Created by designer Michael Raisch to coincide with the 2018 FIFA World Cup, The Illustrated Football Atlas combines vintage maps with drawings of the respective countries’ players. For more about this project, there’s an interview with Raisch at both The Guardian and These Football Times. [Mark Safran]
The official Pyeongchang 2018 website has maps of the various facilities for the Winter Games, though except for the Pyeongchang Olympic Plaza and Gangneung Olympic Park maps, there isn’t a lot of detail. Some of that is ameliorated by this Story Map of Olympic venues, which makes use of DigitalGlobe satellite imagery; the interface is a little less than obvious, but you can navigate around each facility. See also Explore Pyeongchang in Google Earth (Chrome required). [Maps Mania]
There’s an interesting story behind the name of Pyeongchang (평창군). It’s often spelled PyeongChang, which is odd because you don’t expect camel case in romanized Korean; and before 2000 it was spelled Pyongchang. Both changes have an explanation: as The New York Times explains, “it was often confused with Pyongyang, the capital of North Korea. So in 2000, the town added a letter, capitalized another and changed its name to ‘PyeongChang,’ though most foreign news agencies declined to use the capital C.” [CityLab]
Speaking of toponyms. As I watch more Olympics coverage than is strictly good for me, I can’t help but notice the CBC’s sports commentators make frequent reference to the “East Sea”—the body of water that Gangneung, which hosts a number of ice venues, is on the coast of. It’s better known as the Sea of Japan, but as I’ve mentioned before, that name is disputed by Korea, where there’s a push to have it called the East Sea (동해), reflecting longstanding Korean practice. CBC’s use of the name is likely simply good manners.
Earlier this year Great Big Story did a short video piece about legendary ski resort map artist James Niehues, whom I’ve blogged about here on several previous occasions. Though this 2½-minute video is obviously less in-depth than, say, the Aspen Daily News’s profile of him from last year, I don’t mind another look at him and his work. [Atlas Obscura]
Suddenly I’ve got several links in the queue about paper maps and the use and making thereof:
BBC Autos looks at something that ought to be obsolete in the age of onboard navigation and mobile phones: the AAA’s TripTik. “And yet? July 2016 was the most popular TripTik month in AAA’s history, issuing 2 million TripTiks to members in a single month.” Go figure. [Osher]
I hadn’t know about Wunnenberg’s street guides, because I’m not from St. Louis, but I’ve seen other products of the sort: locally produced, hyper-detailed maps of a specific area. (Think the A-Z Maps and London, or Sherlock Maps and Winnipeg.) The St. Louis Post-Dispatch has a look at Wunnenberg’s in the context of GPS, mobile phones and declining paper map sales. [WMS]
Fiasco Design’s Rio 2016 Interactive Map (screencap above) is a cheeky game-style enviroment that mixes Olympic venues with local controversies.
What3words, a company that assigns a three-word mapcode to every location in the world—useful in places like favelas that have no formal addresses—has partnered with an official Olympics app, Rio Go (iOS, Android) to provide locations for Rio visitors. More: Reuters, the Telegraph.
Not a map in the strict sense, AirTravelGenius’s metro map of Olympic cities (above) is clever in how it manages cities that have hosted the Games more than once.
The Ordnance Survey has created a series of data visualizations showing the most popular walking and cycling routes, based on OS Maps usage. “The 500,000 plus routes were illustrated in a series of beautiful data visualisations by [cartographic designer] Charley [Glynn], who found it amazing that the people who created routes for their outdoors adventures had logged almost every bit of British coastline. It neatly frames the rest of the data and gives the illusion you are looking at a map of Great Britain. The darker, thicker areas illustrate the higher concentration of routes and reveal popularity.” Flickr gallery. [Mountain Bike Rider]
The California Hiking Map is a poster-sized (40″×60″) map of California that purports to show all of the state’s hiking trails on a single map. “The trails shown generally include hiking trails, Class 1 bike paths, and fire roads closed to vehicles. This map also highlights select long distance trails and historical trails. Insets were made for some areas that have a high volume of trails in close proximity.” The result of two years work and a Kickstarter campaign, the map costs $20 plus tax and shipping. [Ryan Mik]
London Hiker reviews the A-Z Adventure Atlas series of maps. “They contain 1:25,000 scale Ordnance Survey maps, but in a book format, like the A-Z street map books you’re probably used to. […] Many of the new A-Z style map books are extremely convenient and are fast becoming a favourite with me, depending on the circumstances.”
The Aspen Daily News has a profile of map artist James Niehues, who’s painted hundreds of different aerial views of ski resorts and recreational areas since the late 1980s. (If you’ve seen a poster of your local ski resort, odds are Niehues was the one who painted it. He sells prints of them, too.) The article names Niehues as heir to an artistic tradition of alpine cartographic art whose practitioners included Hal Shelton and Bill Brown.
Without knowing it, Niehues had become heir to an American artistic dynasty. Shelton was trained as [a] U.S. Geological Survey cartographer and produced a large number of famous trail maps in the 1960s and 1970s. In the ’70s, Shelton passed the torch to Brown, and by 1988, Brown was ready to pass the torch off to someone else.
In the early 2000s, though, it seemed that the storied line of American mountain illustrators would end with Niehues. His maps, many of which had faithfully represented ski trails for decades, began to be replaced by digitally rendered pieces whose production values placed speed above quality.
But there’s a twist: one of the digital illustrators, Rad Smith, ended looking to Niehues for inspiration and mentorship. Demand for painted maps turns out to be more resilient; Niehues, who I believe is in his late sixties and has described himself as semi-retired, may have someone to pass the torch to after all. It’s a fascinating read. [via]