Another Italian map exhibit to tell you about: 1716-2016 Cielo e Terra, featuring the cartographic holdings of Rome’s Biblioteca Casanatense, including the 1716 celestial and terrestrial globes of Amanzio Moroncelli, opens tomorrow and runs until 28 November. [WMS]
Peter Bellerby is interviewed in Fashion Times. Bellerby is the founder of Bellerby & Co., which makes hand-made, hand-painted—and very expensive—globes. (When I blogged about them last August, the cheapest globe I could find in their catalogue was £999.) Bellerby’s PR and marketing is fairly sophisticated and positions a globe as a serious luxury good; being interviewed in Fashion Times is consistent with that. They’re not exactly in the same market as Replogle, if you follow me. [via]
Dirk’s LEGO globe consists of nearly 4,000 bricks. With the stand, it reaches half a metre in height (20 inches) and weighs 7.3 kg (16 pounds). The project page describes the project in obsessive detail, with lots of photos.
Bellerby & Co. produces gorgeous hand-made, hand-painted globes. Peter Bellerby started the company six years ago—he wanted to make a globe for his father for his birthday, but got a bit carried away. Very much a luxury product: the least expensive item I could find in their catalogue was £999, and the higher-end and custom globes climb well into five figures. Not, in other words, comparable to Replogle’s product line.
Sylvia Sumira’s forthcoming book on globes—titled Globes: 400 Years of Exploration, Navigation and Power in its U.S. edition and The Art and History of Globes in its British edition—is a history of globemaking during its peak: “Showcasing the impressive collection of globes held by the British Library, Sumira traces the inception and progression of globes during the period in which they were most widely used—from the late fifteenth century to the late nineteenth century—shedding light on their purpose, function, influence, and manufacture, as well as the cartographers, printers, and instrument makers who created them.” Out next month from University of Chicago Press (for North America) and in April from the British Library (Commonwealth markets): Amazon. [Boing Boing]
The previously-unknown globe, which is about the size of a grapefruit, was made from the lower halves of two ostrich eggs, and dates from the very early 1500s. Until now, it was thought that the oldest globe to show the New World was the “Lenox Globe” at the New York Public Library, but the author presents evidence that this Renaissance ostrich egg globe was actually used to cast the copper Lenox globe, putting its date c. 1504. The globe reflects the knowledge gleaned by Christopher Columbus and other very early European explorers including Amerigo Vespucci after whom America was named.
The Lenox Globe—also known as the Hunt-Lenox Globe—was cast in 1510; interestingly, prior to this announcement, it was the only map or globe to contain the phrase hic sunt dracones—here be dragons. This globe has the phrase as well. In the Washington Post coverage, two map experts—John Hessler and Chet Van Duzer—are quoted expressing a certain amount of skepticism (especially about the purported da Vinci connection). I also suspect caution is warranted here: the history of antique maps contains several examples of groundshaking discoveries that turn out to be dubious at best.
The survival of Schöner’s notes and annotations is unique in the history of cartography; not only do they show his thinking about theoretical and practical geography, but they also reveal the art of mapmaking during his lifetime. John Hessler discusses Schöner’s opinions on the canonical geography of Ptolemy, his reaction to the new discoveries of Columbus and Vespucci, and his involvement in the new astronomy of Copernicus. Schöner’s surviving notebooks, manuscripts, and associations with other scientists of the period offer unprecedented insight into the history of these materials, and into the geographical and astronomical concerns that fuelled the birth of modern science development during this critical period in its development.