Here Maps is still around, and they’ve announced the public beta of Here XYZ, a set of tools for developers to create online and interactive maps. There are several levels of said tools: Here XYZ Studio is a web-based application designed for non-developers; there are more advanced tools and APIs available, up to and including a command-line interface. Documentation is here. [Maps Mania]
Previously: Google Maps Changes API Pricing, Competitors Respond.
Laura Vaughan’s Mapping Society: The Spatial Dimensions of Social Cartography (UCL Press, 3 September) “traces the evolution of social cartography over the past two centuries. In this richly illustrated book, Laura Vaughan examines maps of ethnic or religious difference, poverty, and health inequalities, demonstrating how they not only serve as historical records of social enquiry, but also constitute inscriptions of social patterns that have been etched deeply on the surface of cities.” Available in the U.K. in hardcover (£45) or paperback (£25), but you can also download the PDF for free: the book is published under a Creative Commons licence.
The latest cartoon from Itchy Feet, a comic about travel and language by filmmaker Malachi Rempen, is a “Map of Every European City.” In the comments, the cartoonist says, “Having been to every single European city, I can safely say with confidence that they all look exactly like this.” I don’t think he’s wrong.
Manchester: Mapping the City (Birlinn, 4 October), the latest in Birlinn’s line of cartographic histories, is the result of years of research and collecting by authors Terry Wyke, Brian Robson and Martin Dodge. “This book uses historic maps and unpublished and original plans to chart the dramatic growth and transformation of Manchester as it grew rich on its cotton trade from the late 18th century, experienced periods of boom and bust through the Victorian period, and began its post-industrial transformation in the 20th century.” The book’s home page has sample chapters and links to Mancunian maps online. More from the University of Manchester. [Tony Campbell]
A new exhibition opened at the Leventhal Map Center today: Crossing Boundaries: Art // Maps “juxtaposes contemporary works of art with selected maps from the collections of the Norman B. Leventhal Map and Education Center at the Boston Public Library. These pairings and trios create dialogues that illuminate the crossing of the traditional boundaries of art and maps, and stimulate a fresh appreciation of both media.” Runs until 20 April 2019; if you can’t make it to Boston there’s an online version.
Update, 24 October: Here’s a writeup from the Boston Globe.
These CBC News infographics explore the results of last week’s provincial election in Quebec, comparing the vote share of the political parties among key socioeconomic and linguistic populations where there were the highest correlations. The maps are constituency level and use a modified hexagon grid to control for population density. [Canadian Geographers]
I hadn’t realized that Tavish Scott’s amendment preventing Scottish maps from displaying Shetland in an inset map actually passed. Section 17 of the Scottish Parliament’s Islands (Scotland) Act 2018 requires maps of Scotland produced by Scottish public institutions to display Shetland “in a manner that accurately and proportionately represents their geographical location in relation to the rest of Scotland.” The Act passed the Scottish Parliament last May and received Royal Assent in July. Now that the provision in question has come into force, the media, which always likes a weird map story, is seized of the issue all over again: there were news stories last week from BBC News, CBC Radio’s As It Happens, and NPR.
Basically, Shetlanders are delighted and cartographers are horrified: maps of Scotland will perforce be less detailed to accomodate all the empty ocean. In practice I suspect little will change: a loophole in paragraph 17(2)(b) enables a public authority to sidestep the requirement if they can justify it. I imagine that justification will be coming up a lot in maps that people actually use, leaving only illustrative and symbolic maps affected by the law. And, of course, private mapmakers and mapmakers not under the purview of the Scottish government (which I imagine includes the Ordnance Survey) will not be affected by this law.
Meanwhile, Maps Mania’s Keir Clarke gives us Unboxing the Shetlands, a tool to place mainland Scotland in an inset map instead.
Previously: In Praise of Inset Maps; Bruce Gittings on the Shetland Controversy; Don’t Put Shetland in a Box.
Opening today at the Santa Barbara Museum of Natural History: The Kingdom of California: Mapping the Pacific Coast in the Age of Exploration, an exhibition of 16th- to 19th-century maps and books from the museums own rare book collection, the Map and Atlas Museum of La Jolla and the Santa Barbara Mission Archive-Library. The Santa Maria Times notes the inclusion of maps showing California as an island as well as 19th-century coastal charts. Admission included with museum admission, runs until 2 January 2019. [WMS]
“The Limits to Mapping,” a talk Matthew Edney gave at Yale University last week as part of the Franke Program series of lectures, is now available on YouTube.
Edney, who’s Osher Professor in the History of Cartography at the University of Southern Maine and the director of the History of Cartography Project (his name’s come up before), also has a new book coming out next year: Cartography: The Ideal and Its History (University of Chicago Press) is apparently an argument about how problematic cartography as an all-encompassing concept is, which ought to make for an interesting read.
John M. Nelson’s ArcGIS style emulating the maps of Middle-earth is only one of several styles he’s been working on recently. He’s also created other ArcGIS styles emulating classic cartographic designs, including 19th-century physical geography diagrams, Eduard Imhof’s topographic maps, and hachures. Five of these styles, including the Tolkien style, have been collected in a short PDF booklet from Esri, Mapping with Style, Vol. 1, the title of which all but promises at least one sequel.
Previously: Maps Middle-earth Style: By Hand and by ArcGIS.
The Digital Museum of Planetary Mapping is an online collection of maps of the planets and moons of our solar system. There are more than two thousand maps in the catalogue, some dating as far back as the 17th century, but the bulk of them, understandably, are much more recent; also understandably, Mars and the Moon are the subject of most of the maps (40 and 46 percent, respectively).
The site is more like a blog than a library catalogue: it’s powered by WordPress and the individual listings are blog posts, but that’s perfectly legitimate, albeit less elegant. (But then who am I to judge?)
The project was presented at the European Planetary Science Congress in Berlin last month: for news coverage, see Phys.org and Space.com; the press release is here. [WMS/WMS]
The Verge’s Dan Seifert tries out Google Maps and Waze on CarPlay, and concludes that “neither Google Maps or Waze are particularly compelling compared to their Android Auto counterparts or even Apple’s own Maps app.” The unkindest cut: “If I’m traveling somewhere unfamiliar, Apple Maps is just more reliable to use than Google Maps or Waze in CarPlay, which is frankly surprising to say.”
Meanwhile, Google Maps has added commuting features that include mixed-mode commute support (e.g., commutes that include a combination of driving, transit, walking or cycling), real-time bus and train locations (in some locations), and in-app music support; more at AppleInsider, Engadget and The Verge. Another new feature: group planning; see coverage at PC World and The Verge.
Last week a magnitude-7.5 earthquake struck the Indonesian island of Sulawesi, triggering a tsunami that struck the city of Palu with far more force than expected. The New York Times has multiple maps and aerial images of the damaged areas; NASA Earth Observatory has before-and-after Landsat imagery.
Another excerpt from the forthcoming book The Writer’s Map, this time in the Guardian, in which three authors talk about their favourite literary maps: Robert Macfarlane on the map in Robert Louis Stevenson’s Treasure Island, Frances Hardinge on the map of Tove Jansson’s Moominland, and Miraphora Mina on the Harry Potter Marauder’s Map. In each case the maps are points of departure: Macfarlane gets all scholarly and theoretical, Hardinge and Mina more personal.
Previously: David Mitchell on Starting with a Map.
During a natural disaster like Hurricane Florence, crisis maps can be an invaluable source of information about road and bridge closures and other infrastructure outages. Trouble is, that information doesn’t always trickle down to mobile phones, which is where most people get their maps. (Especially when authorities have trouble keeping up with road closures on their own maps.) CityLab’s Clare Tran explores this question, looking at, for example, how Waze incorporates road closure data from Esri and its volunteers.
