Iwan Bala’s Controversial Brexit Exhibition

iwan-balaRunning until 30 November at the Penarth Pier Pavilion in Penarth, Wales, Dyma Gariad (fel y moroedd)/Here is a love (deep as oceans) is an exhibition by Welsh artist Iwan Bala. It’s an angry, provocative collection of caricatures and maps about Brexit, from a strongly Remain perspective, done in a style described by the Penarth Times as “the rapid often stumbled, crossed out, corrected, blotted, re-adjusted rush to put thoughts on paper and the attempt of a poet to capture a line before it ebbs in the memory.” As the Pavilion describes the exhibition:

Responding to the result of the electorate’s vote on the UK’s EU membership, Bala began to make (alongside politicized ‘maps’), satirical caricatures of the principle [sic] players in the lead up to and result of Brexit. An Artist has a duty to comment, protest and become an agent provocateur through the medium of visual communication. Cartoons have a long and illustrious history, and have always lurked somewhere in the background environs of his artwork.

They may have been anticipating some pushback—the exhibition also had a content warning—and indeed the exhibition has gotten some angry responses sufficient that the Pavilion had to issue a statement defending their decision to host it. That alone tells me it was a success: art provokes. [WMS]

Author: Jonathan Crowe

Jonathan Crowe blogs about maps at The Map Room. His nonfiction has been published by AE, The New York Review of Science Fiction, the Ottawa Citizen and Tor.com. His sf fanzine, Ecdysis, was a two-time Aurora Award finalist.