Two World Wars. The moon landings. The digital revolution. This exhibition of extraordinary maps looks at the important role they played during the 20th century. It sheds new light on familiar events and spans conflicts, creativity, the ocean floor and even outer space.
It includes exhibits ranging from the first map of the Hundred Acre Wood to secret spy maps, via the New York Subway. And, as technology advances further than we ever imagined possible, it questions what it really means to have your every move mapped.
Speaking of the Library of Congress, yesterday it opened a new exhibition both online and at the Library’s North Exhibition Gallery. Mapping a Growing Nation: From Independence to Statehood features the best known copy of Abel Buell’s 1784 New and Correct Map of the United States of North America—“which, among other things, has been recognized as the very first map of the newly independent United States to be compiled, printed, and published in America by an American. Additionally, the 1784 publication is the first map to be copyrighted in the United States, registered under the auspices of the Connecticut State Assembly.” Accompanying Buell’s map are other early maps—often the first maps—of each U.S. state; the maps will rotate on and off physical display for space reasons but will eventually all be featured online. [WMS]
Last month KVAL TV of Eugene, Oregon took a look at the recently catalogued William H. Galvani Rare Maps Collection at Oregon State University. The maps, more than a thousand in number, were bequeathed by Galvani, along with more than five thousand books, to what was then Oregon State College in 1947. It’s taken this long to catalogue the collection, which emphasizes military maps and includes maps from the 16th through the 20th centuries. [WMS]
A new map exhibition opens this Friday at the National Library of Scotland. You Are Here “challenges our acceptance of maps. It poses questions about how they are made and how we understand them. Drawn from our collection of more than two million maps and atlases, each map in the exhibition shows the answer to some or all of those questions. The maps on display zoom out from the Library itself to the whole world in the shape of the Blaeu Atlas Maior—‘the most beautiful atlas ever made.’ They also include one of the finest plans of Edinburgh and the first map of Scotland, as well as more utilitarian railway, fishing and schoolroom maps.” The exhibition runs until 3 April 2017. I imagine there will be more links once it opens. [NLS]
Digitization also presents scholars with a new way of looking at maps, since, according to Fowler, “you can get a lot more detail than you could even looking through a magnifying glass.” As Matthew Edney, Osher professor in the history of cartography, pointed out, you can also dwell on an image longer than you could while studying a physical item under controlled conditions. “Rare book rooms kick you out,” he told me, but you can take your time with digital copies.
In some cases, that’s allowed Edney to discover new features of maps that he thought he already knew well. He points in particular to an 18th-century map of New England that was once owned by Hugh Percy, a British army officer who was a key player during the battles of Lexington and Concord. “Staring at it on screen, you realize there are these faint pencil lines, possibly indicating tentative knowledge,” Edney said. As he explains in a recent paper on the topic, such observations helped him better understand how Percy likely used the map—offering a picture of what the map meant at the time and not just what it shows.
Fantasy Maps: Imagined Worlds, a new exhibition at St. Louis’s Central Library, features enlarged prints of fantasy maps and a 75×25-foot illustrated map of St. Louis on the floor of the library’s great hall. Opens today and runs until 15 October according to this page. There’s nothing on the library’s website, but see the writeup in the St. Louis Post-Dispatch. [WMS]
It is a mixed media print collection of historical maps, atlases, periodicals and books that is unique in the Province in terms of its focus on the early mapping of Nova Scotia and specifically the 18th Century nautical charts of J.F.W. DesBarres’ Atlantic Neptune. The collection also contains a complete run of the Gentleman’s Magazine from 1731-1802, and other early European periodicals containing maps not present in other collections. In addition to the maps that cover the advances in geographic knowledge over five centuries, there are a number of important atlases dating from the 18th and 19th Centuries as well as an interesting collection of Nova Scotiana from the 19th and early 20th centuries.