Who Gets to Digitize Colonial-Era Congolese Geological Maps?

Reuters: “A U.S. mining company backed by billionaires Jeff Bezos and Bill Gates is in a tangle with Belgium’s AfricaMuseum over who should digitise antique maps of what is now the Democratic Republic of Congo ‌in the museum’s archive.” The colonial-era records in question take up some 500 metres of shelving and are already being digitized under a separate project with the DRC. The AfricaMuseum says it can’t hand the records over to a private company; the mining startup, KoBold Metals, also has an agreement with the Kinshasa government to digitize the data. [Tara Calishain]

Saul Steinberg’s Cartography

Saul Steinberg, “The View from 9th Avenue,” cover for The New Yorker, 29 March 1976.

It’s likely that artist Saul Steinberg may be best known for “View of the World from 9th Avenue,” an illustration that appeared as the well-known cover of the 29 March 1976 issue of The New Yorker. But as an essay on the Saul Steinberg Foundation website argues, “Isolating View of the World from the rest of his oeuvre, you miss its larger significance: as one work within a parade of images that harness the graphic device of the map to visualize more than geography. The map for Steinberg is not a system of geographic measurement but a way of thinking.” The post has lots of other examples of Steinberg’s work where he plays with maps and place, providing some context for that famous cover. [Robert Simmon]

Previously: McCutcheon’s View.