The Art of Cartographics (Goodman) is available now in the U.K. but won’t come out in North America until March 2018. The publisher describes it as “a stunning collection of maps designed in a unique way. […] This carefully curated book selects the most creative and interesting map design projects from around the world, and offers inspiration for designers and map-lovers alike. Covering themes including power, gentrification, literature, animals, plants and food, and showcasing handrawn, painted, digital, 3D sculpted and folded maps, Cartographics offers a slice of social history that is as beautiful as it is fascinating.” Buy at Amazon U.K. | Pre-order at Amazon
Also out next week: the National Geographic Atlas of Beer (National Geographic). I have no information about the quantity or quality of the maps therein, but according to the publisher the book does have some: “The most visually stunning and comprehensive beer atlas available, this richly illustrated book includes more beers and more countries than any other book of its kind. Including beer recommendations from Garrett Oliver, the famed brewmaster of Brooklyn Brewery, and written by ‘beer geographers’ Nancy Hoalst-Pullen and Mark Patterson, this indispensable guide features more than 100 illuminating maps and over 200 beautiful color photos.” Buy at Amazon
For Fringe she has meticulously constructed a small show at The Living Room—maximum 30 seats and 20 minutes—in which she paints a map live, trying to get back to a single tiny, perfect moment in time. […] “I liked the idea of the need to make a map,” says MacIsaac on the patio at The Haligonian, “as opposed to the need to follow a map.”
It’s a gently interactive show: The house size dictates which geographical feature MacIsaac uses as the map’s start point. Patrons are handed a tiny program (“for wayfarers”) that contains a questionnaire asking for places they feel safe, alive, that they can’t remember. “I wanted it to be something where the audience would have a chance to reflect,” she says, “or have some moments in the show where the audience could contemplate their own histories, or their own memories.”
Three showings left: one tonight, one tomorrow afternoon and one Sunday evening. [WMS]
Alastair Bonnett’s latest book, Beyond the Map, is out today in the U.K. from Aurum Books. An exploration of “thirty-nine extraordinary places, each of which challenges us to re-imagine the world around us,” including disputed enclaves, emerging islands and other idiosyncracies of geography, Beyond the Map looks like a follow-up to his 2014 book, Off the Map (published in North America as Unruly Places), which I reviewed in February 2015.
As part of her Project Subway NYC, architect Candy Chan has created a series of X-Ray Area Maps of various New York subway stations. These maps show the subway stations—their platforms, their passages, their staircases—relative to the surrounding streets and buildings. Absolutely engrossing. Chan explains her methodology in this blog post. She’s also selling posters. [Kottke]
The New York Times is collecting several maps on two web pages. The first page deals with subjects like rainfall, river level, current and historical hurricane tracks, damage reports, and cities and counties under evacuation orders. Maps on the second page look at Harvey’s impact on the Houston area.
Kenneth Field critiques the National Weather Service’s decision to add more colours to their precipitation maps (see above). “Simply adding colours to the end of an already poor colour scheme and then making the class representing the largest magnitude the very lightest colour is weak symbology. But then, they’ve already used all the colours of the rainbow so they’re out of options!”
Christina E. Dando’s Women and Cartography in the Progressive Era (Routledge) came out earlier this month. From the publisher: “As women became more mobile (physically, socially, politically), they used and created geographic knowledge and maps. […] Long overlooked, this women’s work represents maps and mapping that today we would term community or participatory mapping, critical cartography and public geography. These historic examples of women-generated mapping represent the adoption of cartography and geography as part of women’s work. […] This study explores the implications of women’s use of this technology in creating and presenting information and knowledge and wielding it to their own ends.” [WMS]
While we’re on the subject of fantasy maps, here’s Camestros Felapton with a thing: “I thought I’d look at the most classic of fantasy maps again but from a different perspective. Part of the problem and the attraction of Tolkien’s original map is the additional detail and a sense of a bigger explorable world. What happens if we strip that away and while we are at it making the right-angle problem a bit worse?” What happens is my eyeballs bleed: that’s what happens. (The right-angle problem is probably a reference to Alex Acks’s critique.)
It might be facile to hashtag #notallmaps, but, really, not every map is a geologic mess, not every map is a Eurocentric western ocean oriented map, with an eastern blend into problematic oriental racial types. Not every map has borders which strictly follow natural barriers and does not have the messy irregularity that real world maps and borders have.
He offers up some examples of what he considers the better sort of fantasy map. Notably, and one I didn’t know, a map from Arianne “Tex” Thompson’s One Night in Sixes:
This is a map I love because it is precisely an in-world artifact. This is a map as used by the characters, changed and remarked for current conditions. Oftentimes, a map in a fantasy novel will be in “god game mode,” an omniscient point of view at the reader, not the character level. Even if characters traverse the entirety of the map, Tough Guide to Fantasyland style, they often aren’t seeing the world of the map as the map. The style and technology of a map is often at odds with what the characters already have.
The difference between maps for the reader and in-world maps is an interesting point, one I plan to look at in more depth in a future article. And I’ll have more to say on fantasy map style, and fantasy map design, shortly.