Tag: exhibitions

Opening Today: British Library Exhibition on 20th-Century Maps

Published on by Jonathan Crowe

Maps and the 20th Century: Drawing the Line opens today at the British Library. It runs until 1 March 2017. Admission is £12, with reduced-price and free admissions in some cases.

The Guardian’s Mark Brown and the Spectator’s Stephen Bayley have long and thoughtful pieces about the exhibition. The Independent’s Simon Calder is somewhat more solipsistic, but observes that this exhibition “might prove to be a wintry retrospective on the summer of peak cartography.”

There was also a segment on BBC Breakfast (using music from The Lord of the Rings was a bit of cognitive dissonance); the clip is available on Twitter:

The British Library’s Maps and Views blog has a sample of the maps on display.

maps-20th-drawing-line-book-coverAs you’d expect from a major exhibition like this, a companion book is out this week from the British Library. It’s available from Amazon UK in both hardcover and paperback; those of us in North America will have to wait a bit until it turns up here.

Previously: British Library Exhibition on 20th Century Maps Opening in November.

Exhibition Writeups

Published on by Jonathan Crowe

A couple of reviews of recent map exhibitions that I’ve mentioned before. First, the Arctic Journal looks at the Osher Map Library’s current exhibition, The Northwest Passage: Navigating Old Beliefs and New Realities (see previous entry). And the St. Louis Library’s fantasy maps exhibit (see previous entry), which wrapped up earlier this month, got a writeup from Book Riot. [Book Riot/Osher Maps]

Gregor Turk’s Conflux

Published on by Jonathan Crowe
Gregor Turk, Choke: Hormuz- Land (left) & Water (right). | wood and rubber | 20" x 20" x 3"
Gregor Turk, Choke: Hormuz — Land (left) and Water (right). Wood and rubber, 20″×20″× 3″.

Gregor Turk’s Conflux is on display at Spalding Nix Fine Art in Atlanta, Georgia until October 28. Conflux “features wall-mounted box-like maps of global choke points, strategic locations where passage by land or sea is constricted.  Coastlines are depicted as alternating positive and negative cut-outs, framed in a grid and wrapped with repurposed rubber (bicycle inner tubes). Shadows and negative space come into play with the stark structures.” Turk’s past art includes ceramics and public art installations inspired by topographic and city maps; see also his 49th Parallel Project. [The Map as Art]

Matthew Picton Exhibition in Portland, Oregon

Published on by Jonathan Crowe
Matthew Picton, Berlin Alexanderplatz (left); Moscow, The Master and Margarita (right).
Matthew Picton, Berlin Alexanderplatz (left); Moscow, The Master and Margarita (right).

An exhibition of Matthew Picton’s art is taking place at the Elizabeth Leach Gallery in Portland, Oregon. The Fall runs until 29 October.

Matthew Picton’s wall-mounted sculptures constructed from paper and vellum provide aerial views of urban environments. Unlike street maps, Picton’s representations are at once cartographic, topographical and cultural, incorporating period-specific texts and popular culture ephemera. In The Fall, Picton aims to illuminate periods of struggle and transition in societies and cultures that underwent seismic upheavals through the lens of literary and cinematic imagery. These works place elements of film posters and stills within the cartographic landscape of the city in which they are set, exploring the inversions of power and authority and the moral upending of society and civilization.

[The Map as Art]

The Northwest Passage: An Osher Map Library Exhibition

Published on by Jonathan Crowe
John Murray, Map Shewing the Discoveries Made by British Officers in the Arctic Region, 1828. Map, 41.5 × 52 cm. Osher Collection.
John Murray, Map Shewing the Discoveries Made by British Officers in the Arctic Region, 1828. Map, 41.5 × 52 cm. Osher Collection.

The Osher Map Library’s new exhibition, The Northwest Passage: Navigating Old Beliefs and New Realities, opened last week (see previous entry). The opening was also broadcast live on YouTube; if you missed it, the archived video can be watched there. And if you can’t get to Portland Maine, The exhibition’s companion website is now live, and features more than 50 images and maps on the theme of Arctic exploration. The Northwest Passage runs until 11 March 2017.

War Map: An Exhibition of Pictorial Conflict Maps

Published on by Jonathan Crowe

war-map

We’re familiar with caricature maps from before and during the First World War: maps that reimagine various countries as warring animals or caricatured faces. These aren’t the only examples of persuasive cartography or of pictorial maps of this or other wars, but I imagine they’ll be front and centre at a new exhibition at The Map House, an antiquarian map seller in London. War Map: Pictorial Conflict Maps, 1900-1950 opened last week and runs until 18 November. A companion book of the same name is apparently available as of next week. [Geographical]

New and Upcoming Exhibitions

Published on by Jonathan Crowe

Open now and running through 26 February 2017 at the Boston Public Library’s Leventhal Center, Shakespeare’s Here and Everywhere asks “What roles do place, identity and travel play in his comedies, tragedies and histories? Explore these questions and more through maps, atlases and illustrations of Shakespeare’s time and beyond.” [Tony Campbell]

The Northwest Passage: Navigating Old Beliefs and New Realities opens 29 September 2016 at the Osher Map Library in Portland, Maine. [WMS]

Mapping Australia: Country to Cartography runs from 4 October 2016 to 15 January 2017 at the AAMU Museum of Contemporary Aboriginal Art in Utrecht, Netherlands. The exhibition “will explore the different representations of Australia. Alongside the VOC’s historical maps of Australia’s coast, drawn by Dutch cartographers in the 17th and 18th centuries, are striking depictions of the country in contemporary art works of Aboriginal artists that are derived from thousands of years of traditions.” [WMS]

British Library Exhibition on 20th Century Maps Opening in November

Published on by Jonathan Crowe

The British Library’s upcoming exhibition, Maps and the 20th Century: Drawing the Line, runs from 4 November 2016 to 1 March 2017. Tickets are now on sale.

Two World Wars. The moon landings. The digital revolution. This exhibition of extraordinary maps looks at the important role they played during the 20th century. It sheds new light on familiar events and spans conflicts, creativity, the ocean floor and even outer space.

It includes exhibits ranging from the first map of the Hundred Acre Wood to secret spy maps, via the New York Subway. And, as technology advances further than we ever imagined possible, it questions what it really means to have your every move mapped.

The Evening Standard and TimeOut London look at one item going on display: Harry Beck’s original sketch of what would become the iconic Tube map.

Library of Congress Exhibition: Mapping a Growing Nation

Published on by Jonathan Crowe
buell
Abel Buell, A New and Correct Map of the United States of North America, 1784. On deposit to the Library of Congress from David M. Rubenstein.

Speaking of the Library of Congress, yesterday it opened a new exhibition both online and at the Library’s North Exhibition Gallery. Mapping a Growing Nation: From Independence to Statehood features the best known copy of Abel Buell’s 1784 New and Correct Map of the United States of North America—“which, among other things, has been recognized as the very first map of the newly independent United States to be compiled, printed, and published in America by an American. Additionally, the 1784 publication is the first map to be copyrighted in the United States, registered under the auspices of the Connecticut State Assembly.” Accompanying Buell’s map are other early maps—often the first maps—of each U.S. state; the maps will rotate on and off physical display for space reasons but will eventually all be featured online. [WMS]

An Exhibition of Antique Iowa Maps

Published on by Jonathan Crowe

Iowa and the Midwest: An Exhibition of Antique Maps, an exhibition of maps of Iowa from four private collections, runs from 12 August to 23 October at Simpson College’s Willis Gallery. (Simpson College is situated in Indianola, Iowa, just south of Des Moines.) “The maps, which date from 1715 to 1902, chart the region’s Euro-American development from unexplored colonial territories to what is now America’s Heartland.” [WMS]

MacDonald Gill Exhibition in San Diego

Published on by Jonathan Crowe

gill-wonderland

Art Meet Maps: The World of MacDonald Gill is an exhibition of nine of MacDonald Gill’s pictorial maps at the Map and Atlas Museum of La Jolla in La Jolla, San Diego, California. The exhibition also includes pictorial map art by Dolodes d’Ambly, Lucien Boucher, Jo Mora and Ruth Taylor White. Admission is free, but the museum is only open on Wednesdays and Thursdays, as well as the first and third Saturdays of each month. It runs until 20 May 2017. Coverage from the La Jolla Light. [WMS]

Previously: MacDonald Gill’s Wonderground Map.

Map Exhibition in Toronto: The Art of Cartography

Published on by Jonathan Crowe

The Art of Cartography, opening 13 August at the Toronto Reference Library and running until 16 October, is “a new exhibit showcasing the unexpected beauty of maps and atlases from the 16th to the 19th century. The exhibit features world maps, atlases, manuscript maps, sea charts, celestial maps, city plans and other cartographic curiosities from the library’s Special Collections.” The Toronto Star has some selections. [WMS]

Mapping Hy-Brasil

Published on by Jonathan Crowe

Abraham Ortelius, “Septentrionalium Regionum Descrip.,” from Theatrum Orbis Terrarum Antwerp, Belgium, 1570.An exhibition both online and at the Boston Public Library’s Leventhal Map Center through 23 October, Hy-Brasil: Mapping a Mythical Island looks at the island that appeared on maps of the Atlantic Ocean over a period of five centuries. “In this online exhibition of forty maps from the collection at the Norman B. Leventhal Map Center at the Boston Public Library and the Mapping Boston Foundation, visitors will see the transition of Hy-Brasil over the course of five centuries from legitimate island destination, to ‘imaginary’ place, to simply a ‘rock,’ before it finally stops appearing on maps in the late 19th century. A variety of map formats are included in the online exhibition, such as portolan charts, woodcut engravings, copperplate engravings and lithographic prints. Hy-Brasil even makes an appearance on a 1492 globe.” [WMS]