I like maps, because they lie.
Because they give no access to the vicious truth.
Because great-heartedly, good-naturedly
they spread before me a world
not of this world.
Literary Selections on Cartography was a series of letterpress broadsheets published by the History of Cartography project. A total of 23 appeared between 1992 and 2015; they included poetry and snippets from longer works, and were sometimes accompanied by commentaries. The move of Silver Buckle Press from the University of Wisconsin—Madison to the Hamilton Wood Type & Printing Museum will put an end to any future Literary Selections, in letterpress form at least, but the complete set so far is available online. [via]
Previously: Maps and Poetry.
I’m not alone in looking at the use of maps in fantasy literature; Hunter College classics professor Adele Haft, on the other hand, has been studying something a bit more singular: the use of maps in modern poetry. According to her CV she’s published a number of papers on poems like “The Map” by Elizabeth Bishop; more recently she’s been publishing, in Cartographic Perspectives, a multi-part study of Australian poet Kenneth Slessor‘s poetic sequence The Atlas: introduction, part one, part two, part three, part four.