe: the textured surface is cast in artificial plaster and then painted by hand, a compulsively exacting process laid out in this short video:
Hand-crafted globes are never inexpensive, and though Michael never mentions prices, this one cannot be either. (I’ve seen his Mars globe listed for $1,850.) That said, this is a definite lust object. I desperately want one.
Diagrams of Power, a group exhibition taking place right now at OCAD University’s Onsite Gallery in Toronto, “showcases art and design works using data, diagrams, maps and visualizations as ways of challenging dominant narratives and supporting the resilience of marginalized communities.” Curated by Patricio Dávila, it runs until 29 September. Free admission.