Clausen guesses that the forgery was done in the 1940s or 1950s (“The prime forgery suspect is Carl Schweidler, whom Clausen calls ‘probably the best paper restorer of the 20th century.’”);
The reason why Christie’s was led astray was that one of the reference gores—the Bavarian State Library’s—was also a fake (that latter fact has already come out, but this article doesn’t gloss over its importance); and
Barry Ruderman, Clausen’s boss, guesses that this is only the tip of the forgery iceberg.
Still more coverage of the cancelled auction of the Waldseemüller globe gores that were later identified as fakes, this time from the Houston Chronicle, which pursues the local-interest angle by talking to Michal and and Lindsay Peichl, restorers from Clear Lake, Texas (their firm is Paper Restoration Studio) who were brought in to examine the gores along with other experts. Michal says it didn’t take him long to figure it out:
“My first reaction when I saw the picture was, ‘Oh my God, this is a fake,'” said Michal. “You could tell this was a sheet of paper pulled from a book binding board.
“It was printed on a piece of paper that used to be glued on the back of book and that was a red flag to me because as a forger, if you want to make a fake, that’s where you would go to get a clean sheet of paper.”
More on the cancelled auction of the Waldseemüller globe gores from Minneapolis-St. Paul TV station KARE, which looks at the work by the James Ford Bell Library that raised questions about the authenticity of the gores that Christie’s was set to auction last week. And a seriously buried lede: another set of Waldseemüller globe gores may not be authentic either: “During this process, experts also discovered that a copy at the Bavarian State Library in Germany may not be authentic, as well. Ragnow said that copy matches closely with the 2017 Christie’s one.” [WMS]
I didn’t know Replogle made Christmas ornaments. I stumbled across the above, a Waldseemüller globe ornament—i.e., an ornament based on the Waldseemüller globe gores—while poking aroundmy local map store for the first time in years. I bought the last one they had in stock. It’s 3¼″ (8.3 cm) in diameter, comes with a stand, and cost me all of $10. There’s apparently a Coronelli globe ornament as well.
Waldseemüller’s set of gores was widely reproduced, yet the example to be offered at Christie’s on 13 December was never cut out—which largely explains why it has survived for hundreds of years. If it had been pasted as intended, Wilson says, ‘wear and tear would surely have seen its demise in the intervening centuries.’
Instead of being cut up, this particular map was used as scrap for bookbinding. It ended up among the belongings of the late British paper restorer Arthur Drescher, who died in 1986 and whose family recently came upon the piece.
Here’s the auction listing. The auction will take place on 13 December; the gores are expected to fetch between £600,000 and £900,000.
AP reports that Christie’s will be auctioning “a previously unknown copy” of Martin Waldseemüller’s globe gores on 13 December. This would be the sixth known remaining copy of Waldseemüller’s gores, which were designed to form a small globe a few inches across when pasted onto a sphere. They’re a smaller, less-detailed version of Waldseemüller’s famous 1507 world map, and yes, the globe gores have “America” labelled as well.
Meridian, an “experiment” from the DX Lab at the State Library of New South Wales, overlays old maps onto virtual, 3D interactive globes. Two globes have been created to date—one based on the 1706 Miranda world map (previously), the other on a set of Coronelli globe gores from 1693—with more in the works. Details here. [Cartophilia]
A rare Braille globe held by the Queensland State Library is being digitized so as to create a 3D-printed replica. The globe, invented by Richard Frank Tunley in the 1950s, is one of the last copies still in existence and is in poor physical shape—problematic for something designed to be touched. That’s where the replica comes in. It’s funded by the library foundation’s crowdfunding initiative, which will also help fund the original globe’s restoration. ABC News, Sydney Morning Herald. Media release. [ANZMapS]
It takes between 6 months to a year to learn how to make just the smallest sized globe … it is a further few years to make the larger sized globes.
Since it is unlikely we will find a former Globemaker.. all applicants will have to have a trial period… you have to try it before you both know you can do it … and to know you like doing it!
All jobs in our company require a patient and passionate person who will commit to the learning process and wants to stay in the company for at least 3 years afterwards.
The job posting was up for at least two months before Atlas Obscura blogged about it yesterday, but I presume, given Bellerby’s rather precise requirements—not so much about the candidate’s qualifications but their characteristics—that the position is still open. Have at it.
The Norman B. Leventhal Map Center: “Dennis Townsend, a Vermont schoolteacher, created this collapsible, portable, and inexpensive paper globe for students as an alternative to the large, more expensive globes available mainly in schools and libraries.”
It’s nearly identical in its turns of phrase and factoids, though there are slightly different emphases. Though the firm is unnamed, it’s clearly the same one: it’s even the same guy doing the varnishing.
These films fascinate me because they describe a kind of globemaking—layers of plaster, paper globe gores, and varnish—that I don’t think happens any more. There are some similarities to Bellerby’s globemaking methods, but Bellerby’s underlying globe isn’t a plaster shell. And most of us don’t have the money for a Bellerby globe: if we have a globe, it’s almost certainly a Replogle. As this short video from the Chicago History Museum reveals, Replogle’s globes are a combination of paper, cardboard and glue: