Every so often Matthew Edney posts something that had to be cut from his work in progress. In this case it’s a piece about what he calls “the most amazing map exhibition ever mounted”: Cartes et figures de la terre, which ran at the Centre Pompidou in Paris in 1980.
The curators of Cartes et figures de la terre were not map specialists. The principal curator was Giulio Macchi (1918–2009), an Italian film maker and producer for Italian state television, who was also an experienced curator of art exhibitions. The large accompanying volume, of the same title as the exhibition, was edited by Jean-Loup Rivière (1948–2018), a playwright, director, and theater critic and theorist who was then a research fellow at the Centre Pompidou.
Neither Macchi nor Rivière were committed to established scholarly and professional attitudes towards maps and their history. Entranced by the great variety of scientific and artistic map images, both past and present, they emphasized the aesthetic form of maps rather than map content. In doing so, Macchi and Rivière challenged the seemingly eternal verities of the normative map, even as they remained bound to those verities, not least to the idea that all maps are somehow all the same and a necessarily exceptionalist form of representation. They were especially enamored of the spectacular and of the creative in mapping.
Among other things, they brought the Coronelli globes out of storage.
In conjunction with the exhibition was a short surrealist film about cartography, Le jeu de l’oie (Une fiction didactique à propos de la cartographie), written and directed by Raúl Ruiz for France 2; you can watch it on YouTube (English subtitles are available):
As you’d expect from a major exhibition like this, a companion book is out this week from the