Quartz’s Corinne Purtill has a Q&A with fantasy cartographer Jonathan Roberts, who drew the maps in The Lands of Ice and Fire (see my review). Roberts has a lot of interesting things to say about his work, the differences between the Game of Thrones TV show and the books, and fantasy map design in general. (I spoke to Purtill a few days ago while she was preparing this piece, and did my best to offer some background on fantasy maps in general.)
Dark Horse has released a Game of Thrones map marker set, based on a map and markers briefly seen in the first season of the HBO TV series. What surprises me is how much more the map resembles a real-world medieval map, in its use of symbols and text, than do the usual fantasy maps, including those for Westeros (though, as I’ve argued before, real-world medieval maps were much more information-dense, and covered in text). At $200, it’s not cheap, but the markers are up to six inches in height, and the map is made of fabric and roughly four by three feet in size. It’s available for purchase at Amazon and ThinkGeek, among others.
In The Geology of Game of Thrones, a group of geologists has created a geologic map of Westeros and Essos, as well as an invented geologic history of the planet on which George R. R. Martin’s epic takes place. Via io9.
This isn’t the first time a fantasy world has been looked at through a geologic lens. Karen Wynn Fonstad’s Atlas of Middle-earth took a reasonably rigorous look at the landforms of Middle-earth. And Antony Swithin—a geologist in real life under his real name, William Sarjeant—created a geologic map of his invented island of Rockall (see previous entry).
You should know what you’re getting when you buy this. It’s not an atlas. It’s not even a book. George himself describes it as “a book-shaped box containing a whole bunch of gorgeous, glossy, fold-out maps of Westeros, Essos, and the lands and seas from A Song of Ice and Fire.” There is no text other than on a single-page introduction.
Open the box and you see two sleeves containing six maps apiece. Each map is 24 by 30 inches, single sided, in full colour, and on glossy paper, the kind you can see your fingerprints on. As fantasy maps go, this is a lavish production—a long way from the two-colour atlases we’ve seen for other imaginary worlds. (Some Amazon reviewers have expressed concern about wear and tear from folding and unfolding the maps; bear that in mind.)
George explains that this isn’t an atlas; in fact, it’s “not an actual book at all, but a book-shaped box containing a whole bunch of gorgeous, glossy, fold-out maps of Westeros, Essos, and the lands and seas from A Song of Ice and Fire.” (I hadn’t been sure.) Among the maps is an eagerly anticipated world map. George clarifies that “it’s not a complete world map, no. The idea was to do something representing the lands and seas of which, say, a maester of the Citadel might be aware … and while the maesters know more about Asshai and the lands beyond than a medieval monk knew about Cathay, distance remains a factor, and past a certain point legends and myths will creep here.”
The maps are the work of fantasy cartographer Jonathan Roberts. Sample images at io9 and Tor.com.