Four More Map Stories

Four more fantasy stories about maps to tell you about.

To begin with, two short stories by Beth Cato, both published in Daily Science Fiction, both available to read online. In the first, Cartographer’s Ink (August 24, 2012), cartographers “peddle in ink, earth and war”: boundaries drawn on maps with magic ink have real-world effects. The second, simply titled Maps (February 14, 2013), is a brief, quietly horrific tale of a young girl, Christina, whose left hand, against her will, draws maps that predict the future. Both belong to that group of map stories that deal in the tension between map and territory, between representation and reality.

Next, Caligo Lane by Ellen Klages (Subterranean, Winter 2014), which uses the map-as-portal trope: a San Francisco cartographer-witch in a hard-to-find home uses a map to conjure a literal passageway to the place being mapped.

The secret of ori-kami is that a single sheet of paper can be folded in a nearly infinite variety of patterns, each resulting in a different transformation of the available space. Given any two points, it is possible to fold a line that connects them. A map is a menu of possible paths. When Franny folds one of her own making, instead of plain paper, she creates a new alignment of the world, opening improbable passages from one place to another.

Once, when she was young and in a temper, she crumpled one into a ball and threw it across the room, muttering curses. A man in Norway found himself in an unnamed desert, confused and over-dressed. His journey did not end well.

The Japanese army might call this art ori-chizu, “map folding,” but fortunately they are unaware of its power.

Finally, we have “The Inner Inner City” by Robert Charles Wilson, which first appeared in Northern Frights 4, an anthology edited by Don Hutchison (Mosaic Press, 1997); it’s since been reprinted in Wilson’s collection, The Perseids and Other Stories (Tor, 2000). In response to a challenge to invent a religion, Jeremy Singer decides to create “a city religion. An urban occultism. Divination by cartography. Call it paracartography.” There is a tradition of using secret maps to find hidden places; this iteration is quite surreal.

So my religion of the city would have to unite the two domains, the gnostic and the urban. Paracartography implied the making of maps, city maps, a map of this city, but not an ordinary map; a map of the city’s secret terrains, the city as perceived by a divine madman, streets rendered as ecstasies or purgatories; a map legible only at night, in the dark.

Singer loses himself in overnight walks, in more ways than one.

What I rediscovered that autumn was my ability to get lost. Toronto is a forgiving city, essentially a gridwork of streets as formal and uninspiring as its banks. Walk in any direction long enough, you’ll find a landmark or a familiar bus route. As a rule. But the invention of paracartography exercised such trancelike power that I was liable to walk without any sense of time or direction and find myself, hours later, in a wholly new neighborhood, as if my feet had followed a map of their own.

Which was precisely what I wanted. Automatic pathfinding, like automatic writing. How better to begin a paracartographic survey?

Previously: Four Map Stories.

Game of Thrones Map Marker Set

Game of Thrones Map Markers (Dark Horse) Dark Horse has released a Game of Thrones map marker set, based on a map and markers briefly seen in the first season of the HBO TV series. What surprises me is how much more the map resembles a real-world medieval map, in its use of symbols and text, than do the usual fantasy maps, including those for Westeros (though, as I’ve argued before, real-world medieval maps were much more information-dense, and covered in text). At $200, it’s not cheap, but the markers are up to six inches in height, and the map is made of fabric and roughly four by three feet in size. It’s available for purchase at Amazon and ThinkGeek, among others.

A Book About the Forbes Smiley Affair

Book cover: The Map Thief In 2005 and 2006 my map blog, The Map Room, was full of posts about one E. Forbes Smiley III, who had been caught stealing rare maps from the Beinecke Library at Yale University. As is often the case with map thieves, Smiley was found to be responsible for many other map thefts from other libraries, and suspected in other thefts. Smiley was sentenced to 30 months in prison. (I posted a lot about the Smiley case: see The Map Room’s Map Thefts category archives.)

I knew there would have to be a book on the Smiley case at some point, and one is coming out next month: The Map Thief, whose author, Michael Blanding, has managed to interview Smiley himself, and promises new information about the case. I’m really looking forward to seeing how well Blanding has managed to tell this particular tale, which consumed so much of my attention seven or eight years ago.

The Only Fantasy World Map You’ll Ever Need

The Only Fantasy World Map You'll Ever Need
The Only Fantasy World Map You’ll Ever Need by Jake Manley isn’t the first map of its kind that I’ve seen (see also the map in Diana Wynne Jones’s Tough Guide to Fantasyland); still, it’s clear that fantasy maps are a proven vehicle to satirize and critique the genre. (And be satirized and critiqued.) [John Scalzi]

Importing CanVec Data into OpenStreetMap

Last February I imported CanVec data into OpenStreetMap for the first time.

CanVec is a dataset produced by the federal Department of Natural Resources. It’s been made available to use in OpenStreetMap: users have to download the data for a given area and import it into the OSM database.

It’s a great resource, but I’ve been giving CanVec the side eye for years, largely because OSM users had been bungling the imports and not cleaning up the mess they made. To some extent it also encouraged a certain amount of laziness from Canadian OSM users: why go to the trouble of tracing imagery or going out with a GPS if you could just download the data from the Natural Resources FTP server?

That said, most of my complaints were from a few years ago; it’s been a while since I’ve seen a CanVec-induced mess in the database (for example, doubled or even tripled roads imported on top of one another). And between existing imports and the improved Bing aerial and satellite imagery coverage, there weren’t many places I was aware of that I could, you know, try a CanVec import for myself.

Except one.

Continue reading “Importing CanVec Data into OpenStreetMap”

Art and Personal Mapmaking

Book cover: Map Art LabBook cover: Make Map Art

Two books (well, one is sort of book-ish) related to map art and personal cartography to tell you about:

  1. Map Art Lab: 52 Exciting Art Explorations in Mapmaking, Imagination, and Travel by Jill K. Berry and Linden McNeilly (Quarry Books, 5/14): “map-related activities set into weekly exercises, beginning with legends and lines, moving through types and styles, and then creating personalized maps that allow you to journey to new worlds.”
  2. Make Map Art: Creatively Illustrate Your World by Nate Padavick and Salli Swindell (Chronicle Books, 2/14), a “creative toolkit” that includes a booklet and 30 pull-out sheets to use as templates for personal mapmaking projects.

Jill Kelly’s previous work, Personal Geographies: Explorations in Mixed-Media Mapmaking, was reviewed here in 2011 [Fuck Yeah Cartography].

The Geology of ‘Game of Thrones’

The Geology of Game of Thrones
In The Geology of Game of Thrones, a group of geologists has created a geologic map of Westeros and Essos, as well as an invented geologic history of the planet on which George R. R. Martin’s epic takes place. Via io9.
This isn’t the first time a fantasy world has been looked at through a geologic lens. Karen Wynn Fonstad’s Atlas of Middle-earth took a reasonably rigorous look at the landforms of Middle-earth. And Antony Swithin—a geologist in real life under his real name, William Sarjeant—created a geologic map of his invented island of Rockall (see previous entry).

Previously: Review: The Lands of Ice and Fire.

Trap Street, the Movie

A trap street is a fictitious street inserted by a mapmaker to catch plagiarists. Trap Street is also the title of a movie making the rounds of the festival circuit. Directed by Vivian Qu, Trap Street (Shuiyin jie) tells the story of a mapmaker who encounters a mysterious woman on an unmappable street. Based on the IMDB listing, it seems to be headed for a June release. (Does anyone have more information on this film?)

Ganymede and Mercury

Geologic map of Ganymede

The USGS has published a geologic map of Ganymede, Jupiter’s largest moon and the largest moon in the Solar System, based on imagery from the Voyager 1, Voyager 2 and Galileo probes. Via Centauri Dreams, Sky and Telescope.

Meanwhile, Sky and Telescope has produced a Mercury globe based on MESSENGER imagery. They already produce both visual and topographic globes of the Moon and Mars, as well as a globe of Venus coloured for elevation. (I’m crossing my fingers for globes of the outer moons, myself.)

I’m big on maps and globes of the rest of the Solar System. Recent entries: Maps of Mercury; Atlas of Vesta; A Topographic Map of Titan.

A Book About Globes

Book cover: Globes Sylvia Sumira’s forthcoming book on globes—titled Globes: 400 Years of Exploration, Navigation and Power in its U.S. edition and The Art and History of Globes in its British edition—is a history of globemaking during its peak: “Showcasing the impressive collection of globes held by the British Library, Sumira traces the inception and progression of globes during the period in which they were most widely used—from the late fifteenth century to the late nineteenth century—shedding light on their purpose, function, influence, and manufacture, as well as the cartographers, printers, and instrument makers who created them.” Out next month from University of Chicago Press (for North America) and in April from the British Library (Commonwealth markets): Amazon. [Boing Boing]

Two More Map Books

Book cover: London: The Selden Map and the Making of a Global City Book cover: Map Worlds: A History of Women in Cartography

Two more map books, this time of an academic bent:

The New Yorker on Maps and Literature

Go read Casey N. Cep’s essay, “The Allure of the Map,” on the New Yorker‘s website: she explores the relationship between maps and literature on several fronts, including the role of maps in the creative process and the relationship between mapmaking and reality. Also quite a bit on the recurrent meme of the 1:1 map—the map as large as the thing being mapped—from Carroll to Borges to (I did not know) Gaiman (Swanwick and Eco too, if I’m not mistaken: more could indeed be said). Anyway: relevant to our interests. Go read.