Bellerby & Co., makers of expensive bespoke handmade globes, continues to get all kinds of good press: earlier this week they were featured on CBS Sunday Morning.
It takes between 6 months to a year to learn how to make just the smallest sized globe … it is a further few years to make the larger sized globes.
Since it is unlikely we will find a former Globemaker.. all applicants will have to have a trial period… you have to try it before you both know you can do it … and to know you like doing it!
All jobs in our company require a patient and passionate person who will commit to the learning process and wants to stay in the company for at least 3 years afterwards.
The job posting was up for at least two months before Atlas Obscura blogged about it yesterday, but I presume, given Bellerby’s rather precise requirements—not so much about the candidate’s qualifications but their characteristics—that the position is still open. Have at it.
Random and miscellaneous globe items:
James Wilson was America’s first globe maker; his Bradford, Vermont-based globe factory opened in 1813. Geolounge points to the above illustration of Wilson, undated but from the early 20th century, by Roy Frederic Heinrich.
The Norman B. Leventhal Map Center: “Dennis Townsend, a Vermont schoolteacher, created this collapsible, portable, and inexpensive paper globe for students as an alternative to the large, more expensive globes available mainly in schools and libraries.”
In my post about old British films about globemaking I said, “These films fascinate me because they describe a kind of globemaking—layers of plaster, paper globe gores, and varnish—that I don’t think happens any more.” On The Map Room’s Facebook page, a commenter replied that Lander and May use the same methods today. Handmade by Chris Adams, these artisanal globes appear to be closer in class and price to Bellerby than to Replogle.
Finally, via the Washington Map Society’s Facebook page, news that a book about 17th- and 18th-century cartographer and globemaker Vincenzo Coronelli, Marica Milanesi’s Vincenzo Coronell Cosmographer, 1650-1718, is now available, though apparently not easily.
This short film on globemaking from 1955 has been making the social media rounds:
Compare it to this short film from 1949:
It’s nearly identical in its turns of phrase and factoids, though there are slightly different emphases. Though the firm is unnamed, it’s clearly the same one: it’s even the same guy doing the varnishing.
These films fascinate me because they describe a kind of globemaking—layers of plaster, paper globe gores, and varnish—that I don’t think happens any more. There are some similarities to Bellerby’s globemaking methods, but Bellerby’s underlying globe isn’t a plaster shell. And most of us don’t have the money for a Bellerby globe: if we have a globe, it’s almost certainly a Replogle. As this short video from the Chicago History Museum reveals, Replogle’s globes are a combination of paper, cardboard and glue: