This short film on globemaking from 1955 has been making the social media rounds:
Compare it to this short film from 1949:
It’s nearly identical in its turns of phrase and factoids, though there are slightly different emphases. Though the firm is unnamed, it’s clearly the same one: it’s even the same guy doing the varnishing.
These films fascinate me because they describe a kind of globemaking—layers of plaster, paper globe gores, and varnish—that I don’t think happens any more. There are some similarities to Bellerby’s globemaking methods, but Bellerby’s underlying globe isn’t a plaster shell. And most of us don’t have the money for a Bellerby globe: if we have a globe, it’s almost certainly a Replogle. As this short video from the Chicago History Museum reveals, Replogle’s globes are a combination of paper, cardboard and glue:
Bellerby & Co., maker of hand-made, bespoke and very expensive globes, gets a bit more publicity, this time in a short video from Great Big Story. [Boing Boing]
Previously: Atlas Obscura Profiles Peter Bellerby; Globemaker Peter Bellerby Interviewed.
Map Men is a YouTube series by comedians Jay Foreman and Mark Cooper-Jones. It’s funny as hell, and quite informative too: it’s two silly people being very smart about often-silly cartographical situations. Six episodes so far; I hope they make more. [Geographical]
A profile of Swiss cartographer Eduard Imhof, famous for his work on relief mapping, from a 1983 Swiss TV program. Captioned in English if you can’t understand Swiss German for some reason. (Thanks to Henrik Johansson for the link.)
More on Imhof at Relief Shading, Terrain Models and Wikipedia.
Previously: Imhof’s Cartographic Relief Presentation; Codex 99 on Berann, Imhof and Everest.
A short film from the British Pathé YouTube channel about cloth maps of the countryside made by the Women’s Voluntary Service during the Second World War for the War Office, precise purpose unknown (training, perhaps?). [CityLab]
This short video, narrated by former Vancouver mayor (and current B.C. MLA) Sam Sullivan, explains how measurements initially set out by a 17th-century surveyor—in particular, Gunter’s chain—have an impact on the streets and lots of today’s British Columbia Lower Mainland.
Here’s a short video overview of the history of cartography and maps, courtesy of GeographyHub, that’s really about what was mapped—and mappable. [via]
Here’s a short talk from last year by Washington Post graphics editor Darla Cameron, who points out that many maps actually show population density rather than the data they purport to show. “Just because you have geographic data, that doesn’t mean that a map is a best way to tell the story.” She offers some alternative ways to present information—non-cartographic ways—that in some cases do a better job than a map could. (Heretical, I know.) In a similar vein, read the blog post by Matthew Ericson that she refers to at the end of the talk: “When Maps Shouldn’t Be Maps.” [via]
The population of the world from 1 CE/AD through the end of the 21st century (projected) is mapped in this video and interactive map from Population Connection, a group concerned with the carrying capacity of the planet and the environmental impact of overpopulation (they used to be Zero Population Growth back in the day). In each, one dot represents one million people. [via]
According to analyses by NASA and NOAA scientists, 2015 was the warmest year on record, with average surface temperatures the highest they’ve been since 1880. The above video shows the long-term warming trend since 1880 as a five-year rolling average. The baseline average is from 1951 to 1980; orange colours are warmer than that average, blue colours cooler. (Credit: GSFC Scientific Visualization Studio.)
The Onion’s take on the Apple Maps thing totally steals the punchline from Christopher Rowe’s fantastic 2006 short story, “Another Word for Map Is Faith,” which you can listen to here (previously).
Jerry Gretzinger’s map began as a little doodle. Then it began to take on a life of its own. Jerry uses a deck of cards to determine how the map is revised, with near-mystical results. “Yes, it’s alive. It changes. My hand puts the paint on the paper and then I step back and say, ‘Wow, look at that,’ as though I was not the perpetrator. I’m just the observer.” I could see myself having this much fun. Via MetaFilter.