Breathing Room: Mapping Boston’s Green Spaces is the latest exhibition put on by the Leventhal Map Center at the Boston Public Library.
Boston boasts some of the nation’s most recognizable and cherished green spaces, from Boston Common, to the Emerald Necklace, to hundreds of neighborhood parks, playgrounds, tot lots, community gardens, playing fields, cemeteries, and urban wilds. In this exhibition, you will learn how the country’s oldest public park grew from a grazing pasture to an iconic recreational and social center, how 19th-century reformers came to view parks as environmental remedies for ill health, how innovative landscape architects fashioned green oases in the midst of a booming metropolis, and what the future holds for Boston’s open spaces. As you explore three centuries of open space in Boston, perhaps you will feel inspired to go outside and discover the green spaces in your own backyard.
Along with Regions and Seasons (previously), the Boston Public Library’s Leventhal Map Center is hosting another exhibition, Who We Are: Boston Immigration Then and Now, which runs until 26 August. “This exhibition compares the landscape of today’s ‘new’ Boston with that of over 100 years ago. The maps and graphics on display here show where Boston’s foreign-born residents originate from, and where newer immigrant groups have settled, while celebrating who we are, and the vibrant diversity that is Boston.” Text is in English, Spanish, Haitian Creole, Chinese and Vietnamese.
CBS Boston has more on the Boston Public Library’s exhibit, Regions and Seasons: Mapping Climate Through History (previously).
April 19th: The day the Leventhal Map Center finally snapped.
A new exhibition at the Boston Public Library’s Leventhal Map Center: Regions and Seasons: Mapping Climate Through History. “In this exhibition, you will discover how ‘Venti’ were wind personas who directed ancient ships and ‘Horae’ were goddesses of the seasons who dictated natural order during the 15th-17th centuries, how Enlightenment scientists started to collect and map weather data, and how 19th century geographers reflecting the golden age of thematic cartography created innovative techniques to represent vast amounts of statistical data and developed complex maps furthering our understanding of climatic regions.” Runs through August 27; also online.
Meanwhile, the Boston Public Library’s exhibition on the mapping of the mythical island of Hy-Brasil (see previous entry) wraps up next month; here’s another look at it from Hyperallergic’s Allison Meier. [Leventhal Map Center]
Open now and running through 26 February 2017 at the Boston Public Library’s Leventhal Center, Shakespeare’s Here and Everywhere asks “What roles do place, identity and travel play in his comedies, tragedies and histories? Explore these questions and more through maps, atlases and illustrations of Shakespeare’s time and beyond.” [Tony Campbell]
The Northwest Passage: Navigating Old Beliefs and New Realities opens 29 September 2016 at the Osher Map Library in Portland, Maine. [WMS]
Mapping Australia: Country to Cartography runs from 4 October 2016 to 15 January 2017 at the AAMU Museum of Contemporary Aboriginal Art in Utrecht, Netherlands. The exhibition “will explore the different representations of Australia. Alongside the VOC’s historical maps of Australia’s coast, drawn by Dutch cartographers in the 17th and 18th centuries, are striking depictions of the country in contemporary art works of Aboriginal artists that are derived from thousands of years of traditions.” [WMS]
An exhibition both online and at the Boston Public Library’s Leventhal Map Center through 23 October, Hy-Brasil: Mapping a Mythical Island looks at the island that appeared on maps of the Atlantic Ocean over a period of five centuries. “In this online exhibition of forty maps from the collection at the Norman B. Leventhal Map Center at the Boston Public Library and the Mapping Boston Foundation, visitors will see the transition of Hy-Brasil over the course of five centuries from legitimate island destination, to ‘imaginary’ place, to simply a ‘rock,’ before it finally stops appearing on maps in the late 19th century. A variety of map formats are included in the online exhibition, such as portolan charts, woodcut engravings, copperplate engravings and lithographic prints. Hy-Brasil even makes an appearance on a 1492 globe.” [WMS]
Another look at #MapMonsterMonday: This afternoon, Dory Klein of the Boston Public Library’s Leventhal Map Center spoke with Public Radio International’s The World about sea monsters on old maps.
#MapMonsterMonday makes the Boston Globe, in a piece looking at how the Boston Public Library’s Leventhal Map Center curates their weekly posts of map monsters on Twitter and Instagram. (An example below.) Though, to be fair, there are several map library Twitter accounts participating in #MapMonsterMonday. [via]
For #MapMonsterMonday, we’re featuring some of the creatures found in our Samuel de Champlain #map that was recently returned after having been so cruelly stolen from us over a decade ago. Though drawn way out of scale, these critters aren’t truly monsters, so we hope you’ll forgive our flagrant flaunting of this treasure of a map; we’re just really, really excited. Champlain’s map of New France included all manner of local flora and fauna, including the sea creatures shown in this detail: a seal, a sculpin, and some sort of monstrous sea-hotdog (quite possibly a sea cucumber- any thoughts, @muhnac @natural_history_museum @nhmla @calacademy?). More great news: the map was quickly digitized by @bplboston’s wonderful digital team and is now available on our website and free to download. Link in profile! #MonsterMonday #SamuelDeChamplain #NewFrance #Canada #NewEngland #GreatLakes #17thcentury #geography #history #naturalhistory #cartography #engraving #intaglio #BPLMaps #BPLBoston #BostonPublicLibrary #library #librariesofinstagram #rarebooks Samuel de Champlain. "Carte Geographique de la Nouvelle France.” Detached from: Les voyages du sieur de Champlain Xaintongeois, capitaine ordinaire pour le roy en la marine. Paris : Iean Berjon, 1613. http://goo.gl/e93wtD
Something worth mentioning on International Women’s Day: the Boston Public Library’s exhibition, Women in Cartography: Five Centuries of Accomplishments, opened last October and runs until 26 March at the Central Library’s Leventhal Map Center. The exhibition can also be viewed online.
A few books about women in cartography:
- Soundings: The Story of the Remarkable Woman Who Mapped the Ocean Floor by Hali Felt (Henry Holt, 2012), a biography of oceanographer Marie Tharp (Amazon, iBooks)
- Mrs. P’s Journey: The Remarkable Story of the Woman Who Created the A-Z Map by Sarah Hartley (2001), a biography of A-Z Map Company founder Phyllis Pearsall (Amazon UK)
- Map Worlds: A History of Women in Cartography by Will C. van den Hoonaard (Wilfrid Laurier University Press, 2013), a scholarly history of women mapmakers since the 16th century (Amazon)
After Forbes Smiley was sentenced to 3½ years in prison for stealing nearly 100 maps from a number of different libraries, and maps were returned to the libraries he stole them from, there were still some missing pieces to the puzzle. There were maps in Smiley’s possession that had not been claimed; there were maps missing from libraries that Smiley did not admit to stealing, though he was recorded as the last person to see the map before it went missing.
We Are One: Mapping America’s Road from Revolution to Independence, an exhibition by the Boston Public Library’s Leventhal Map Center (it ran from May to November last year) is going on tour. First stop: Colonial Williamsburg. From March 2016 to January 2017 it will appear at the DeWitt Wallace Decorative Arts Museum in Williamsburg, Virginia. From the press release: “More than 30 unique objects from Colonial Williamsburg’s collections will be included in the exhibition, which were not shown when it initially opened at the Boston Public Library in May 2015. […] Many of the objects from Colonial Williamsburg’s collection to be seen in We Are One are on view for the first time or are rarely exhibited.” [via]
Previously: Mapping the American Revolution.