To mark the publication this week of a new fantasy novella, The Drowning Eyes by Emily Foster, the artist hired to create the map, Tim Paul, wrote an essay on how he did it. I’m struck by the lengths he took to “avoid making the map look too European” and by the careful consideration of what a map from that world should look like, which is almost unheard of in the fantasy map business, where maps invariably conform to a very specific style. The end result is a map that evokes portolan charts, replete with windrose lines and looking like it was drawn on vellum. As fantasy maps go, it’s one of the finer executions I’ve seen.
For the audiobook version (Amazon, iTunes), the publisher has taken the map and made it interactive: clicking on a location gives you an excerpt from the book. It might not quite be “[the] newest in map technology” but it’s a small and interesting innovation as far as fantasy maps are concerned.