N. K. Jemisin talks about the map that accompanies her new fantasy novel, The Fifth Season. Uncharacteristically for a fantasy map, but appropriately for the novel, it indicates tectonic plate boundaries. Also uncharacteristic is its use of shaded relief to indicate mountains. The map was executed by Tim Paul, whose portfolio is here.
As Fabrice Leroy exposes in “The Representation of Politics and the Politics of Representation in Schuiten and Peeters’s La Frontière Invisible,” (History and Politics in French-Language Comics, Jackson: The University of Mississippi Press, 2008, 117-136), two cartographic paradigms oppose each other throughout Schuiten and Peeters’ novel. The first one is carried by an old man, Monsieur Paul, who is committed to make maps that reflects on the historic conditions of a place, both at an individual empirical level and at a collective (inter)national one. This interpretation of the map is particularly illustrated in the first part of the story with the delicate care of each body interacting empirically with the model/terrain. The second one is also embodied by a character, Ismail Djunov, who undertook to automatize the process of map-making through monumental machines aiming at an objective cartography.
Something else for me to track down. The Invisible Frontier seems to be out of print.
A revised and expanded edition of Mark Ovenden‘s Transit Maps of the World is coming out in early November, presumably because the transit systems, and the maps thereof, have also been revised and expanded since the first edition was published in 2007. (My review of the first edition is here.) It’s being published by Penguin in the U.S. and Particular Books (a Penguin imprint) in the U.K. [Amazon]
The Mercator Puzzle is an excellent way to visualize the distortions inherent in the Mercator projection, which conserves angles (useful for navigation) by exaggerating size at the poles (problematic in virtually every other use). Click and drag the countries in this in-browser app to see just how dramatically larger or smaller they become as you move them closer to and further away from the poles. [Boing Boing]
Cartographer Daniel Huffman, whose work I posted about a few times on The Map Room, has created a map of Lake Michigan in which the lake’s shoreline has been unfurled into a straight line. “I made this map because I wanted to show space referenced against a natural feature, rather than figuring locations based on the cardinal directions of north/south/etc.,” he says. “I think it’s a very human perspective, grounded in how we relate to the lake, rather than how it looks from space.” (With a 1:6 width/height ratio, it’s also insanely long, rather like a vertical Tabula Peutingeriana, and as such hard to display an excerpt of: you have to sacrifice detail or a sense of the whole. Which is to say: go and see the whole thing.) Via Kottke.
Another fantasy story featuring maps, Charlotte Ashley’s “Eleusinian Mysteries,” appears in this month’s issue of Luna Station Quarterly. In it, a Javanese-Dutch mapmaker named Maghfira is punished for making maps of the moon that include a seemingly fanciful feature: a city named Eleusis. Naturally—this is an sf/fantasy story, after all—Eleusis turns out to be not so fanciful, and Maghfira gets herself into further trouble in its pursuit. The story says a little about maps and forbidden knowledge, rather more about about alienation and the urge to strike out into the unknown.
There is no transit map more iconic than the London Underground’s Tube map. First created by Harry Beck in the 1930s, the design has inspired countless other transit network maps that are schematic diagrams rather than geographically accurate maps. But Transport for London, which operates the Underground, also has a geographically accurate map of the network: it was strictly for internal use, but a freedom of information request has now brought it to light. It’s available here (PDF). The response has been so good that TfL now says it’ll be added to their website. CityMetric, Mapping London.
In my study of fantasy maps, one thing I’m particularly interested in is the difference between fantasy maps and their real-world counterparts. Those differences can be substantial; at some point I hope to go into a bit more depth about them. Meanwhile, James Hinton’s guest post at The Worldbuilding School tries to address this subject by comparing a single real-world city map (London, 1653) with a non-canonical map of Osgiliath from a role-playing game. His point turns out to be that fantasy settings should make sense (Osgiliath, according to the map, doesn’t): it’s a question of geography rather than cartography. The territory rather than the map. But if you begin building your fantasy world by drawing the map … [MetaFilter]
Back when I was doing The Map Room, I followed along as Yanko Tsvetkov started producing map after map of European stereotypes. The project really took off. He’s kept at it since, while I wasn’t looking quite as closely; he’s also collected them into two self-published volumes called the Atlas of Prejudice, which appear to have sold rather well in several different languages. As of July, an all-in-one edition, Atlas of Prejudice: The Complete Stereotype Map Collection, containing all the maps from the previous volumes plus 25 more, is now available.
A new book of map art is due out from Gestalten later this month. Mind the Map, edited by Antonis Antoniou, Robert Klanten and Sven Ehmann, seems very much in the same vein as their previous effort, A Map of the World. “Mind the Map is a showcase that reflects the broad range of work now being created by a new generation of mapmakers from around the world including classically legible maps, artistic experiments, editorial illustrations, city views, vacation guides, and global overviews.” The Guardian has some samples, as does the publisher’s catalog page.
If you’ve been following along, you will instantly understand that this is very much relevant to my interests, and though it’s been an awfully long time since I’ve been in academic mode, I might have to figure out a way to go to this.
Coming in October from Zest Books: Andrew DeGraff’s Plotted: A Literary Atlas, a collection of the artist’s maps of fictional worlds. The Huffington Post has an interview with the author and sample pages from the book, from which we can get a sense both of DeGraff’s distinct and idiosyncratic artwork and the books he chose to make maps for. They’re not necessarily books you’d expect maps for (e.g., A Christmas Carol). These are maps of the stories—not, as we see in fantasy maps, of the stories’ setting—which means a completely different perspective that takes into account both time and distance travelled.
Bellerby & Co. produces gorgeous hand-made, hand-painted globes. Peter Bellerby started the company six years ago—he wanted to make a globe for his father for his birthday, but got a bit carried away. Very much a luxury product: the least expensive item I could find in their catalogue was £999, and the higher-end and custom globes climb well into five figures. Not, in other words, comparable to Replogle’s product line.
As I predicted, a new global map of Pluto has been released that incorporates the imagery that has been downlinked so far from the New Horizons flyby: with gridlines, without gridlines. If nothing else, the equatorial projection demonstrates how much of Pluto’s surface was not seen during the very brief encounter. From what I understand, imagery downlinks will resume in September and carry on for another year, so this map will almost certainly see many more updates.