Still more coverage of the cancelled auction of the Waldseemüller globe gores that were later identified as fakes, this time from the Houston Chronicle, which pursues the local-interest angle by talking to Michal and and Lindsay Peichl, restorers from Clear Lake, Texas (their firm is Paper Restoration Studio) who were brought in to examine the gores along with other experts. Michal says it didn’t take him long to figure it out:
“My first reaction when I saw the picture was, ‘Oh my God, this is a fake,'” said Michal. “You could tell this was a sheet of paper pulled from a book binding board.
“It was printed on a piece of paper that used to be glued on the back of book and that was a red flag to me because as a forger, if you want to make a fake, that’s where you would go to get a clean sheet of paper.”
A rare Braille globe held by the Queensland State Library is being digitized so as to create a 3D-printed replica. The globe, invented by Richard Frank Tunley in the 1950s, is one of the last copies still in existence and is in poor physical shape—problematic for something designed to be touched. That’s where the replica comes in. It’s funded by the library foundation’s crowdfunding initiative, which will also help fund the original globe’s restoration. ABC News, Sydney Morning Herald. Media release. [ANZMapS]
Inside the lab, conservators talk about the care of antique maps like a doctor discusses a patient’s condition and treatment in an intensive care unit.
Conservators will lay a given map on a table for an exam and diagnose the issue: Is it brittle or burned? Damaged by water or tape? Crumbly, delaminated or peeling? Then they record the treatment in a chart of sorts so that years later, the next caretaker will know what remedy was given.
The repair process of a map—like that for a more than 200-year-old, torn illustration of Williamsburg, Brooklyn—typically takes several hours, though sometimes the conservators will spend days working on just one.
To be honest, when I think of map restoration I think of the painstaking work of preserving and repairing damaged old maps; the Chimney Map is only one such example. What ABC News (Australia) describes in this profile of photographer Tony Sheffield is more like digital retouching: scanning in an original and correcting it in Photoshop. It gives us a corrected image, but the original object is untouched. It really comes down to what you’re aiming for. [WMS]
The British Library has acquired nine engraved copper plates, used to print maps of India for the East India Company in the late 18th and early 19th century, from a scrap metal dealer. Another plate had been acquired in 1988 from a Norfolk farmer, who had intended to use it as a mudguard for his tractor. The plates were apparently diverted to the scrap metal trade during a move in 1860; how they managed to avoid being melted down for their copper in the intervening 150 years is a minor miracle. Daily Mail. [WMS]
On the National Library of Scotland’s blog, a look at steps taken to conserve and repair two damaged 19th-century maps. “These case studies show some of the treatment options available for large maps, and demonstrate the challenging decisions that have to be made in order to care for the Library’s collections in their entirety. The principles at the heart of every conservation intervention are reversibility and retreatability, which ensure that we can always return to an object in the future if circumstances change.” [via]