Markus Moestue’s Critical Tourist Map of Oslo turns the unremitting positivity of tourist maps on its head, painting the Norwegian capital’s landmarks and history in a bracingly negative light.
In most countries, what we are taught about our own nation in school does not correspond much to reality. And Norway is no exception. We are made to believe in myths surrounding our own nation and are given a perfect mirage of excellence and good intentions in our history lessons. Stories of abuse, greed and war are often swept under the carpet, and it seems that, by some twist of faith, we are born into the best country in the world, and that all other nations are beneath us. Is Norway really the most happy place, the most environmentally conscious, the most peace loving or the most ethical? Hardly!
In this map I aim to correct a few myths, point to some problematic aspects of Norway and Oslo. And I wish for this map to be a contrast to the mindless commercially motivated map you’ll receive at the tourist information centre.
In a short video, Markus tries to stunt-distribute the map on the streets of Oslo:
“The Monsters of Maps,” a 10-minute video by Richard Tilney-Bassett, explores the late-19th- and early-20th-century phenomenon of “serio-comic” or caricature maps, which are no stranger to us here. In the video Richard wonders what a modern-day caricature map would look like; I’d point him to the work of Andy Davey (see here and here).
Joseph Ferdinand Keppler, “Next!” Puck, 7 Sept 1904. P. J. Mode Collection, Cornell University Library.
Cornell University Library has been home to the P. J. Mode Collection of Persuasive Cartography since 2014, and that collection is very much available online. Today, though, a new exhibition of maps from that collection opens at the Carl A. Kroch Library’s Hirshland Exhibition Gallery. Latitude: Persuasive Cartography runs until 21 February 2020.
When I was looking at those maps in dealers’ shops or catalogs, I often saw other maps that I thought were fun and interesting. I didn’t quite understand them all—unusual maps, strange maps of different kinds. The kind of maps that dealers refer to as “cartographic curiosities” (which basically means, “This doesn’t fit into one of my pigeon-holes…”). These were kind of fun and interesting, and they were inexpensive so, on a lark, I would buy them when I saw them and then I would kind of try to figure out what they were.
The dots don’t represent anything in particular, nor is their number and placement indicative of any kind of data. But when you’re looking at them, all spread out on a map of the United States like that—it’s hard not to be a little blown away.
Seven hundred of them. Seven hundred dots. That’s more than 500 dots—well on the way to 1,000. That could represent 700 people, or crime scenes, or cities. Or something that happens in this country every 20 seconds. These dots could potentially be anything—they’re red dots, so they could definitely mean something bad.
Whatever they might be, there’s no unseeing these dots.
Clickhole, The Onion’s satirical clickbait website, had a hilarious piece last October declaring that rising sea levels will turn Australia into a rhombus: good news for cartographers, for whom Australia will be easier to draw.
According to a new study by the National Ocean Service, melting icecaps and glaciers will raise sea levels enough to cause drastic coastal erosion to virtually every landmass on the planet, including Australia, which will transform from its current shapeless continental configuration into a crisp, tightly angled quadrilateral. While this will unquestionably result in an incalculable amount of economic and ecological devastation, it will likely be a welcome change for cartographers, who instead of spending hours trying to perfect the jagged and asymmetrical outline of the Australian coast like they do now, will in the coming decades be able to handily dash off a geographically accurate rendering of the continent in just a few seconds flat.
Peter Kuper, “Trumpworld,” The New Yorker, 12 January 2018.
It’s been a while since we last saw a map of Donald Trump’s world view (previously), but now, inspired by the president’s reported comments about shithole countries, we have a new one from The New Yorker’s Peter Kuper. [Facebook/Twitter]
“The Silver Dog With the Golden Tail,” 1896. Map, 20×26 cm. P. J. Mode Collection, Cornell University Library.
More than 500 maps have just been added to the P. J. Mode Collection of Persuasive Cartography at the Cornell University Library. That’s almost double the number they began with. Via email, P. J. Mode also says that “Cornell has implemented a much-improved image browser with a very robust search function. I hope there are some things that you’ll find new and interesting!”