Two related map exhibitions are taking place right now in the Netherlands. Mapping Japan runs until 26 November at the Japan Museum SieboldHuis in Leiden. Its focus is on 18th- and 19th-century Japanese maps from the Leiden University Libraries’ collections. “The impressive scroll painting of the Japanese coast and the personal maps belonging to Philipp Franz van Siebold (on display for the first time) are unquestionably the highlights of this exhibition.” (Possessing those maps got Siebold in considerable trouble in Japan.) Also in Leiden, Mapping Asia runs until 14 January 2018 at the Museum Volkenkunde. Its focus is on the objectivity (or lack thereof) in cartography, and features maps of both European and Asian origin. One highlight is a digitally reconstructed map of the Chinese Empire. [WMS/WMS]
Along with Regions and Seasons (previously), the Boston Public Library’s Leventhal Map Center is hosting another exhibition, Who We Are: Boston Immigration Then and Now, which runs until 26 August. “This exhibition compares the landscape of today’s ‘new’ Boston with that of over 100 years ago. The maps and graphics on display here show where Boston’s foreign-born residents originate from, and where newer immigrant groups have settled, while celebrating who we are, and the vibrant diversity that is Boston.” Text is in English, Spanish, Haitian Creole, Chinese and Vietnamese.
CBS Boston has more on the Boston Public Library’s exhibit, Regions and Seasons: Mapping Climate Through History (previously).
A new exhibition at Harvard University’s Pusey Library, Manuscript Maps: Hand-Drawn Treasures of the Harvard Map Collection, “highlights the process of mapmaking by looking at maps drawn by hand.” Opened yesterday; runs until September 27.
Meanwhile, in Schenectady, New York, there’s another exhibition at Union College’s Kelly Adirondack Center: Parts But Little Known: Maps of the Adirondacks from 1556 runs until September 29.
Mapping in the Enlightenment: Science, Innovation, and the Public Sphere, an exhibition at the University of Michigan’s William L. Clements Library, “uses examples from the Clements Library collection to tell the story of creating, distributing, and using maps during the long 18th century. Enlightenment thinking stimulated the effort to make more accurate maps, encouraged the growth of map collecting and map use by men and women in all social classes, and expanded the role of maps in administration and decision-making throughout Europe and her overseas colonies.” Fridays from 10 to 4 through October. [History of Cartography Project]
Seeking Civilization: Art and Cartography, an exhibition at Gallery Wendi Norris in San Francisco, “offers a timely re-contextualization of cartographic narrative in contemporary art and dialogue. Including works ranging from deconstructed colonial maps to neon light installations documenting personal journeys in search of love, these artworks direct us towards new reflections on citizenship, power and nationhood.” Featuring art by Michael Arcega, Val Britton, Guillermo Galindo, Taraneh Hemami, Omar Mismar, Miguel Angel Ríos (above) and Adrien Segal, Seeking Civilization opened on 23 March and runs until 6 May. More at SF Weekly.
Greater Arizona: Mapping Place, History and Transformation, an exhibition of maps from the Simon Burrow Map Collection at Arizona State University’s School of Transborder Studies that “highlights the different ways the region of Arizona has been conceptualized in a global context,” runs until 19 May at ASU’s Hayden Library. ASU Now: “Dating from the 16th to the 19th centuries, the maps document everything from peoples to borders to geographical features, and were created by a number of nations, including France, Great Britain and Holland—all that variation reveals portions of history that in some cases have been ignored.” [Tony Campbell/WMS]
A 17th-century map by Gerald Valck found stuffed up a chimney has now, following painstaking restoration work (see previous entry), been put on display at the National Library of Scotland’s George VI Bridge building in Edinburgh until 17 April. News coverage: The Art Newspaper, The National. [John Overholt, Tony Campbell]
Mapping the Philippine Seas, an exhibition of 165 maps and sea charts of the Philippine archipelago from the 16th to the 19th century from the private collections of the Philippine Map Collectors Society. At the Metropolitan Museum of Manila. Opened 15 March, runs until 29 April. BusinessWorld. [WMS]
The Osher Map Library’s next exhibition, To Conquer or Submit? America Views the Great War, opens this Thursday (Facebook, Eventbrite). It “commemorates and explores American participation in the Great War—the ‘War to End All Wars’—with a sample of informative and propagandistic posters, maps, and atlases” from the Osher collections, which are based at the University of Southern Maine in Portland.
The World According to Blaeu: Joan Blaeu’s 1648 map of the world, more than two by three metres in size, will be on display at the National Maritime Museum in Amsterdam from 14 April to 31 December. [WMS]
A new exhibition at the Boston Public Library’s Leventhal Map Center: Regions and Seasons: Mapping Climate Through History. “In this exhibition, you will discover how ‘Venti’ were wind personas who directed ancient ships and ‘Horae’ were goddesses of the seasons who dictated natural order during the 15th-17th centuries, how Enlightenment scientists started to collect and map weather data, and how 19th century geographers reflecting the golden age of thematic cartography created innovative techniques to represent vast amounts of statistical data and developed complex maps furthering our understanding of climatic regions.” Runs through August 27; also online.
Sweet Home: Alabama’s History in Maps “is an exhibit presented by the Birmingham Public Library in celebration of Alabama’s bicentennial. The Library’s Southern History Department has carefully selected over 50 maps from our world class collection to tell the story of Alabama. The maps in this exhibit represent 450 years of exploration, expansion, and development.” It opens Wednesday and runs through the end of April; there’s also an online version. Alabama Newscenter. [Tony Campbell]
Where Disaster Strikes: Modern Space and the Visualization of Destruction, an exhibition of disaster maps, is taking place now until 19 April at Harvard’s Pusey Library.
Floods, fires, earthquakes, volcanoes, bombings, droughts, and even alien invasions: disaster can take many forms. And, although disasters are always felt dramatically, a disaster’s form and location impacts who records its effects and what forms those records take. “Where Disaster Strikes” investigates the intertwined categories of modern space and disaster through the Harvard Map Collection’s maps of large destructive events from the London Fire to the present.
Open to the public. The exhibition also has a substantial online presence.
Engraved in Copper: The Art of Mapping Minnesota opened this week at the University of Minnesota’s Elmer L. Andersen Library. “This exhibit highlights unique engraved copper plates used to print topographic maps of Minnesota in the early 1900s, surveying and mapmaking techniques, and government documents related to the process. The plates are part of the evolution of government mapping and the history of the United States Geological Survey, from early mapping efforts to Geographic Information Systems.” Runs until 22 May.
An exhibition of fantasy maps, Worlds Imagined: The Maps of Imaginary Places Collection, opens Friday at Texas A&M University’s Cushing Memorial Library and Archives. “The maps included are part of an ongoing effort by [Texas A&M’s] Maps and GIS [Library] and the Science Fiction & Fantasy Research Collection to develop a shared collection of maps of imaginary places. Cushing is known worldwide for its collection of science fiction and fantasy materials, even housing [George R. R.] Martin’s personal collection of memorabilia.” Worlds Imagined runs until 10 October 2017. [Thanks, Alex.]
Previously: Fantasy Maps Exhibit at St. Louis Central Library.