Mapping Texas: From Frontier to the Lone Star State, which opened on 20 April at the George H. W. Bush Presidential Library and Museum in College Station, Texas, “traces the cartographic history of Texas from the sixteenth to the nineteenth centuries” through a small (26 item) collection of maps and documents, all of which are reproductions. Press release. [WMS]
The general consensus is that the Vinland Map is a modern forgery, not a pre-Columbian 15th-century map showing Norse explorations of North America. That doesn’t seem to stop Yale University from continuing to study the map, which is held in Yale’s Beinecke Rare Book & Manuscript Library. The map is being subjected to a battery of non-destructive tests to provide better and more precise physical data about its parchment and ink. The results will be published in a forthcoming book edited by Raymond Clemens, who for the record does not believe the map is authentic. (Neither do I, for what it’s worth.) [GeoLounge]
Boston boasts some of the nation’s most recognizable and cherished green spaces, from Boston Common, to the Emerald Necklace, to hundreds of neighborhood parks, playgrounds, tot lots, community gardens, playing fields, cemeteries, and urban wilds. In this exhibition, you will learn how the country’s oldest public park grew from a grazing pasture to an iconic recreational and social center, how 19th-century reformers came to view parks as environmental remedies for ill health, how innovative landscape architects fashioned green oases in the midst of a booming metropolis, and what the future holds for Boston’s open spaces. As you explore three centuries of open space in Boston, perhaps you will feel inspired to go outside and discover the green spaces in your own backyard.
The online version is here. It opened last Saturday and runs until 23 September; for some reason the opening ceremony isn’t until April 3rd.
Here’s something to do if you’re in the United Arab Emirates. Opening tomorrow (23 March) at the Louvre Abu Dhabi and running until 2 June, Globes: Visions of the World presents works from the Bibliothèque nationale de France and other loaned works, including more than 40 globes.
Starting with the great minds of ancient Greece, the exhibition follows humanity’s never-ending quest for knowledge and adventure. Uncover the vital role played by the pioneering scientists of the Islamic world, and track the ancient science of astronomy as it passed through Muslim Spain in the 10th and the 11th centuries. See the earliest-known celestial globes from the Islamic world and one of the earliest known Arab astrolabe in the world.
Some of the maps presented in this exhibit include Stephen F. Austin’s landmark 1830 map of Texas, unique plat maps that show Native American trails, one-of-a-kind manuscript military maps of the Republic and State of Texas, German immigration maps of the Texas Hill Country, hand-drawn railroad maps created to illustrate the progress of construction of railways across the state, cattle and trail maps from the 1880s, and interesting maps of Hemisfair ’68 in San Antonio, and much more.
Landmarks: Maps as Literary Illustration, an exhibition of literary and fantasy maps at Harvard’s Houghton Library, is free to the public and runs through 14 April 2018. “Presented in conjunction with the bicentenary of the Harvard Map Collection, this exhibition brings together over 60 landmark literary maps, from the 200-mile-wide island in Thomas More’s Utopia to the supercontinent called the Stillness in N. K. Jemisin’s The Fifth Season. Visitors will traverse literary geographies from William Faulkner’s Yoknapatawpha County to Nuruddin Farah’s besieged Somalia; or perhaps escape the world’s bothers in Pooh’s Hundred Acre Wood.” Atlas Obscura has more on the exhibition, along with a selection of some of the maps it presents. [Tony Campbell]
Opening today at the Osher Map Library in Portland, Maine and running until 10 March 2018, an exhibition of cartographic art called Go Where the Map Takes You: The Intersection of Cartography and Creativity. “Maps show many versions of our world, for many purposes, but their simplest purpose is to show the way from one place to another. The artists in this exhibition have used the techniques of mapping, and maps themselves, to show the way to the metaphorical and the metaphysical. We invite you to explore these artworks and see where they lead you.” Featuring several familiar artists.
Cartografías de lo desconocido persigue dos objetivos. Primero, hacer que el espectador se fije más en el mapa y menos en el territorio, pues sucede a menudo que el mapa—como cualquier buen truco de magia—suele esfumarse, tiende a borrar las convenciones visuales y espaciales sobre las que se apoya para susurrarle al espectador y mostrarle con aparente trivialidad: “Usted está aquí”, “así es la Tierra”, “este es su país”.
Sin embargo, nada es lo que parece. Por eso, en segundo lugar, queremos ofrecerle al visitante un recorrido por algunos de los recursos y los temas más frecuentes en esta historia del conocimiento y el ilusionismo, cómo han gestionado los mapas la información improbable, las novedades, los hechos inciertos, las regiones ignotas, los fenómenos invisibles.
Kozloff discovered folders containing her carefully preserved grade school art during the emotional process of packing up and closing her parents’ house after their deaths. Her occasionally phantasmagorical and meticulously painted archaic charts offer a dialogue between the youthful wonderment preserved in her elementary school drawings and adult geographical knowledge. These works bear a riveting similarity to her oeuvre of the last 25 years – maps, charts, decorative flourishes, information organized in graphs, and vignettes that expand the worlds depicted.