More on the Exhibition of Le Guin’s Maps

Mike Duggan takes a look at the exhibition of Ursula K. Le Guin’s maps currently running at the Architectural Association Gallery in London, which displays the maps as cyanotypes on fabric.

Book cover: The Word for World

In the gallery space, Le Guin’s maps are looked at in isolation rather than relating directly to a text. They demand a different kind of attention, for there is a different form of visual connection between a viewer and a gallery object than between a reader and a book. So the maps are taken out of their original context and placed in another. But this isn’t to say this new context is any less significant. […]

There will forever be a tension between the map exhibition and the ways that maps are encountered in books. By definition they are being “exhibited” and put at the centre. And there’s no doubt Le Guin’s maps look impressive here, masterfully hung, printed on deep blue cotton, bathed in warm lighting.

Draped thoughtfully in rows throughout the space is perhaps a nod to being immersed in the cartographic imagination of Le Guin. They are certainly a spectacle that encourages a closer look. But is that enough?

The exhibition runs through 6 December. The accompanying book is out now from Spiral House (and in the U.S. in January): Amazon (CanadaUK), Bookshop.

Previously: The Word for World: The Maps of Ursula K. Le Guin.

The Word for World: The Maps of Ursula K. Le Guin

The Word for World is both an upcoming exhibition and an upcoming book exploring the maps of Ursula K. Le Guin—i.e., the maps she herself made for worlds like Earthsea.

When Ursula K. Le Guin started writing a new story, she would begin by drawing a map. The Word for World presents a selection of these images by the celebrated author, many of which have never been published before, to consider how her imaginary worlds enable us to re-envision our own.

Le Guin’s maps offer journeys of consciousness beyond conventional cartography, from the Rorschach-like archipelagos of Earthsea to the talismanic maps of Always Coming Home. Rather than remaining within known terrain, they open up paradigms of knowledge, exemplified by the map’s edges and how a map is read, made and re-made, together. The Word for World brings her maps together with poems, stories, interviews, recipes and essays by contributors from a variety of perspectives to enquire into the relationship between worlds and how they are represented and imagined. 

The exhibition runs from 10 October to 6 December at the Architectural Association Gallery in London. The book comes out from Spiral House in October. Preorder: Amazon (Canada, UK), Bookshop. Thanks to Zvi for the tip.

Previously: Limited Edition Earthsea Map Print Now Available.

Limited Edition Earthsea Map Print Now Available

Original map of Earthsea by Ursula K. Le Guin
Ursula K. Le Guin

A limited edition print of Ursula K. Le Guin’s map of Earthsea has just been released. “Starting with a high resolution photographic image of Le Guin’s original, the team digitally cleaned or reinforced each line and letter, separating each color in the drawing as a layer, to make the maps as legible as the original and to avoid the artifacts of a typical CMYK process.” The cost is $150 for the black-and-white version and $300 for the colour version, with only 50 and 250 copies of each being printed, respectively. (I suspect you shouldn’t dither too long if you’re interested.) Proceeds go to the Pacific Northwest College of Art and the Freedom to Read Foundation. [Tor.com]

A Tube Map of Earthsea

A Tube Map of Earthsea (Camestros Felapton)

Everything under the sun can be expressed as a Tube map. Including, as blogger Camestros Felapton demonstrates above, Ursula K. Le Guin’s Earthsea books. A glance at the original and official maps of Earthsea reveals that world as an intricate, almost overwhelming archipelago: Camestros’s map, like all good transit diagrams, expresses the books as journeys between points.