Helen Cann’s How to Make Hand Drawn Maps: A Creative Guide With Tips, Tricks, and Projects (Chronicle, 1 May paperback, 22 May ebook). “With wonderful examples and easy-to-follow instructions, this beautifully illustrated how-to book makes it simple and fun to create one-of-a-kind hand-drawn maps. Helpful templates, grids, and guidelines complement a detailed breakdown of essential cartographic elements and profiles of talented international map artists.” Amazon, iBooks
I trained as a historian of the French Third Republic, so Kory Olson’s The Cartographic Capital: Mapping Third Republic Paris, 1889-1934 (Liverpool University Press, 4 May), which “looks at how government presentations of Paris and environs change over the course of the Third Republic (1889-1934),” would have very much been up my alley twenty years ago. “The government initially seemed to privilege an exclusively positive view of the capital city and limited its presentation of it to land inside the walled fortifications. However, as the Republic progressed and Paris grew, technology altered how Parisians used and understood their urban space.” Amazon
Chris Barrett’s Early Modern English Literature and the Poetics of Cartographic Anxiety (Oxford University Press, 22 May) is about “the many anxieties provoked by early modern maps and mapping in the sixteenth and seventeenth centuries. A product of a military arms race, often deployed for security and surveillance purposes, and fundamentally distortive of their subjects, maps provoked suspicion, unease, and even hostility in early modern Britain. […] This volume explores three major poems of the period—Edmund Spenser’s The Faerie Queene (1590, 1596), Michael Drayton’s Poly-Olbion (1612, 1622), and John Milton’s Paradise Lost (1667, 1674)—in terms of their vexed and vexing relationships with cartographic materials.” Amazon, iBooks
Related: Map Books of 2018.
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