Clausen guesses that the forgery was done in the 1940s or 1950s (“The prime forgery suspect is Carl Schweidler, whom Clausen calls ‘probably the best paper restorer of the 20th century.’”);
The reason why Christie’s was led astray was that one of the reference gores—the Bavarian State Library’s—was also a fake (that latter fact has already come out, but this article doesn’t gloss over its importance); and
Barry Ruderman, Clausen’s boss, guesses that this is only the tip of the forgery iceberg.
Still more coverage of the cancelled auction of the Waldseemüller globe gores that were later identified as fakes, this time from the Houston Chronicle, which pursues the local-interest angle by talking to Michal and and Lindsay Peichl, restorers from Clear Lake, Texas (their firm is Paper Restoration Studio) who were brought in to examine the gores along with other experts. Michal says it didn’t take him long to figure it out:
“My first reaction when I saw the picture was, ‘Oh my God, this is a fake,'” said Michal. “You could tell this was a sheet of paper pulled from a book binding board.
“It was printed on a piece of paper that used to be glued on the back of book and that was a red flag to me because as a forger, if you want to make a fake, that’s where you would go to get a clean sheet of paper.”
More on the cancelled auction of the Waldseemüller globe gores from Minneapolis-St. Paul TV station KARE, which looks at the work by the James Ford Bell Library that raised questions about the authenticity of the gores that Christie’s was set to auction last week. And a seriously buried lede: another set of Waldseemüller globe gores may not be authentic either: “During this process, experts also discovered that a copy at the Bavarian State Library in Germany may not be authentic, as well. Ragnow said that copy matches closely with the 2017 Christie’s one.” [WMS]
I didn’t know Replogle made Christmas ornaments. I stumbled across the above, a Waldseemüller globe ornament—i.e., an ornament based on the Waldseemüller globe gores—while poking aroundmy local map store for the first time in years. I bought the last one they had in stock. It’s 3¼″ (8.3 cm) in diameter, comes with a stand, and cost me all of $10. There’s apparently a Coronelli globe ornament as well.
Waldseemüller’s set of gores was widely reproduced, yet the example to be offered at Christie’s on 13 December was never cut out—which largely explains why it has survived for hundreds of years. If it had been pasted as intended, Wilson says, ‘wear and tear would surely have seen its demise in the intervening centuries.’
Instead of being cut up, this particular map was used as scrap for bookbinding. It ended up among the belongings of the late British paper restorer Arthur Drescher, who died in 1986 and whose family recently came upon the piece.
Here’s the auction listing. The auction will take place on 13 December; the gores are expected to fetch between £600,000 and £900,000.
AP reports that Christie’s will be auctioning “a previously unknown copy” of Martin Waldseemüller’s globe gores on 13 December. This would be the sixth known remaining copy of Waldseemüller’s gores, which were designed to form a small globe a few inches across when pasted onto a sphere. They’re a smaller, less-detailed version of Waldseemüller’s famous 1507 world map, and yes, the globe gores have “America” labelled as well.
A Land Beyond the Stars is a major new website dedicated to Martin Waldseemüller’s 1507 world map. Announced last week, it’s a collaboration between the Library of Congress and the Galileo Museum in Florence, Italy; the latter institution is responsible for the multimedia presentation.
[The website] brings the map’s wealth of historical, technical, scientific and geographic data to a broader public. Interactive videos explain the sciences of cartography and astronomy and the state of navigational and geographic knowledge during the time of Waldseemüller. Developed with materials from the Library of Congress and other libraries around the world, the name of the website stems from Waldseemüller’s use of a passage from Roman poet Virgil, which can be found in the upper left corner of the 1507 map.
Later this week, the Library of Congress will host a two-day conference celebrating the 500th anniversary of Martin Waldseemüller’s 1516 map, Carta Marina.Facts or Fictions: Debating the Mysteries of Early Modern Science and Cartography will take place on 6-7 October in the Coolidge Auditorium in the Library’s Thomas Jefferson Building in Washington, D.C. The conference agenda is not limited to Waldseemüller or his 1516 map; notable speakers include Kirsten Seaver, Chet Van Duzer and, with a major lecture, Dava Sobel. Free admission; no tickets or reservations required.
(The 1516 Carta Marina should not be confused with the Waldseemüller map most people mean: it’s his 1507 Universalis Cosmographia that names “America.” Nor should it be confused with Olaus Magnus’ Carta Marina.)
Earlier this month Voice of America had a short, introductory piece on Martin Waldseemüller’s 1507 map of the world. Because it’s the first time the word “America” appears on a map, it’s become known as “America’s birth certificate.” It’s for that reason that the Library of Congress spent $10 million to acquire the last known copy of the map. The story of the map, however, is much more interesting than that: it’s an amalgam of classical knowledge with more recent discoveries, a curious document that tries to bridge two different ways of thinking about the world. [WMS]